Quotes of All Topics . Occasions . Authors
I didn't have huge expectations for 'Frampton Comes Alive!' My previous album, 'Frampton,' had sold about 300,000 copies - a decent amount but not mind-blowing. There was talk at the label that maybe the live record could go gold. I was hoping we could do it, but I wasn't sure.
In 1989 I sort of got back into the music business and one of the reasons I got back in is [that] I put the first All Stars band together. It's actually progressed from that every other year, or every two years, I've put that together...more and more realizing that's what I do.
I met some people who help in an archeological project in the South Pacific, between sailing to the Marquesas, which is an island group not too far from Tahiti, and I think, Wouldn't that be great? I have such a fascination with history and especially history in my own country.
Only a handful of people are honest when they sing. A lot of people sing about very vague things, or they'll sing about someone breaking up with them, but a lot of people don't go too deep into their past and stuff, because they don't want it to be let out. I just do it anyway.
I think one of the most important things, that this album is for me, and this period in my life, is about gratitude. About recognizing all of the things, daily, that I'm grateful for, and there are many in my life. I'm just so blessed, and I try to carry that with me every day.
I was turned down by every record label in L.A. Perseverance is three quarters of the game. Talent's only a quarter. Being able to withstand the word 'no' over and over can build you a pretty tough skin. I knew if I just kept at it, at the very least I'd get better at my craft.
That's always stuck with me, with music. I've never really gotten jaded about it. I've always loved music for the sake of doing it, and the longer I do it, the more I like it. Hopefully, I'll be able to have that same point of view in this business, or at least with doing this.
Yoga has enriched my life...It is a great way to offset the downsides of touring by bringing much-needed peace and sanity into what can be a hectic life. Like music, yoga is a journey - one that is long enough so you keep developing, and keep learning. I don't see an end to it.
For the first two weeks after he passed, we were done as a band. We were just done. And because of the fans and Jimmy's parents and relatives and stuff like that, they just demanded that we continue on and spread the legacy that is, you know, the crazy James 'The Rev' Sullivan.
If you saw my musical collection it's absolutely horrendous, I've got everything from Stockhausen to The Beach Boys to Gina G, all sorts of terrible things and other people come here and look at my record collection and go, "Ah, you can't possibly like that - how embarrassing!"
We really wanted to create an album that had no boundary or limit to it. There's nothing to say that we couldn't release a song that belongs on 'The Stage' 20 years into our career. We want it to be an album that constantly grows with what we want to do, and that's what we did.
I think some women try to make you feel you're not all female because you haven't given birth. There are a lot of prejudices. Some women think women who have animals are deeply sad, because what they really want is a child. Mind you, there's probably an element of truth in that.
During the course of the day, I write things down, things I don't do anything with. Then, when I get ready to start recording, I just look through my books and I see if I can find something that stands out. That's how I come up with the off-the-wall-kinda-strange-indirect-stuff.
I've never been in another kind of midlife crisis. I don't know what it feels like when you're through that, but I definitely feel that changing a few things, like being on a different label and having things kind of settle back into a sense of normality, helps to feel grounded.
In Olympia, Washington, many of us were writing songs that were the equivalent of bloodletting: This is the sound a wound makes; this is the screech of a scar. But Mary Timony was always more kaleidoscope than microscope, creating magical worlds replete with weaponry or sorcery.
People can talk about punk all they want, but after new wave put that down, metal is the voice of the disenfranchised and that need to become unhinged. That's why it appeals to so many people when they are younger and carries over when those people, at 40, don't want to grow up.
For me, the Mount Rushmore of greats would be Ric Flair, Dusty Rhodes, Hulk Hogan, Bruno Sammartino or Lou Thesz. You can do either one of them in that fourth spot. But I think Ric Flair is the greatest of all time. He's the greatest I've ever seen... on the mic and in the ring.
Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldnt do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.
I never heard so many kids talk about just doing anything to be famous. I mean, yeah, fame is part of the deal when you're a kid and you think, I wanna go into music, but everybody that I knew was really doing it because of their love for it. I don't see so much of that anymore.
Our music has depth, and attempts philosophical thought and meaning with discussions of infinity, eternity and mortality. There is a line which people cross that turns it into some magical, mystical realm, for which I dont claim responsibility and dont hold any great truck with.
My favorite Galaxie 500 album is the first one, 'Today,' recorded in three days at Noise New York and produced by Kramer. It contains my favorite Galaxie 500 songs: 'Temperature's Rising,' 'Tugboat,' and our interpretation of Jonathan Richman's 'Don't Let Our Youth Go to Waste.'
I played 'Eruption' two times for the record, and we kept the one that seemed to flow ... there's a mistake at the top end of it whenever I hear it, I always think, Man I could've played it better ... but I like the way it sounds. I'd never heard a guitar sound like that before.
Before the operation on my left hand I wasn't able to stretch my fingers open all the way. I've never had very big hands, but I could do the splits with them. Eventually I couldn't any more. I had a twisted tendon in my little finger that prevented me from being able to stretch.
If you wanna know how not secure you are, just take a look around. Nothing's secure. Nothing's safe. I don't hate technology, I don't hate hackers, because that's just what comes with it, without those hackers we wouldn't solve the problems we need to solve, especially security.
