Quotes of All Topics . Occasions . Authors
When I get moved to write a story, I don't question the story. I dive right in, and I try to ignore the voices that are chattering away at me: 'You can't do that', 'You shouldn't do that'. I just sort of leap and take a chance and go for it.
When I read a book, I put in all the imagination I can, so that it is almost like writing the book as well as reading it - or rather, it is like living it. It makes reading so much more exciting, but I don't suppose many people try to do it.
I'm a visual thinker. Research tells us that only 20 per cent of people think visually. So what about the other 80 per cent? Don't they think in pictures? I mean if you imagine washing and preparing potatoes you visualise the process, right?
Love doesn't work that way. You don't meet one day and kiss and see sparkles the next. Real love takes time. They need to get to know each other, and when they do, then they might fall in love. They know next to nothing about each other now.
Marie Calloway has a very specific literary personality that the reader is intrigued by: she's masochistic, loves to experiment, is quickly bored and intermittently self-hating, very hip, rebellious. Figuring her out is a gripping adventure.
There is a whole industry in America of people who want to write, and those who teach it. Even if the students don't end up writing, what's good about them taking the courses is, they become great readers, learning to appreciate the writing.
Nothing but real love--(how rare it is; has one human heart in a million ever known it?) nothing but real love can repay us for the loss of freedom--the cares and fears of poverty--the cold pity of the world that we both despise and respect.
Character is money; and according as the man earns or spends the money, money in turn becomes character. As money is the most evident power in the world's uses, so the use that he makes of money is often all that the world knows about a man.
But suppose, asks the student of the professor, we follow all your structural rules for writing, what about that something else that brings the book alive? What is the formula for that? The formula for that is not included in the curriculum.
The world is divided into those who screw and those who do not. He distrusted those who did not—when they strayed form the straight and narrow it was something so unusual for them that they bragged about love as if they had just invented it.
As to memory, it is known that this frail faculty naturally lets drop the facts which are less flattering to our self-love - when it does not retain them carefully as subjects not to be approached, marshy spots with a warning flag over them.
It is deliberate policy to keep even the favoured groups somewhere near the brink of hardship, because a general state of scarcity increases the importance of small privileges and thus magnifies the distinction between one group and another.
The gods made our bodies as well as our souls, is it not so? They give us voices, so we might worship them with song. They give us hands, so we might build them temples. And they give us desire, so we might mate and worship them in that way.
Nothing bores me more than books where you read two pages and you know exactly how it's going to come out. I want twists and turns that surprise me, characters that have a difficult time and that I don't know if they're going to live or die.
It all goes back and back," Tyrion thought, "to our mothers and fathers and theirs before them. We are puppets dancing on the strings of those who came before us, and one day our own children will take up our strings and dance in our steads.
Over the years, more than one reviewer has described my fantasy series, 'A Song of Ice and Fire', as historical fiction about history that never happened, flavoured with a dash of sorcery and spiced with dragons. I take that as a compliment.
But have you never noticed that when one has been trying to do something really good one is much nearer committing some special sin than when one keeps on in the selfish, matter-of-fact prudence of minding one's own business, and that alone?
What if this young woman, who writes such bad poems, in competition with her husband, whose poems are equally bad, should stretch her remarkably long and well-made legs out before you, so that her skirt slips up to the tops of her stockings?
You are just in the middle of a struggle with words which are really very stubborn things, with a blank page, with the damn thing that you use to write with, a pen or a typewriter, and you forget all about the reader when you are doing that.
My relationship with Wilhelm and Jacob Grimm reaches far back into my childhood. I grew up with Grimm's fairy tales. I even saw a theater production of 'Tom Thumb' during Advent at the State Theater in Danzig, which my mother took me to see.
Say there are three identical-looking pizza joints on a street. Two of those will always be empty. The third will have a line of people patiently waiting, checking their phones. There's always one place that's the place. That's how it works.
Warmest climes but nurse the cruellest fangs: the tiger of Bengal crouches in spiced groves of ceaseless verdure. Skies the most effulgent but basket the deadliest thunders: gorgeous Cuba knows tornadoes that never swept tame northern lands.
A girl's coquetry is of the simplest, she thinks that all is said when the veil is laid aside; a woman's coquetry is endless, she shrouds herself in veil after veil, she satisfies every demand of man's vanity, the novice responds but to one.
I was part of a generation that believed in socialism and finally found that belief corroded and destroyed. That is not renouncing Communism or socialism. It's reaching a certain degree of enlightenment about what the Soviet Union practices.
All this happiness on display is suspect... If they think - and they could be right - that continued torture and summary executions, ethnic cleansing and occasional genocide are preferable to an invasion, they should be sombre in their view.
