Quotes of All Topics . Occasions . Authors
For years, I've had a hankering for the portrait of Benjamin Franklin by Joseph Duplessis. Franklin is credited with so many inventions: the postal system, lightning rods, the constitution. He was a rock star before there was such a thing.
I don’t shake at the site of alcohol anymore. I don’t feel the need for it. If anything I’ll get stoned. I always told myself if it got to the point that it was affecting my songwriting and music that I’d stop. And it did get to the point.
I grew up below the poverty line; I didn't have as much as other people did. I think it made me stronger as a person, it built my character. Now I have a 4.0 grade point average and I want to go to college, and just become a better person.
I was like, "Oh my god, I hope you're secretly grossed out about everything that [Donald] Trump has been doing." But why is it such a shock to anybody? He's said so many things that show who he is and how ignorant he is from the beginning.
When we finally got to play that and we had a great show there, well I can tell it was pretty awesome. Y'know, we probably did bigger festivals since then; we probably headlined bigger festivals since then, but I will always remember that.
When Jack Black and I started Tenacious D, there were about two seconds in the beginning when we thought maybe we'd have a go at serious music. But we quickly abandoned that when we realized that everything we did tended to come out funny.
Children are the ultimate investment of all of those that want to make money, to sell, to dominate. So there are two meanings. They are our ultimate investment for anyone who is honest and ethical and loving, but also for all the commerce.
One of the things I've really realized over the past number of years is that you can't plan - you really don't know what's going to happen. All the plans I made for myself all turned out really differently in the end, so I just go with it.
Some days I would be there at ten in the morning and wouldn't leave till ten at night, and the others would waltz in for a couple of hours and then leave, because I was doing that painting thing. And they were happy to see that being done.
Moving on has allowed me to know who I am and to be present in all that I do. I take this forward in my work and in my personal relationships. It is a powerful program and I highly recommend it to anyone wanting to move on with their life.
I've said the Grammys messed up metal because it's not on TV. What I'm saying is when you're in a metal category, it's not televised, and it doesn't move the needle forward for metal artists, and I wish they had more respect for the genre.
The Who always play 'I Can't Explain'; and we'll always play 'Wonderwall'. People ask us if we get bored of it. You can't get bored of 15,000 people shouting for 'Wonderwall'. That's better than drugs. You get a hard-on when you hear that.
I found myself reading about this 16-year-old kid inventing a micro-organism to save the ocean. It made me realise that we can do anything if we put our minds to it. Even with all the damage and destruction, things can heal if we let them.
In the past we used to come over to see what was going on in London or Paris or Milan or wherever - it's pretty much the same stuff everywhere [now], and people are wearing the same things, because it's all instantaneous with the Internet.
If somebody told me, "Not a good idea," I would've said, "No, it's probably a good idea if you get drunk with me." I would've flipped it around on them. There was no way you could tell me anything. I wasn't listening to any type of reason.
I'm on this planet for another forty years at the most and I got a baby and a wife and I'm worried about their future and that kind of fear, that anger is spilling into my lyrics, I can't just sit back and talk about myself until I'm dead.
In the beginning, Barry and I couldn't decide if we were going got go forward with the name of the Bee Gees or just as Barry and Robin. Now we've decided to continue as the Bee Gees because we feel we can, and Maurice would have wanted it.
I think everything worked out the way it was supposed to. Mark's happier. I'm sober. There are still phone calls to be made, people I need to say something to. But everyone from Creed who I've offended or hurt, I ask for their forgiveness.
People go through challenging moments of losing people and of having their life threatened from illness and real grief. But they get through it. And that's the testament to the human spirit and it's -we are fragile, but we also are divine.
My family still lives over there [ in South Africa] .I miss them terribly. I would say that most of my life over there was probably very similar to the sort of life someone would experience growing up somewhere like Australia or in the US.
My favorite pieces that I've written, either for St. Lucia or for myself, have always had a transporting quality to them, where they take you out of the moment and somewhere positive that feels nostalgic and happy but sad at the same time.
I find that when I'm under pressure, I work really well, but then you have those days where you sleep for four hours because you drive to a venue overnight and arrive there the next day, and you're cranky and not dealing with it very well.
My career could've been anything, I just wasn't that good at other things. I'd say it was fairly easy starting out as I did in LA, meeting some great friends and musicians and landing a record deal. That's where the hard work began though.
I was playing surf music with my band when a girlfriend of mine who had come from Los Angeles took me to a James Brown concert. That show really changed my whole outlook and thought processes, especially about music and different cultures.
