Quotes of All Topics . Occasions . Authors
The GOP grows more and more unpopular with female voters seemingly every time one of its leaders gets in front of a microphone. Misogynist is as misogynist does. The GOP and its bloviating pundits don't like women and they are unable to hide it, nor do they seem to make much attempt to do so.
I've ended up on some website list or some other list for super right-wing people. They've been tweeting some pretty rude stuff at me, so I think there's a sect of America out there that doesn't like certain opinions and can really take their claws out when they don't like what you're saying.
It's funny how you can intensely investigate one very particular thing, and then it can lead you to other things through links and stuff like that. It's like you're going on this selective, very precise detour. But then it is strange because with it being so quick, there must be a difference.
I just think there's an awful part of rock-'n-roll music where people kind of pretend they're young all their lives, you know? And they kind of live off past glories. Especially now there's kind of a trend where people are performing only their old albums, in their entirety, beginning to end.
Physically touring is tough on me, not that I am weakling. I lose weight. I can't always find the things I need to keep my strength up. It is very draining physically. It is taxing for my mind and body, but in a good way. It feels healthy in a way to purge things out of my system every night.
Most of my records are never going to be commercial successes, and I don't expect that. It's just all a learning process to me. If something appears as a failure, fine. If there's success, fine. I like the record, and my friends like the record, and that's kind of all I can really care about.
That's one of the real downfalls of celebrity. You're something that's about you at some point, and that gets latched onto and pumped into the machinery. Then you start having a million other people telling you who you are, and what you should be doing and why, and it's easy to lose your way.
When you write a song it's sometimes in a desperate moment whn you can't really articulate it. What I love about lyrics is what T.S. Eliot said: 'Good poetry is felt before it is heard.' I'm a believer in that. It's those moments when you sit yourself down, and talk to yourself in the mirror.
At the time of starting this band I was listening to tons of death metal. However, the bands that made me want to be in a band to begin with were groups like Korn, Deftones, Slayer, Sepultura... everything that my dad would buy and bring home to me and my brother saying 'Hey, listen to this'.
Drumming completely eclipsed my life from age 13, when I started drum lessons. Everything disappeared. I'd done well in school up until that time. I was fairly adjusted socially up until that time. And I became completely monomania, obsessed all through my teens. Nothing else existed anymore.
The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.
Los Angeles has been my home since the days even before Motley Crue, so I am beyond excited that 'The Side Show' has found a home on 98.7 FM. This is the station I listen to - my friends listen to it, my family listens to it. It's the station I wanted to be on, and I'm psyched to get started.
I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.
A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
(before playing Headfirst Slide Into Cooperstown On A Bad Bet) I couldn't really come up with a short way to sum up this song, but I was watching the movie 'Adaptation' the other day and this sort of sums it up in my head. You are not who loves you. You are who you love. Always remember that.
I loathe rock stars. I am a music nerd, a fan, a follower... just like any fan of music might be. And although I have blood-relatives, a lot of times I feel closer to my audience than my true family, because at least my fans get what I'm doing, to a certain extent, whereas my family does not.
The difference between the American version of 'Live Aid' and the British one - in England, if you wanted a cup of tea, you made it yourself. If you wanted a sandwich, you bought it. In typical American style, at the American concert, there were laminated tour passes and champagne and caviar.
Sometimes things just aren't of their time, and they take a minute to catch on, or they find an audience later. Sometimes bizarre little films are the ones that everyone remembers later. With most big major blockbusters, people will have already forgotten about it two weeks after it came out.
My father had a perfectly good drummer who he had an argument with. So one day, on a Tuesday, my father came in with a cheap pawn shop set of drums and said, 'Put your foot here, and you kick there, and you play this, and this is the high hat.' And Friday night, I was playing in a honky-tonk.
Sustaining a narrative in sentences and paragraphs is very different from songwriting. But the dedication to the craft and just the endurance that it takes, you know, to stick with it and believe you can pull it out and make it real and finish it, I learned that a long time ago writing songs.
Governor Jan Brewer and the Arizona legislature have created an environment in Arizona where performing is no longer a neutral act. They have created an environment where they can convert the normal commercial interaction between artists and their fans into the means to apply this racist law.
When someone has to do work for me, I lose my mind. I can't help it, I'm a bit of a control freak. I've always wanted something that would depict slow-moving paintings, stunning artwork that also incorporates movement. It was hard letting someone else create that vision for me, but I love it.
There was one theory put forth by a journalist recently. I have a lot of friends that have died prematurely and a lot of friends that have died of natural causes. I've lost a lot of people over the years. This journalist basically recommended to me that God keeps me around because I amuse him.
What bothers me is when music becomes entertainment. Of course, music is supposed to be entertaining, but go back to any period of time - music had a cultural significance on different levels, whether it was folk music, it was the news of the village, or it had to do with the rites of passage.
In 1975,Bob Dylan was almost 10 years past his prime - and then he released the best album of his career, Blood on the Tracks. Written and recorded amid a painful divorce, Blood on the Tracks is proof that heartbreak makes great art - just as many of the albums that followed were the opposite.
Oh, God said to Abraham, "Kill me a son" Abe said, "Man, you must be puttin' me on" God said, "No" Abe say, "What?" God say, "You can do what you want, Abe, but The next time you see me comin', you better run" Well, Abe said, "Where d'you want this killin' done?" God said, "Out on Highway 61".
