Quotes of All Topics . Occasions . Authors
Growing up, I always wanted to be in punk bands, so I'm really enjoying the harder, heavier element. It's always been my dream to have people moshing at my gig, kind of that really feral element of the music coming out more. I love crowd-surfing.
The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio - it sent me a bit mad.
I never gave up on that idea, you know, that jazz musicians have the same opportunity as everybody else and that it's what you put on that record that makes the difference whether you sell it or not or are able to get it into people's households.
Indian music is brilliant and for me, anyway, (this is only personal) it's got everything in it. I still like electronics and all sorts of music if it's good but Indian music is just... an untouchable you can't say what it is, because it just is.
The naturalist worldview is a good way to feel grounded and feel part of something that isn't based on fairy tales. It's based on observable facts in the human and in the biological history of the planet. I think that can be a source for comfort.
For me, Memphis has always been a city that holds a great deal of meaning and also leads me to a lot of thinking. Besides Sun Studio, which helped put rock n' roll on the map all over the world, the legendary Stax Studio also called Memphis home.
I think I am the most impressed with writing styles that defy category, like Kharms or Selby, Breton or Jarry, where you become as interested in the writer as much as the writing itself. It's all these things that make reading so appealing to me.
Seven-11 is the pulse-beat of America. I think that Bruce Springsteen should do a song about a 7-11 in Asbury Park, New Jersey, but write it in such a way that American's youth can identify and slurp along with the Boss. Hail the Boss! Hail 7-11!
I like people that can strap on a guitar and don't sweat the fact that you have to come up with a song in an hour. I want to work with someone who won't feel like they have to play along with Jason Molina. I want them to just have the confidence.
The whole nature of war is both stupid and fascinating. It's this big game, except people die. Yet we still keep on playing it because of the big power struggles that exist all over the world. It's really amazing to me that people really do that.
I'm the kind of person who likes to hang out and observe what's going on in the streets, or in certain places. I used to do that a lot. But having to become an international superstar, I can't do that comfortably! But it's all positive, you know.
If I pick up a guitar, I don't practise scales. I never have. I come up with something I haven't done before, new approaches to chord sequences, riffs, rhythms, so it becomes composition. It's not like the music I'm doing is just a single thread.
We've got this gift of love, but love is like a precious plant. You can't just accept it and leave it in the cupboard or just think it's going to get on by itself. You've got to keep watering it. You've got to really look after it and nurture it.
For whatever reason I just remembered being six years old and my parents leaving the house and trusting me to be alone. I had an older sister, I think she was supposed to babysit me but she immediately ran across the street to her friend's house.
I was making stickers for guys' bands. I was in the front row photographing bands, booking bands, doing all of the kind of backstage stuff, and I didn't even think for a second I could do it, and then I saw Babes in Toyland, and all that changed.
I loved the bootcamp and the training. It was the actual Navy and the structure after it that I realized wasn't for me because they're building soldiers. It's a system, and you can't really stick out; you can't be the oddball out in the military.
I am basically a shy person, so performing sometimes helps me focus - having all those people concentrate their attention on you. I don't see it so much as becoming another person onstage; it's more exploring a different side of your personality.
Relevance is a big, big question. It's more about what's your definition of being relevant. In the music world, agism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.
My father was stationed in Italy in the military. I had no one to feed me what was cool, so I was into Guns N' Roses and New Kids on the Block and MC Hammer and a lot of '80s hair bands. But I was never into Motley Crue, they never stuck with me.
In a certain way, we felt almost like spies in the major label world. We were coming from some other world, and we somehow got our foot in the door and crept in and were prowling around, checking things out and taking back reports from the front.
When I first learned guitar - when I was 14 or 15 - I had an older cousin who showed me some stuff. And he was into all these tunings. He was showing me tunings that people like David Crosby or Neil Young used - like dropped D and open D tunings.
Like everybody else, I love a good pop song. You know, there's nothing like it. I also just really like music that goes off on extended forays of extrapolation into different areas. So it's kind of nice to be able to move between those two poles.
As you go through life's rich tapestry, you realize that most people you meet aren't fit to shine your shoes. It's a sad fact, but it's true. A good friend is someone who'd hide you if you were on the run for murder. How many of them do you know?
All I can say to people who don't think depression is a real thing, or say 'just suck it up and get over it' - they just really have no idea. You have to give people the benefit of the doubt that they're doing the best they can to get through it.
I'd like to think that I'd helped people all over the world to question the things they otherwise would have accepted as the truth. I'd also like to think that I'd charmed them a bit with my lovely vocal stylings and the baring of my lovely arse.
