Quotes of All Topics . Occasions . Authors
Just sitting back trying to recapture a little of the glory of... Well, the time slips away and leaves you with nothing, mister, but boring stories of Glory days - yeah, they'll pass you by, Glory days - in the wink of a young girl's eye.
Sleater-Kinney is a band that we hold close to our hearts as well; it's not something that we're cynical or jaded about. We only feel gratefulness and appreciation for other people's enthusiasm about it. We would never be annoyed by that.
That's why I think it hurt us, whereas these other bands [I'm assuming he means the other Big 3 -Slayer, Megadeth, Metallica] they kept doing their thing, just METAL. METAL. METAL. METAL. We didn't do that, we took a little but of a turn.
If I'm going to go out to be a solo artist, it's because I want to do something different without having to wait on someone else's schedule or hobbies or be limited by other people's prejudices. I'd be kind of stupid not to exercise that.
How often have I actually discovered in myself that enthusiasm raises the artist above himself, how in an ordinary mood one would not have been able to accomplish many of the things for which enthusiasm lends one everything, energy, fire.
If someone has it inside them to commit an act, then that act would be committed anyway. It's very easy for someone to place the blame on something other than the person who committed the act. It's people looking for scapegoats, you know?
I am tired of the superficial smiles that adorn the many ghouls among us. I am tired of the righteous indignation that hides beneath those visages that feign our best interest and deign to think we cannot and will not stand for ourselves.
I wanted to be Gerry Mulligan, only, see, I didn't have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that - except I couldn't afford a baritone, so I bought an alto, which was the same fingering.
That’s the great illusion of travel, of course, the notion that there’s somewhere to get to. A place where you can finally say, Ah, I’ve arrived. (Of course there is no such place. There’s only a succession of waitings until you go home.)
I have pretty ecumenical tastes. I'm interested in a lot of different kinds of music, so I don't listen with a jaundiced ear to music because it's in a certain category, whether it's country or opera or hip-hop or bebop or whatever it is.
The worst advice I ever received from my dad was to play by the book. My old man used to flip out whenever I would try to branch out and do something different. Although he didn't do it on purpose, he really held me back in the beginning.
If I'm not on tour or in the studio, I'm in nature somewhere, usually some kind of ocean. Playing music has afforded me that. It's not lost on me that it's a tremendous opportunity to be able to spend your life being surrounded by nature.
It's understandable why someone would like their entertainment to provide an escape from modern day worries and the reality of war. We feel this record creates a healthy opportunity to process some of these emotions rather than deny them.
But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
People are simply screwing up when they go out and buy beefsteak, which is killing them with cancer and heart troubles. The stuff costs a fortune, too. You could feed a thousand people with lentil soup for the cost of half a dozen filets.
I’m constantly embarrassed. I fidget and twist my hair and pull weird faces and stutter. Some days I feel quite confident, then others there’s a microscopic flaw about myself physically, which will make me embarrassed to walk the streets.
There were some extremely good teachers there that were great artists really in their own right. It was actually very hard to concentrate on getting down to going any work being an art student especially when it's a flighty thing at best.
I continue to write. It's just one of those things that I do. I'll have periods when I write and periods when I don't. But you don't want it to become a discipline really. If it becomes a discipline, it becomes a chore and that's no good.
I definitely learned a lesson this time. I know that I can be broken. I am not as tough as I thought. I see it now. At this point, it's the only thing good that came out of all of this. I know myself better now and know what I have to do.
When I met her she was Anna Mae. I was the one who turned her into Tina Turner. I had to tell her how to dress, how to walk and how to talk on stage. I told her how to stand and how to look, the whole thing, man, I mean from the wig down.
I would love to work with Leonard Cohen, Tom Waits, B.B. King. I'd love to do something with Arctic Monkeys, Miles Kane, and The Last Shadow Puppets. If I got a call from Juliette Lewis or PJ Harvey, or Chrissie Hynde, that'd be a thrill.
You have to change your life for yourself, and it's about the fun of getting there - sitting in the tour van, breaking down on the side of the road, you know, having a laugh with the guys in the band, making mistakes with nobody watching.
Upwell is one of the most terrifyingly great bands I have ever known out of Seattle. Their musicianship and songwriting is monstrous... They're heavy like Soundgarden or Zeppelin with killer female vocals, but with their own unique style.
