When I wrote 'Neuromancer', I had a list in my head of all the things the future was assumed to be which it would not be in the book I was about to write. In a sense, I intended 'Neuromancer', among other things, to be a critique of all the aspects of science fiction that no longer satisfied me.

Gentle reader, the Fountain of Youth is radioactive, and those who imbibe its poisonous heavy waters will suffer the hideous fate of decaying metal. Yet almost without exception, the wretched idiot inhabitants of our benighted planet would gulp down this radioactive excrement if it were offered.

It's fun for me to try to write concise, compact things. It's a very good exercise for me. And I think it's important to try to do different things - change what I write about, and also the way I write. Otherwise, I'd just be repeating myself, which wouldn't be good for me or fair to my readers.

As I took a step toward him your eyes met mine and I saw the silent pleading for forgiveness or acceptance. I wasn't sure which. All I knew was you were Sawyer's now. My best friend was gone. I envied him and hated him for the first time that day. He'd finaly won the one prize I thought was mine.

Like a bicycle, like a wheel that, once rolling, is stable only so long as it keeps moving but falls when its momentum stops, so the game between a man and woman, once begun, can exist only so long as it progresses. If the forward movement today is no more than it was yesterday, the game is over.

Nothing worthy can be built on a neglect of higher meanings and on a relativistic view of concepts and culture as a whole. Indeed, something greater than a phenomenon confined to art can be discerned shimmering here beneath the surface - shimmering not with light but with an ominous crimson glow.

You are desperate to communicate, to edify or entertain, to preserve moments of grace or joy or transcendence, to make real or imagined events come alive. But you cannot will this to happen. It is a matter of persistence and faith and hard work. So you might as well just go ahead and get started.

I get in trouble when I say things like, 'I'm attracted to violence.' I was a pretty angry kid, and I got into military history largely as a way to vent my own anger. As I got older it narrowed down to a more specific focus on individual violence. I'm just trying to understand where it came from.

When you drop a glass or a plate to the ground, it makes a crashing sound. When a window shatters, a table breaks, or a picture fall of the wall, it makes noise. But as for your heart, when that breaks, it's completely silent... and you almost wish there was a noise to distract you from the pain.

My wretched feet, flayed and swollen to lameness by the sharp air of January, began to heal and subside under the gentler breathings of April; the nights and mornings no longer by their Canadian temperature froze the very blood in our veins; we could now endure the play-hour passed in the garden.

The amount that she loved us was beyond her reach. It could not be quantified or contained. It was the ten thousand named things in the Tao Te Ching’s universe and then ten thousand more. Her love was full-throated and all-encompassing and unadorned. Every day she blew through her entire reserve.

The writing life doesn't move in a straight line. I've had successes and rejections all along the way, at every stage of my career, and I will continue to do so. Acceptances and rejections don't define me. They're both part of what it means to be a writer. My job is to simply keep doing the work.

The first step - especially for young people with energy and drive and talent, but not money - the first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.

Rant Casey used to say, "No matter what happens, it's always now..." Talk about cryptic. I think what Rant meant was, we live in the present moment of reality, and no matter what's come before, no matter how much we loved a person or a dog, when it attacks us we'll react to that moment of danger.

Potassium cyanide," says the talent wrangler as she leans over to pick up a paper napkin off the floor. "Found naturally in the cassava or manioc roots native to Africa, used to tint architectural blueprints in the form of the deep-blue pigment known as Prussian blue. Hence the shade 'cyan' blue.

It's because we're so trapped in our culture, in the being of being human on this planet with the brains we have, and the same two arms and legs everybody has. We're so trapped that any way we could imagine to escape would be just another part of the trap. Anything we want, we're trained to want.

These days I find myself wanting to avoid being pigeon-holed, ghettoized, held in a different category than other authors. And when people ask me if I'm a black writer, or just a writer who happens to be black, I tend to say that it's either a dumb question or a question which happens to be dumb.

The notion that the species can be improved in some way, that everyone could live in harmony, is a really dangerous idea. Those who are afflicted with this notion are the first ones to give up their souls, their freedom. Your desire that it be that way will enslave you and make your life vacuous.

It makes no difference what men think of war, said the judge. War endures. As well ask men what they think of stone. War was always here. Before man was, war waited for him. The ultimate trade awaiting its ultimate practitioner. That is the way it was and will be. That way and not some other way.

Despite my belief that somehow my work would get me where I wanted to be, there was still some kind of fathomless yearning. Yes, my career aspirations were always goading me. But partially, I think I tried to let those dreams replace or become the other yearning, to have that other form of value.

And that is ... how they are. So terribly physically all over one another. They pour themselves one over the other like so much melted butter over parsnips. They catch each other under the chin, with a tender caress of the hand, and they smile with sunny melting tenderness into each other's face.

These days vampires gravitated toward particle accelerators, projects to decode the genome, and molecular biology. Once they had flocked to alchemy, anatomy, and electricity. If it went bang, involved blood, or promised to unlock the secrets of the universe, there was sure to be a vampire around.

I'd studied 16th century science and magic. I thought it was strange that people were interested in the same kinds of things my research was about. The more I thought about it, the more intriguing it became and pretty soon I was writing a novel about a reluctant witch and a 1500-year-old vampire.

The tragedy of preparedness has scarcely been handled, save by the Greeks. Life is indeed dangerous, but not in the way morality would have us believe. It is indeed unmanageable, but the essence of it is not a battle. It is unmanageable because it is a romance, and its essence is romantic beauty.