There are a lot of great recording artists, like Jack White and Jack Johnson, who stay confined inside a very small box, but I'm more like Bon Iver, who recorded an album with programmed drums, and the next record was totally organic. I get that.
I enjoy changing; I think it's more fun to try something different than to just do what you did last time. As an artist, you just want to keep creating, keep finding a place that really inspires you that feels fresh and new, and keep it exciting.
Actually, I find it embarrassing being a pop star. I prefer it when people just treat me like anybody else, although occasionally there is a side of me, which is indulgent and I expect certain things because of my position. It's one of the perks.
The only people who steal are thieves, and that’s a very small percentage of civilization. Most people want to have some way to make the economic transaction valid. They want to return the favor, if you will… return the benefit and reciprocate...
The only people who steal are thieves, and that's a very small percentage of civilization. Most people want to have some way to make the economic transaction valid. They want to return the favor, if you will... return the benefit and reciprocate.
There's no way you could get me onstage with someone that I didn't like. No way. I would never do that. We have our gripes and stuff like that. All bands have their drama, but life is too short to be miserable around somebody that you don't like.
Some people are still not into us. That makes sense. We haven't really done a lot of press. We haven't put ourselves out there in ways that a lot of people would know we are still around. Unless you tour or record, they don't know you are around.
I'd probably be a super wealthy guy if I had sat around writing songs and getting them placed like everyone else I know. But I write songs about people or after I meet them and they're somewhat biographical - they're fiction but also non-fiction.
You're asking if I'm happy? I've got 87 million in the bank, I've got a Rolls Royce, I've got 3 stalkers, I'm about to go on the board at Manchester City, I'm part of the greatest band in the world. Am I happy with that? No, I'm not! I want more!
I kept the first Rickenbacker I ever got, a little short-scale John Lennon-type model. And I've got a couple of 12-string models, which are really nice, and I've got a Pete Townshend model, which Pete gave me a few years ago. But that's about it.
I had always been a jazz fan - Django Reinhardt, Kenny Burrell, Wes Montgomery, Joe Pass, the early George Benson. And I come from the Hank Marvin melodic upbringing. So blues, I loved, but I also liked jazz. Therefore, my style was more lyrical.
The four of us couldn't have made a record with the time left over when we were shooting the show. We were on stage from 7.30 in the morning 'til 7 at night. Later on, when there was a break from filming, and we were sick of doing it the old way.
I do miss things about Britain. I think there was a misconception, there definitely was, that I left because of bad press, and being pilloried. I left Britain because I fell in love with someone who lived in Switzerland - that was the main thing.
I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.
I am deeply saddened by the loss of my children`s grandfather and my very dear friend. I loved big John with all my heart. ... Johnny Cash will, like Will Rogers, stand forever as a symbol of intelligence, creativity, compassion and common sense.
You can see it on the Internet: There's an argument going on continually about, 'What is folk music?' And I don't really want to get involved in that. It's an endless argument, a 'How many angels can dance on the head of a pin?' kind of argument.
I'm used to music as a tool, taking the various elements and then making something completely new out of them. And writing film music is the perfect opportunity to do that, because you can look at the film and then just let your imagination soar.
I think most producers and MCs are constantly in this competition, but it's usually with yourself. It's usually wanting to be innovative: wanting to catch yourself when you're doing the same thing or throwing out the same art you've already done.
I spent a lot of years on the road, and what happens is you find out who your real friends are and you find out where your strengths and weaknesses lie in communication. I've had the same friends for 20 years now and I can count them on one hand.
When I was 10 I went to the Drakensberg Boys Choir School, which is this idyllic Harry Potter-esque music boarding school in the mountains in South Africa, and that's when everything started to change for me and I realised that music is my thing.
I don't know if it's irrational, and I would never say this before, but I think I'm a little bit agoraphobic when I'm in huge crowds of people. I mean, it's claustrophobic, probably - small spaces and large groups of people, anxiety rises for me.
I've had a lot of people pass away in my life. I guess it's all a matter of how you deal with your mortality - and recognizing that you are mortal. I'm trying to see what a gift life is and how quickly it can be extinguished, without any warning.
Tink is the voice of the youth. I'm not one of those artists who talks about unrealistic things or fairy tales. I'm not talking about expensive things and cars. I'm actually talking about what's going on in my life and every teenager's life, too.
I tend to write on an acoustic guitar or the piano. I have kind of a rule: if I can't sit down and play this and get the song over, I don't take it to the band, because most any good song, you can sit down and deliver it with a piano or a guitar.
I really wanna make hip-hop music, but I don't know how to use any of the tools. Electronic, computer skills, I don't have those for engineering or making beats. I don't know how to use a sampler well. I don't know how to use any of these things.