Well, we didn't have our original drummer on our last record. And most of that album was not played as a band in the studio. It was mostly the world of computers and overdubs. There was very few things played live or worked out as a band.
The beauty of recording in L.A. is that most of the musicians that are on the record live here, so it was easy to get world class artists like Rick Braun to swing by and play a little trumpet, Everette Harp on sax, guitarist Paul Jackson.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
At my high school, there were always kids carrying acoustic guitars around, which is why I named my band the Mountain Goats. I didn't want to seem like one of those guys who brought his guitar to the party whether you asked him to or not.
When you're thirty-five, you can't take as much booze ... and I always got a little violent on drink...So it was kind of self-destructive suicide side of me, which is resolving itself for the better, I believe, because I never enjoyed it.
You'd have to give people free rein to attack the local councils or to destroy the school authorities, like the students who break up the repression in the universities. It's already happening, though people have got to get together more.
I'm almost a black singer. And without the backbeat, it's singer/songwriter. There's a definite choice to be made there, every time. And I love the sex of singing with a beat; I like the sexiness of it. I think it's really where I'm from.
You know, Equal Interest played at the Bell Atlantic Jazz Festival Awards and not one musician from that category was even thought of. Even thought of! The idea, that here's this vital energy, and that element doesn't even know it exists!
I'm a spokesman for myself. It just so happens that there's a bunch of people that are concerned with what I have to say. I find that frightening at times because I'm just as confused as most people. I don't have the answers for anything.
My relationship with my father is fine. Every relationship has its ups and downs because bad things happen in all relationships. But for me, I can only write about what I'm feeling in the moment and something that actually happened to me.
Our audience seems to be able to handle whatever kind of weird opening acts we turn them on to. I mean, sometimes it happens to be something like a band like Nirvana or Mudhoney, and other times, its just weird noise crews that we dig up.
The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
The more confident you are, the more you can let go and believe that the people you've chosen to be in your circle are able to do what they say they're going to do and what they're really good at. It has made me a better band member, too.
The only person I have regrets about is Miles Davis. He and I had become good friends after we did a photo shoot, and coincidentally, we kept running into each other at parties and stuff. I regret not having written a hit for Miles Davis.
Name ten songs you want to hear again before you die, get all of your friends together and scream them. Because right now all you have is time, but someday that time will run out. That's the only thing you can be absolutely certain about.
When inspiration and emotions are sudden, and you can truly capture something, then, yeah, of course it feels good. But when you’re stunted, and you’re having trouble expressin’ yourself, then obviously it doesn’t. So it’s never constant.
Even modern English people are imperious, superior, ridden by class. All of the hypocrisy and the difficulties that are endemic in being British also make it an incredibly fertile place culturally. A brilliant place to live. Sad but true.
I'm not a visionary, but I've spent half my life drawing things Imagined, Remembered, and Observed, comparing the differences between them, and my study confirms that "the difference between night and day / is not as great as people say."
You know if I see a work that really I am very affected by and inspired by then it makes me want to try things with my work that maybe I hadn't considered trying before and I think that is the biggest complement that you can pay somebody.
'Adbusters' is my favourite reading material, so as soon as you go there, the synapses start firing in a different way. You start taking on things that sometimes I feel are out of our control. That's what basically fuels my creative side.
When I was 9 years old, I really wanted to be in the show business. I really wanted to be an artist. I would grab a wooden spoon and I would start singing, even if it was for my uncles and my aunts. And I would just sing any lah-lah song.
And I came back and it was great, 'cuz George had set up all these flowers all over the studio saying welcome home. So then we got it together again. I always felt it was better on the White one for me. We were more like a band, you know.
If you have a lot of money, you know that you can make almost anything happen, but with a smaller budget you don't have a lot of time or too many resources, so you have to conceive things in a very simple manner and make them happen fast.
Life is life. You do a lot of different things and you have great adventures but there's not a lot to talk about unless you're in the middle of an adventure at the time. Circumspection is not one of my better, favorite conditions, really.
Todd and Tim [Tobias] write the music, and I come up with the melodies and lyrics. I call it the Ohio Rock Factory. Tim and Todd run the northern plant in Cleveland, and I've got the southern plant down here in Dayton. No tours permitted.
Irony is the recourse of the weak-minded wimp, I think. I hate bands that deliver their songs with knowing smiles on their faces, so that if those songs fall flat they can say 'Ah well, we never really meant it anyway.' It's so dishonest.