You know, when you're 23 and you get pissed, I mean drunk, you can just go crazy and it's all right. But if you're 43 and you do it, it's like your best friend's mother who used to come in pissed and everybody was really embarrassed. It just doesn't go down well, you know, after a certain age.
I kind of lost my sense of organized religion and became more spiritual from the experience. I would walk in the woods and to the sand dunes and the lake every day. That spoke to me more than getting up at six and the morning and saying some prayers. That had nothing to do with religion to me.
One day in Berlin ... Eno came running in and said, 'I have heard the sound of the future.' ... he puts on 'I Feel Love', by Donna Summer ... He said, 'This is it, look no further. This single is going to change the sound of club music for the next fifteen years.' Which was more or less right.
I've been asking myself: 'Why put together these things - CDs, albums?' The answer I came up with is, well, sometimes it's artistically viable. It's not just a random collection of songs. Sometimes the songs have a common thread, even if it's not obvious or even conscious on the artists' part.
I think it's really hard to make songs that pursue an agenda. You can kind of do it a little bit through a character, so the character gives voice to something or their story, the story of the character tells you something, but, for me anyway, it's really hard to write directly about politics.
I've been having this really weird anxiety dream about arriving too late or too early, and the people in charge are like, 'You have to leave! You have to go back to the hotel and get ready!' And I use the wrong exit, and I'm running down the red carpet in pyjamas, like, 'No! Don't look at me!'
Is this the real life? Is this just fantasy? Caught in a landslide, No escape from reality. Open your eyes, Look up to the skies and see, I'm just a poor boy, I need no sympathy, Because I'm easy come, easy go, Little high, little low, Any way the wind blows doesn't really matter to me, to me.
I write what I can. I think being able to write like Michael Connelly and have a character that goes from novel to novel, or to dramatize history like Vidal or Ellroy, or have an explosively inventive mind like Bulgakov, would be an incredible thing. I don't have that. I only have what I have.
I had an upright - it took me years and years to get enough bread to get it. I'm from Florida, so one morning I woke up, go in the corner, and the bass is in a hundred pieces 'cause the humidity is so bad. I mean, the upright just blew up. I said, 'Forget it, man. I can't afford this anymore.'
The way I wanted to write it, is with a hero, or sort of a pure character who was the protagonist. And the antagonists were these demonic evil children, cause when you're a kid, seven or eight years old, and you're looking at the world around you - everything seems black or white, good or bad.
Generally a good parameter for me is to try something I haven't done before either in the writing or recording process, to break old patterns and habits. Even if I eventually return to something similar, I'll have gotten there from a different starting point and engaged in a different process.
My art is not limited to the songs I create but also to the reaction it creates. I like to sit back and look at the whole thing as if it's a tornado that I'm controlling. It's creating chaos. When you create chaos, ideas are turned upside down, and everybody looks at things in a different way.
Before MTV, if you put out an album that sold 50,000 copies, your band could afford not to have day jobs for a while. That meant you could stick around, put out another album or two. Maybe it would be the second or third album where you'd make the statement you'd been trying to make all along.
I learned that when you do the best job that you can do, some people will idolize you, others won't care, and some will vilify you. I believe it is important to remain humble and thankful for the blessings in our lives, for the tremendous opportunities that are a result of our musical success.
I have to do what I'm doing at the time. That's the most important thing. You might lose some people along the way, and you might gain other people on the way, that's just the way it is. But nevertheless, if you're driven by something, there is no argument about it; that's what you have to do.
I've always felt that I'm affected by the world, by the way we treat each other, by the way different countries treat each other. I've always been very affected by politics, society, but I never got to a place as a writer where I felt like I could begin to deal with such things and do it well.
If there is one thing that, as a director, you don't want to be a part of, it's a group. It's the same thing with music. I don't want to be a part of a scene. Just leave me alone. It's just my nature, and it's nothing against the people that are in that group, but I just like to be left alone.
In a nutshell, this United Nations non-profit organization [World Food Programme] feeds millions of starving children at schools in third world countries as an incentive for them to attend school, which in turn might better their futures. They do so much more but I was so struck by this story.
These days I think people give up too easily. Everyone says it’s about compromise, which it is. Love, compromise, promises, presents help. But ultimately it’s about not giving up. People are led to believe that if it’s not perfect then just ditch it and change it, these days. That’s a mistake.
I think that one of the reasons that we chose the word love as the subject is because your human connection and how you affect everybody around you, you'll only understand the gravity of that as you pass later on in life. I think as artists it's our ability to communicate that in certain ways.
I will say that I know Nirvana did a show and played a few chords from 'More Than a Feeling' before they did 'Teen Spirit,' and it wasn't very good. But in all seriousness, 'Teen Spirit' was a great song. If subconsciously or somehow I had any influence on that, I'll take that as a compliment.
The whole of life itself expresses the blues. That's why I always say the blues are the true facts of life expressed in words and song, inspiration, feeling and understanding. The blues can be about anything pertaining to the facts of life. The blues call on God as much as a spiritual song do.
My kid is seven years old and is learning to read and conjugate, but I don't agree with that kind of education because I feel that the concepts are not contextualized... it's interesting to try to make my kid a reflective boy, rather than just a repetitive boy, even if he doesn't agree with me.
Sometimes something intrigues me about particular sounds, how they work together, and I think "Okay, I've found something here; I'm going to take it somewhere." And sometimes just to find a name for that sound, whatever it is, ends up becoming a title of the piece or becoming part of the title.