Quotes of All Topics . Occasions . Authors
The person on the shrine is myself. I listen to my own music constantly. I made a whole other record already. I look at myself on the internet constantly, so much so that I actually physically hate my face. It's like I've become apart from myself. I can't even live up to myself.
I think a "song" is, like, just play it on the guitar and sing it. You look out and see thousands of covers of "Animal" for example, so you think, "That was probably a pretty good song, because people feel like it's satisfying to just play it with one instrument accompanying it."
I have not been a good father, but no father has loved his children more. Like my father, I decided the best thing I could do for my kids was work and provide. Fortunately, I've been able to do that. Unfortunately, my work was on the road, and that's meant a life of one-nighters.
I personally wouldn't want my second album to sound like my first; it might sound very rocky or hard rock - and that wouldn't be melancholy. So if people think my music is melancholic, then so be it. It's meant to be uplifting, and I'm just basically saying what needs to be said.
I'm pretty horrible at relationships and haven't been in many long-term ones. Leaving and moving on - returning to a familiar sense of self-reliance and autonomy - is what I know; that feeling is as comfortable and comforting as it might be for a different kind of person to stay.
My earliest memories of music are probably my dad listening to a bunch of outlaw country, but also old R&B and Ray Charles, Aretha Franklin. But, you know, I had rock phases and liked more modern R&B acts. I've always listened to all kinds of music, and I like all kinds of music.
I've seen everything from 'Wicked' to 'The Book Of Mormon,' and I don't make any bones of the fact that I love both. But 'Les Mis' is not only my favorite musical, but it's also my favorite story. I love the book, which I read as a kid, and I identified so much with Jean Valjean.
I have ideas every day, and if I'm not carrying a pad of paper, I'm typing it into the notes thing on my iPhone, and it's just ridiculous - idle hands are the devil's plaything, and I can't be the devil's plaything. I got to be the devil; I got to be the guy making it all happen.
It's important that Oasis are rude about everybody and that they get drunk...Fair enough. It's nice, isn't it? But it's nothing to do with me. They came to see us in Manchester and they were very pleasant boys. Very nice. I'd like to see that as a quote. Oasis are very nice boys.
Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldn't do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.
I think sometimes I get carried away, like I'm speaking to an imaginary audience rather than just trying to figure something out for myself. Ideally, I try to balance that - that I'm asking these questions of myself, how does this work, why does this happen, what's going on here.
I read once that the voice is a mirror of our inner being. I can very much relate to that because, when you sing, you feel very exposed. You feel like you can’t hide anything. But then it also works the other way round and, when we work on our voice, our inner being also changes.
The thing that kills me is all these bands that use huge words in their lyrics, 'I'm swimming in a vortex of apathy.' I'm like, 'What?' I don't walk up to a friend and go 'That's a stylin' looking vortex of apathy you've got there pal. I was swimming up a river of deceit myself.'
As a child, I didn't know what they mean by 'to die.' So I grew up in a place where people used to die all the time, but a child is not allowed to see a dead body. When you ask, 'Where is so-and so?' you're told, 'He's gone to another world where we all go to live in the future.'
Most of the world is fooling about, especially the people who think they control the world and the community. The presidents, the politicians, the military, etc., are all jerking about, acting as if they are Lord over their own domains. That's basically Problem One on the planet.
I thought if we made an album that tried to change the world, or give it hope, it would really happen. But all people found was death and destruction and misery and self-hate. I learned that the world doesn't want to be saved, and it will f**king punch you in the face if you try.
Through the years, I have combined meditation, action, and the Iron into a single strength. I believe that when the body is strong, the mind thinks strong thoughts. Time spent away from the Iron makes my mind degenerate. I wallow in a thick depression. My body shuts down my mind.
Look, it's a monster. He's walking alone. Look, he's pulling something out of his pocket. He threw it on the ground. Let's go see what it is. It's a black box. You open it... ok... Look, it's sorrow, misery and pain. It's loneliness and longing. Boy, he'll be sorry he lost these.
One of the most prevalent and undermentioned genres of music is what is known as noise. You can find it all over the world happening in basements, small venues and even some festivals. Often blown off or belittled by critics, the form for the most part goes unheard and unnoticed.
My mother taught me how to read very early on and at school I was ahead of everyone in class... Reading was always something that I liked because I could do it alone and I was alone a lot of the time with my mother working the hours she did. Books became my friends very early on.
Actually, time and time again people always come back to my early, more innocent stuff, and say, "I kind of prefer that." I could go back to writing that and probably make more people happy, but it just doesn't feel like the right thing to do. I don't want to take the lazy route.
When you look at men's fashion magazines, you see a lot of well-groomed guys in suits, but very rarely do you see a lot of guys in drop-crotch and hoods with high-tops. It's coming, though, because guys in suits and short hair are beginning to look like they're from another time.
At some point, I had to make a decision: I could practice more and become a really great guitar player or I could work on writing better songs. There are only so many hours in the day, and I found writing songs more fulfilling than working on becoming this virtuoso guitar player.
Unless you're living on the street and surviving on a diet of discarded turkey drumsticks, there's no point in being gloomy. We've spent too long trying to cheer ourselves up by spending money on brightly coloured things we don't really need. We've stopped using our imaginations.
