Quotes of All Topics . Occasions . Authors
Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things--childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves--that go on slipping , like sand, through our fingers.
Obviously cheap sentimentality isn't something any good novelist wants to traffic in, but I think it's a problem if you consider it to be the most egregious of all creative sins. I think it's a problem if you consider it the thing to be avoided at all cost. I think it's a problem of you're not willing to risk the consequences of that kind of emotionalism under any circumstances. Then you wind up in the cul-de-sac of irony.
Memories do not change, and change is the law of existence. If our dead, the closest, the most beloved, were to return to us after a long absence and instead of the old, familiar trees were to find in our souls English gardens and stone walls - that is to say, other loves, other tastes, other interests, they would gaze upon us sadly and tenderly for a moment, wiping away their tears, and then return to their tombs to rest.
In the eighteenth century it was often convenient to regard man as a clockwork automaton. In the nineteenth century, with Newtonian physics pretty well assimilated and a lot of work in thermodynamics going on, man was looked on as a heat engine, about 40 per cent efficient. Now in the twentieth century, with nuclear and subatomic physics a going thing, man had become something which absorbs X-rays, gamma rays and neutrons.
True law, the code of justice, the essence of our sensations of right and wrong, is the conscience of society. It has taken thousands of years to develop, and it is the greatest, the most distinguishing quality which has developed with mankind ... If we can touch God at all, where do we touch him save in the conscience? And what is the conscience of any man save his little fragment of the conscience of all men in all time?
I take literally the statement in the Gospel of John that God loves the world. I believe that the world was created and approved by love, that it subsists, coheres, and endures by love, and that, insofar as it is redeemable, it can be redeemed only by love. I believe that divine love, incarnate and indwelling in the world, summons the world always toward wholeness, which ultimately is reconciliation and atonement with God.
The pleasure of eating should be an extensive pleasure, not that of the mere gourmet. People who know the garden in which their vegetables have grown and know that the garden is healthy will remember the beauty of the growing plants, perhaps in the dewy first light of morning when gardens are at their best. Such a memory involves itself with the food and is one of the pleasures of eating. (pg. 326, The Pleasures of Eating)
There are a variety of ways in which a wedge is driven between the reality of the world outside, the motion of atoms, and our conception of what is there. Some of it has to do with what we're told, some of it to do with sensibilities that might be described as cultural, some of it to do with habit, some to do with heuristics we, as Homo sapiens, invoke because we cannot do otherwise - to name just a few of the impediments.
You tempt me.I can't be tempted.I'm not made to be tempted,but you,Pagan Moore,you tempt me.From the moment i came for you i was drawn in.Everything about you.."One of his hands left my waist and moved up to gently caress my arm."You make me crazy with need.With want.I didn't understand it at first.But now i know.It's your soul calling to me.Souls mean nothing to me.They aren't supposed to.But yours has become my obsession.
Here was a thing that would grow old; here was a thing that would turn beautiful and lose that beauty, that would inherit the grace but also the bad ear and flawed figure of her mother, that would smile too much and squint too often and spend the last decades of her life creaming away the wrinkles made in youth until she finally gave up and wore a collar of pears to hide a wattle; here was the ordinary sadness of the world.
F.R. Leavis's "eat up your broccoli" approach to fiction emphasises this junkfood/wholefood dichotomy. If reading a novel--for theeighteenth century reader, the most frivolous of diversions--did not, by the middle of the twentieth century, make you a better person in some way, then you might as well flush the offending volume down the toilet, which was by far the best place for the undigested excreta of dubious nourishment.
Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.
You've got to learn to let go and let your children fall, and fail. If you try to protect them from hurt, and always rush to their side with Band-Aids, they won't learn about life, and what is true, what works, what helps, and what are real consequences of certain kinds of behavior. When they do get hurt, which they will, they won't know how to take care of their grown selves. They won't even know where the aspirin is kept.
Staring and staring into the mirror, it sees many faces within its face - the face of the child, the boy, the young man, the not-so-young man - all present still, preserved like fossils on superimposed layers, and, like fossils, dead. Their message to this live dying creature is: Look at us - we have died - what is there to be afraid of? It answers them: But that happened so gradually, so easily. I'm afraid of being rushed.