Time has lost all meaning in that nightmare alley of the Western world known as the American mind. We wallow in nostalgia but manage to get it all wrong. True nostalgia is an ephemeral composition of disjointed memories... but American-style nostalgia is about as ephemeral as copyrighted d?j? vu.

What can become of him if he is in such bondage to the habit of satisfying the innumerable desires he has created for himself? He is isolated, and what concern has he with the rest of humanity? They have succeeded in accumulating a greater mass of objects, but the joy in the world has grown less.

You must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well.

Consequences are unpitying. Our deeds carry their terrible consequences, quite apart from any fluctuations that went before—consequences that are hardly ever confined to ourselves. And it is best to fix our minds on that certainty, instead of considering what may be the elements of excuse for us.

I feel satisfaction at the end of the day when I've written a scene that I really like or when I write a good line of dialogue that I read out to my wife or something like that. But there's also days where it's just bloody agony and I go, 'ugh, this is such crap! Why did I think I had any talent?

Only trust me! You have fallen into a fit of despondency and there is not the least need! In fact, nothing could be more fatal, in any predicament! It encourages one to suppose that there is nothing to be done, when a little resolution is all that is wanted to bring matters to a happy conclusion.

Perhaps,” murmured his lordship, “I yielded to a compassionate impulse.” “A what?” gasped his best friend. “Oh, did you think I never did so?” said his lordship, the satirical glint in his eyes extremely pronounced. “You wrong me! I do, sometimes—not frequently, of course, but every now and then!

In New York -- whose subway trains in particular have been ''tattooed'' with an energy to put our own rude practitioners to shame -- not an inch of free space is spared except that of advertisements . Even the most chronically dispossessed appear prepared to endorse the legitimacy of the ''haves.

Have you ever noticed when you look in a mirror, unless youre really depressed or something, the person in the mirror generally looks a little more competent, a little more curious, a little more intelligent than you actually feel yourself to be? They often look more interesting and more soulful.

As I inched sluggishly along the treadmill of the Maycomb County school system, I could not help receiving the impression that I was being cheated out of something. Out of what I knew not, yet I did not believe that twelve years of unrelieved boredom was exactly what the state had in mind for me.

The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.

I came to the table, pulled up a chair, and sat. “Everyone brought a pet. I feel left out.” An enthusiastic howl broke the silence, and Grendel bounded through the doorway. He galloped through the steak house, skidded on the floor, smashed into my chair, and dropped a dead rat on my lap. Awesome.

You were joking about the whole please and thank you thing, right?" "Meant every word." A little light danced in his eyes and he very deliberately said, "Baby." No. He laughed. "You should see your face right now." "Don't call me that." "Would you prefer 'darling'? Or maybe 'cupcake'?" He winked.

When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.

They had reached Lockhart's classroom...'You could've fried an egg on your face" said Ron. 'You'd better hope Creevey doesn't meet Ginny, or they'll be starting a Harry Potter fan club.' 'Shut up,' snapped Harry. The last thing he needed was for Lockhart to hear the phrase 'Harry Potter fan club.

Andrew..,' I shake my head, tears rolling my cheeks, '... it was always you," I whisper harshly. 'Even with Ian, I felt something was missing. I told you, that night in the field; I told you that...,' My voice trails. I smile and say, 'you are my partner in crime. I've known that for a long time.

In those days he really didn't know what he was talking about; that is to say, he was a young jailkid all hung-up on the wonderful possibilities of becoming a real intellectual, and he liked to talk in the tone and using the words, but in a jumbled way, that he had heard from 'real intellectuals.

You don't realize what a strain it is on the nerves to write or think-of-writing all day long, and to sleep full of nervous dreams, and to wake up not knowing who one is: this all stems from anxiety about finishing the book, about time 'growing short', etc., and the perpetual strain of invention.

You made me confess the fears that I have. But I will tell you also what I do not fear. I do not fear to be alone or to be spurned for another or to leave whatever I have to leave. And I am not afraid to make a mistake, even a great mistake, a lifelong mistake and perhaps as long as eternity too.

There is no reason in the world why you should not be important where you are known. You have good sense, and a sweet temper, and I am sure you have a grateful heart, that could never receive kindness without hoping to return it. I do not know any better qualifications for a friend and companion.

Oh! you are a great deal too apt, you know, to like people in general. You never see fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think.

How fishy on the fishiness scale? Ten is a stickleback and one is a whale shark." "A whale isn't a fish, Thursday." "A whale shark is--sort of." "All right, it's as fishy as a crayfish." "A crayfish isn't a fish." "A starfish, then." "Still not a fish." "This is a very odd conversation, Thursday.

I've never been averse to a little risk - after all, writing without risk is not really writing at all. Sometimes one has to just let fly with a high concept piece and see where the pieces fall. As it generally turns out, the central story is familiar, but just with different rules of engagement.

I wanted to swallow myself by opening my mouth very wide and turning it over my head so that it would take in my whole body, and then the Universe, until all that would remain of me would be a ball of eaten thing which little by little would be annihilated: that is how I see the end of the world.

Even the financial disclosure statements that political bloggers were required to post hadn't stemmed the suspicion that people's opinions weren't really their own. "Who's paying you?" was a retort that might follow any bout of enthusiasm, along with laughter - who would let themselves be bought?

Ever since the Christmas of 1953, I have felt that the yuletide is a special hell for those families who have suffered any loss or who must admit to any imperfection; the so-called spirit of giving can be as greedy as receiving-Christmas is our time to be aware of what we lack, of who's not home.

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