Right after 'Backspacer,' my best friend got killed tragically. Something happened to me then where I got super motivated. I had a shelf of all this unfinished music... So I just went to work and made a conscious decision that I was going to finish a bunch of stuff. Life's short.
If you want to create something that's worth doing you have to self-edit from the get-go. You really must be careful and selective with whom you work, you must constantly ask yourself the hard questions about your art, and you must set a nearly unattainable standard for yourself.
In L.A., it's so sunny out all the time that even though I'm working all day I have this illusion that I'm on some kind of vacation. New York is so condensed and exciting but you stay there too long and all that turns into anxiety a little bit. It's nice to escape here and there.
I have to admit I've found myself doing the same things that a lot of other rock stars do or are forced to do. Which is not being able to respond to mail, not being able to keep up on current music, and I'm pretty much locked away a lot. The outside world is pretty foreign to me.
And for me, I think of the group as one in which there's always this pendulum swinging back and forth between writing shorter, more concise pieces until we get kind of sick of it and then writing pieces that get more sprawling and experimental and explore in different directions.
The world is going to end for each of us in a prescribed time, and you sort of understand that your time is limited at a certain point, and you want to get done the things you want to get done. You don't want to leave things undone, because you only have a limited amount of time.
The rest of the band had a cynical view towards the way 'Tusk' was made and the reasons why I thought it was important to move into new territory. It wasn't just negativity. There was open hostility. Then I got a certain amount of flak because it didn't sell as many as 'Rumours.'
Anything can be misinterpreted. People can look at Christ on a cross and think, This is an image of murder, this is violent, this has sexual imagery in it. And it just - I think it's my job as an artist to be out there pushing people's buttons and making them question everything.
It is impossible to follow the teachings of Jesus Christ and be a Republican. It's philosophically absolutely opposed - if they could only think about what they were saying for a minute. That's when you get caught up in the webs of what people call themselves and how they behave.
It was actually drumming that gave me the stamina to get into sports later. I started playing drums at 13, and when I got to the international touring level... I got interested in cross-country skiing, long-distance swimming, bicycling... things that require stamina, not finesse.
I'm fascinated with genetic science, and I have been for a very long time. I always look at science and technology because I think that the developments in my lifetime have been so remarkable - and we're only at the tip of the iceberg with projects like decoding the human genome.
I look upon meself as... You take a band that's made up of arms, legs, bodies... I happen to be the piece that talks. And does all that area of it, you know? I'm also very easy to recognize; the darkie in the middle jumping around with the guitar, you know. Dat boy's got rhydm!!!
There is a great book out called 'Everything I Needed to Learn I Learned in Kindergarten,' and I believe that everything I ever needed to learn on guitar was in my first two years of hungry learning: Scotty Moore, Hank Marvin, Chet Atkins, Lenny Breau, Chuck Berry and Bo Diddley.
I'm one of those people. I can be sold by the candy in life, and then it can be stripped away within a split second and I feel like I've seen too much. And that's the way, I've been like that most of my life, so I could never say I was there yet in any stretch of the imagination.
I have a trainer who comes three times a week and just listens to me moan... and I keep fit and keep moving... and I do watch what I eat. I am a vegetarian... I can't eat crazy food. I'm highly allergic to onions and garlic and spices... I've never had a pizza, never had a curry.
Music means communication to me. I say 'listen you people out there, listen to my music, let's be one.' Music is a friend to me when I am lonely, when I am blue. You can't define music 'cause music is cosmos and it knows no barrier or definition. You have to feel music to dig it.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
We used to sing along to Judy Garland and Ella Fitzgerald records together. She had the most amazing voice ... She's always encouraged me, and she's still that person who, when things look dire, lifts me up and reminds me of who I am and that we all have a capacity for greatness.
It's a really diverse time in music, with all these different DJs and all these different categories, and we are all taking footnotes from everyone else. There are no real genre boundaries anymore; you can take a trance idea and put it into a trap record - it's not that uncommon.
I think there is something about the Internet which gives people almost an opportunity to role play and to create a facade, an image. I see that as quite a dangerous development because I think what we call social networking, Twitter, Facebook, etc., is actually quite antisocial.
The families who chose me to take their terminally ill kids on their last hunts in life many times over the years know and love the real Ted Nugent. That they decide I'm good enough to take part in such a spiritual and emotional moment in their lives proves that I am good enough.
European festivals area lot bigger than American ones, but I like the travelling festivals, it's the same production every day and the bands get used to the stage set up and by the third or fourth show of the tour they're putting on a better show than if they just played one day.
My father lived by the philosophy, 'Be yourself, because everyone else is taken,' and he made sure I did, too. Whatever I wanted to do, he supported me. I don't mean that I was spoilt - he didn't believe in material gifts - but he watched my back while I worked to achieve things.
Being in the studio, it's more of a controlled environment, where you can be Salvador Dali and sit back and look at the painting. And you can go, 'Ah, you know what? Maybe a little bit more red over here...maybe add some blue over here.' You can sit back and look at the painting.
I come to sing for the people, not for the government. God made the sunshine for everyone and made the moon for everyone. We have to follow his example so we have to play music for everyone too. We have a message, and in order for our message to reach the people, we have to play.
The weirdest time is when I'm having to explain myself all day to journalists, and then I don't perform, so there's no release, just a lot of self-consciousness. Then what do you do with that at the end of the day? How do you release your brain from talking about yourself all day?