Books lie, he said. God dont lie. No, said the judge. He does not. And these are his words. He held up a chunk of rock. He speaks in stones and trees, the bones of things. The squatters in their rags nodded among themselves and were soon reckoning him correct, this man of learning, in all his speculations, and this the judge encouraged until they were right proselytes of the new order whereupon he laughed at them for fools.
Matthew kept hinting that his desire - for blood, chiefly- was so strong that it put everything else at risk. But vampires weren’t the only creatures who had to manage such strong impulses. Much of what qualified as magic was simply desire in action. Witchcraft was different- that took spells and rituals. But magic? A wish, a need, a hunger too strong to be denied- these could turn into deeds when they cross a witch’s mind.
I think sometimes that it is almost a pity to enjoy Italy as much as I do, because the acuteness of my sensations makes them rather exhausting; but when I see the stupid Italians I have met here, completely insensitive to their surroundings, and ignorant of the treasures of art and history among which they have grown up, I begin to think it is better to be an American, and bring to it all a mind and eye unblunted by custom.
And in vain does the dreamer rummage about in his old dreams, raking them over as though they were a heap of cinders, looking into these cinders for some spark, however tiny, to fan it into a flame so as to warm his chilled blood by it and revive in it all that he held so dear before, all that touched his heart, that made his blood course through his veins, that drew tears from his eyes, and that so splendidly deceived him!
Marriage is so unlike everything else. There is something even awful in the nearness it brings. Even if we loved someone else better than - than those we were married to, it would be no use. I mean, marriage drinks up all our power of giving or getting any blessedness in that sort of love. I know it may be very dear, but it murders our marriage, and then the marriage stays with us like a murder, and everything else is gone.
Ambitious men spend their youth in rendering themselves worthy of patronage; it is their great mistake. While the foolish creatures are laying in stores of knowledge and energy, so that they shall not sink under the weight of responsible posts that recede from them, schemers come and go who are wealthy in words and destitute of ideas, astonish the ignorant, and creep into the confidence of those who have a little knowledge.
Four or five years - nothing at all. But no one over thirty could understand this peculiarly weighted and condensed time, from late teens to early twenties, a stretch of life that needed a name, from school leaver to salaried professional, with a university and affairs and death and choices in between. I had forgotten how recent my childhood was, how long and inescapable it once seemed. How grown up and how unchanged I was.
Tall, with skin the color of rich coffee, and dressed all in black, Jim looked like he was carved from a block of solid muscle. Logic said that at some point he must've been a baby and then a child, but looking at him one was almost convinced that some deity touched the ground with its scepter and proclaimed, "There shall be a badass," and Jim sprung into existence, fully formed, complete with clothes, and ready for action.
He missed Hogwarts so much it was like having a constant stomachache. He missed the castle, with its secret passageways and ghosts, his classes, … the mail arriving by owl, eating banquets in the Great Hall, sleeping in his four-poster bed in the tower dormitory, visiting the gamekeeper, Hagrid, in his cabin next to the Forbidden Forest in the grounds, and especially, Quidditch, the most popular sport in the wizarding world
With the supplies gathered, he went over to the stainless-steel sink and pressed the foot pedal to get the water running. While he washed his hands, he said quietly, "If I could, I would." "Excuse me?" Qhuinn pumped some suds into his palms and scrubbed all the way up his forearms. Which was overkill, but if Blay wanted him superclean, then that was what he was going to be. "If I could love a guy like that, it would be you.
Phury lit a blunt and eyed the sixteen cans of Aqua Net that were lined up on Butch and V's coffee table. "What's doing with the hair spray? You boys going drag on us?" Butch held up the lenght of PVC pipe he was punching a hole in. "Potato launcher, my man. Big fun." "Excuse me ?" "Didn't you ever go to summer camp ?" "Basket weaving and woodcarving are for humans. No offense, but we have better things to teach our youngs.
God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn't know what was happening to me, and I suddenly realized it was only the tea that we were smoking; Dean had bought some in New York. It made me think that everything was about to arrive - the moment when you know all and everything is decided forever.