I thoroughly enjoyed working on Enemy of the State. Tony Scott is an important director, and has an amazing ability to express himself, and he doesn't do it in musical terms, he does it in emotional terms. I got along really well with him.
People spend hours constantly checking and tweeting and Facebooking. And it's cool to check up on your friends and see what's going on in the world, but it's not cool to spend five hours of your day on the computer looking at the Internet.
I've never been in a band where someone goes, 'Ah, I've got the perfect name! And it's because I climbed Mount Fuji, and at the top a golden dove came down...' It's always a bunch of guys sitting around going, 'How about Rotten Chipmunks?'
The main thing in measuring integrity is someone's motive and intent, not how many records they sell. Our intent in Ministry was never to be big. We just wanted to make enough money to live and to buy a studio, which we have done in Austin.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.
I started understanding William Blake and George Orwell more and more. It's amazing how we go to school when we're so young, read all of these books, just trying to memorize them. When you start to live, you don't have to memorize anything.
My dad was one of the reasons I got into rock and roll, because I was learning the ropes of his business, which was selling powertools, and I was looking for a way out from under his heel. I was like, 'Where's the fun? Where's the glamour?'
You have to look at every one of your songs and be able to identify with them in a meaningful way. You can hardly sing your songs unless you're in them. If you want to fake it, go ahead. Fake it if you want. But I'm not that kind of singer.
People have different emotional levels. Especially when you're young. Back then I guess most of my influences could be thought of as eccentric. Mass media had no overwhelming reach so I was drawn to the traveling performers passing through.
I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.
Most big concerts sound disgusting and awful and insultingly bad. It's like going to the cinema and been shown a scratchy film which is upsidedown and the bulb had gone on the projector. The quality of large-scale live music is so shocking.
Sometimes it looks like God's abandoned you, but not for any reason. To make your faith grow and to see that, no matter what happens, you come out OK... It's all for your good. It's all for love, and it's all for making you a strong person.
I'm done with books for a while. They take a lot of time, and they take a lot out of you. Maybe I'll write another in the future when my hair starts turning white and I'm, like, that Gandalf-looking dude with white dreads and a white beard.
A pop song is a condensed version of a life in three minutes, whereas, when you go to write your prose, you have to find the rhythm in your words, and you have to find the rhythm in the voice that you have found and the way you're speaking.
In this business, things go in waves, and I might make a record every three years. That's enough for me; that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one.
Music education was always big for me. Ever since I was a young kid, I always said it was the reason I went to school sometimes and knowing if I didn't do well in class that my mom wasn't gonna let me sing in school or sing at that concert.
Yeah, I like to keep myself interested - I'll kind of throw myself into some area that I don't completely know or understand, that I'm not adept at, so I'm forced to swim in order to stay afloat. There's a good feeling that comes from that.
I was working in, being a single parent with a grieving child of five years old. It was horrendous. I couldn't go out much, because I had my daughter to look after. So people used to come round, and Tony Harrington from The Wire came round.
There is no way I'll ever write an album for Avril Lavigne or Christina Aguilera. I just couldn't do it. There is no way I could ever do it because my musical process is about being directly involved with whatever I'm going through in life.
As far as viewpoints, I think I'm more well-rounded and definitely more educated, and probably more hopeful than I used to be. I think when you're young and you get into a cause, you get frustrated with it within a few years, or six months.
I think I just get excited by music, and, like, singing is a very physical thing. It releases endorphins in your body. You're using almost muscle in there, and I think that adrenaline really helps to kind of make the songs fresh every time.
My diet, my regime, the whole life I have on the road has always got that little bit of stress because I'm always afraid I'm going to get a cold. And it's just such a nightmare when you got a cold or an irritation and you have to do a show.
The art school party in Liverpool, in a flat in the students' accomdation, was the first all night party I ever went to...I puked up next morning. Cynthia was there, and I remember saying drunkenly to her 'I wish I had a nice girl like you'
Part of Krishna consciousness is trying to tune in all the senses of all the people: to experience God through all the senses, not just by experiencing Him on Sunday, through your knees by kneeling on some hard wooden kneeler in the church.
I cry really easily. If I see a butterfly, I'll practically burst into tears. So it's really hard for me to yell at people, because I'll feel so guilty about it. But if I don't, then they don't take me seriously and it's this endless cycle.
I have lived in public as a somewhat recognizable person since I was a teenager. Emails I answer end up posted on sites; pictures of me and someone I just met, taken by a cellphone, literally number in the thousands and are easily accessed.