Wiggles hissed as I crossed the floor toward the throne. She fixed me with her empty hateful eyes and smelled the air, her long tongue shivering through the slit of the lipless mouth. Nice to see you too, sweetheart. Remember my cattle prod?
Muggles have garden gnomes, too, you know," Harry told Ron as they crossed the lawn. "Yeah, I've seen those things they think are gnomes," said Ron, bent double with his head in a peony bush, "like fat little Santa Clauses with fishing rods.
...his gaze met hers. It was crazy. Dressed down in worn blue jeans and a black shirt, he was the most beautiful man she’d ever seen. And the moment was sort of perfect. Even with the deer head staring over his shoulder like a total creeper.
Vishous's chest expanded. . . and his diamond stare slowly swung to Butch. There was a heartbeat of intensity. Then V reached out and repositioned the cross so it once again hung over Butch's heart. "You did well, cop. Congratulations, true?
And as he held his first true lover against him, feeling that familiar difference in their heights and smelling that wonderful cologne, part of him wanted to debate this break up until they both gave in and kept trying. But that wasn’t fair.
If you think you can temper yourself into manliness by sitting here over your books, it is the very silliest fancy that ever tempted a young man to his ruin. You cannot dream yourself into a character; you must hammer and forge yourself one.
Being somebody: it's one of the ideas in life, no? That's what my father made clear to me. The importance of being somebody. He wanted to be somebody. And he underlined to me the fate of trying to be somebody and not quite managing to do it.
I've always felt that writing can be learned but not really taught. The best thing somebody can do for you is to put the right book in your hands at the right time. I grew up in a family where the right book was always being put in my hands.
Naturally, it was easier for me to envision becoming a novelist than it is for most people. I had two great in-house teachers; I had parents who considered a career in the arts a real possibility rather than a dreamy arrow shot into the sky.
There isn't a king or a merchant prince in the whole world that I envy, for I always knew I was born to be a child of destiny and that I was never meant to wring my living from detestable, low, degrading, mean and ordinary kinds of business.
I think we are all of us a pretty milky lot, without tea-table convictions and our radicalism that keeps so consistently within the bounds of decorum . . . .I'd like to annihilate these stupid colleges of ours . . . instillers of stodginess.
Hazard has conditioned us to live in hazard. All our pleasures are dependent on it. Even though I arrange for a pleasure, and look forward to it, my eventual enjoyment of it is still a matter of hazard. Wherever time passes, there is hazard.
I had been a student in Vienna, and one of the neat little things I had found out was about that zoo. It was a good debut novel for me to have published. I was 26 or 27 when it was published. I already had a kid and would soon have a second.
I know how to choke. Given even a splinter-thin opportunity to let my side down and destroy my own score, I will seize it. Not only does ice water not run through my veins, but what runs there has a boiling point lower than body temperature.
I should mention something that nobody ever thinks about, but proofreading takes a lot of time. After you write something, there are these proofs that keep coming, and there's this panicky feeling that 'This is me and I must make it better.'
Man's constitution is so peculiar that his health is purely a negative matter. No sooner is the rage of hunger appeased than it becomes difficult to comprehend the meaning of starvation. It is only when you suffer that you really understand.
It's amazing to me in retrospect that I wrote as much as I did with full-time jobs. Each city gave me a new distance from - and a new way of looking at - India. I'm grateful for the movement. I feel as if I've crammed several lives into one.
My 50th birthday approaching felt like a big milestone to me. I've lived half a century. If I write about food and use my life as a fulcrum to move the story along, maybe I've lived long enough to fashion a narrative that has a happy ending.
Perhaps the strongest evidence that women have as broad and deep a capacity for physical aggression as men is anecdotal. And as with men, this capacity has expressed itself in acts from the brave to the brutal, the selfless to the senseless.
To be on the other side of the law-and-order machine in this country is awful. It is dehumanizing and degrading and deforming. It fills you with a helpless rage because, once there, you can only make things worse for yourself by speaking up.
The Morrigan’s ideas of sport and mine varied widely. As a Chooser of the Slain, she tends to enjoy nothing so much as a protracted war. She hangs out with Kali and the Valkyries and they have a death goddesses’ night out on the battlefield.
The images [of The Kite Runner grafic] were created in Fabio Celoni's mind. I chose to let him take the lead. Fabio and I did exchange an e-mail or two, but it was my intention to step out of the way and let his artistic instincts take over.
I'm inspired by people who are really deliberate and careful with their lives, and people who are kind. And of course I'm inspired by people who work hard and don't complain about it. I myself work hard but sometimes, I admit, I do complain.
I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.
It is not learning we need at all. Individuals need learning but the culture needs something else, the pulse of light on the sea, the warm urge of huddling together to keep out the cold. We need empathy, we need the eyes that still can weep.