Everybody knows in the business how I feel about country music. I'm an old traditionalist. Then they just call me an old man and stuck in my old ways, but with all the fans I've got out there, I can't be all that wrong. I do love traditional country music. I love the good stuff.
I loved Roy Acuff with all my heart, and I never dreamed I'd be able to meet him or see him onstage, or especially become good friends with him. For all this to happen, it's hard to explain what a dream this is when you love something as much as I love traditional country music.
I think that America certainly has racism, I think that any industrialized country does. But when you see how many million fans Barack Obama has who are not black, it would lead one to the conclusion that millions of Americans are in fact not burdened by the albatross of racism.
I think humor is actually a very serious thing. I think the people who shaped culture, for the better, in the last 50 years or so, more than almost anyone else are people like Lenny Bruce, George Carlin, Richard Pryor and even Chris Rock, back when he was doing the edgier stuff.
I've met very lonely people who have 10,000 friends on Facebook. And it's just not real. We've set up this artificial society in cyberspace. And that's supposed to be a community, like a real community. It's supposed to be where people go to get solace or friendship or have fun.
I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with 'Thus Spoke Zarathustra.' He gets a bad rap; he's very misunderstood. He's a maker of individuals, and he was a teacher of teachers.
Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.
It's not like if I play in big places I won't be happy. But I don't want to start adapting to what's in style to make my music. I want to stay true to my roots, to keep making the music I love, that comes from my soul. And if there are people who want to listen to it, I'm happy.
Certain people are like 'Oh, here come the Feminazis!' You end up acting 10 times nicer than you even need to be, to be the opposite of the stereotype like 'You're the man haters!' We're always bending over backwards being extra nice. And I don't know if being nice is my legacy.
Don't ever empty the bucket of mystery. Never let people define what you do. It's not about zigging when you should zag. It's not about doing something unprecedented and unpredictable. It's just about never being a word, or something that is not in the process of transformation.
I have to have animals. They really make life worth living, and my world actually revolves around them. They know exactly when it's time to get up, exactly when they're supposed to get their food, and they let you know. Mine are right there in my face, first thing every morning.
You go to a Springsteen show, and half of the people are there to party and forget about their cares, and they're being drawn to this visceral experience. And then the other half, you know, has lived and died with his 'Nebraska' album and considers him one of the greatest poets.
I feel like it is easy to get people to see eye-to-eye with you on little things, but if I were to talk about my faith as a whole, people tend to turn off to that. They feel like you are trying to persuade people to think like you do, and that's not really what I'm trying to do.
I'm always trying to challenge everyone to raise the game on the artistic level. We are supposed to be the best. Make sure we don't get complacent or comfortable, and always trying to push the limit on trying to write great songs. At the end of the day it's why we do what we do.
We don't want to be Mick Jagger and the Rolling Stones. That type of thing wasn't what we were after. It was most important for each of us to be equal in input and output - each of us has to pull the same amount, musically, in composition and in every sense of being in the band.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
Every night, you fight for that standing ovation at the end of the night. And if you do something wrong, the domino effect is chaotic. And you must not allow yourself to make mistakes whatsoever. So in that case, theater, it's fascinating because of the discipline that you need.
The internet has not granted us more control in relation to the record company because we're still bound by an agreement with them not to release our music without their consent. But they generally let us do what we want, anyway, so it doesn't matter who's officially in control.
The lesson learned: Never take your loved ones for granted. And if you’re ever lucky enough to find that one person in life who makes you love more than any other person could possibly make you love, you treat every day together as if it were your last. You cherish every moment.
I was never into hanging out on the Sunset Strip. When it came to Guns N' Roses and the scene that was going on then, that was something we pretty much hated. That was what we had to scratch and claw through, and as soon as we got established enough to leave, we never went back.
I feel the most natural thing is for music to come that way because it's sort of like poetry. Though I do think with poets that I like, like Charles Olson or Ezra Pound, they were rewriting constantly, until the poem becomes a diamond.But with music I don't really feel that way.
Well, I'm a painter, I was trained as a painter. I seem to have spent a little less time painting than I might've done. But it didn't transcend the feeling of playing at UFO and those sort of places with the lights and that, the fact that the group was getting bigger and bigger.
There's always a spattering of people who see Hanson who were influenced by classic '60's and '70's rock and roll. In a lot of ways, we're sort of the anatomy of a '70's rock band if you examine what we do: white guys who grew up listening to soul music from the '50's and '60's.
I've always said my records are these failures of not getting where I want them to go, they end up detouring somewhere else, so on one level it's partly a disappointment, and on another level it's being comfortable with surrendering to that kind of state of becoming or whatever.
I can tell you that I can always recognize a Boston song, even if it's in a noisy place. I can hear that it's Boston even before I know what song it is. If a Boston song comes on in a club or somewhere, I notice that it's Boston, and the second thing I notice is what song it is.
You make me smile like the sun, fall out bed, sing like a bird, dizzy in my head. Spin like a record crazy on a sunday night. You make me dance like a fool, forget how to breath, shine like the sun buzz like a bee, just the thought of you can drive me wild. Oh you make me smile.