Of them all, it was the true love. Of them all, it was the best. That other sumptuous love which made one drunk, which one longed for, envied, believed in, that was not life. It was what life was seeking; it was a suspension of life. But to be close to a child, for whom one spent everything, whose life was protected and nourished by one's own, to have that child beside one, at peace, was the real, the deepest, the only joy.
The inspiration comes from everywhere, from what I grew up with. There's so much silliness and nonsense in the world that we regard as normal working procedure. The satirical point of the view may be to counterpoint that. The way we look at classics has been hijacked by the intelligentsia - Shakespeare is highbrow and seen as something clever people do, which isn't right at all. I basically pull inspiration from everywhere.
The Genie declared that in his time and place there were scientists of the passions who maintained that language itself, on the one hand, originated in 'infantile pregenital erotic exuberance, polymorphously perverse,' and that conscious attention, on the other, was a 'libidinal hypercathexis' - by which magic phrases they seemed to mean that writing and reading, or telling and listening, were literally ways of making love.
Ah, Evelyn and Vivian, I love you both, I love you for your sad lives, the empty misery of your coming home at dawn. You too are alone, but you are not like Arturo Bandini, who is neither fish, fowl nor good red herring. So have your champagne, because I love you both, and you too, Vivian, even if your mouth looks like it had been dug out with raw fingernails and your old child's eyes swim in blood written like mad sonnets.
It skims in through the eye, and by means of the utterly delicate retina hurls shadows like insect legs inward for translation. Then an immense space opens up in silence and an endlessly fecund sub-universe the writer descends, and asks the reader to descend after him, not merely to gain instructions but also to experience delight, the delight of mind freed from matter and exultant in the strength it has stolen from matter.
Probably the single most commen response I get from my readesr, be it through e-mails or letters, is that they did not know much, or at times, they're quite frank, they didn't care much about Afghanistan. But they pay attention more after reading these novels, and at times it has triggered this humaitarian spirt: some have donated money or at time times, people have joined humatiarian organizations that work in Afghanistan.
There are stages in bread-making quite similar to the stages of writing. You begin with something shapeless, which sticks to your fingers, a kind of paste. Gradually that paste becomes more and more firm. Then there comes a point when it turns rubbery. Finally, you sense that the yeast has begun to do its work: the dough is alive. Then all you have to do is let it rest. But in the case of a book the work may take ten years.
True to their history, the English are very domineering and have manipulated it in different ways. I wouldn't say that there was an original, but there is a lot of expurgation in some of the Victorian translations, and there's a lot of additional salacious nonsense in some of them, too. I also like the early French one, much-derided for being fanciful but which is actually very elegantly done. It's very big, very capacious.
did you not call this a glorious expedition? and wherefore was it glorious? not because the way was smooth and placid as a southern sea, but because it was full of dangers and terror, because at every new incident your fortitude was to be called forth and your courage exhibited, because danger and death surrounded it, and these you were brave to overcome. for this was it a glorious , for this was it an honorable undertaking
Can man be so age-stricken that no faintest sunshine of his youth may re visit him once a year? It is impossible. The moss on our time-worn mansion brightens into beauty; and the good old pastor, who once dwelt here, renewed his prime and regained his boyhood in the genial breeze of his ninetieth spring. Alas for the worn and heavy soul, if, whether in youth or age, it has outlived its privilege of springtime sprightliness!
The problem with elections is that anybody who wants an office badly enough to run for it probably shouldn’t have it. And anybody who does not want an office badly enough to run for it probably shouldn’t have it, either. Government office should be received like a child’s Christmas present, with surprise and delight. Instead it is usually received like a diploma, an anticlimax that never seems worth the struggle to earn it.
Soon the child’s clear eye is clouded over by ideas and opinions, preconceptions, and abstractions. Simple free being becomes encrusted with the burdensome armor of the ego. Not until years later does an instinct come that a vital sense of mystery has been withdrawn. The sun glints through the pines and the heart is pierced in a moment of beauty and strange pain, like a memory of paradise. After that day, we become seekers.
But once an original book has been written - and no more than one or two appear in a century - men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.
I think one of the reasons anti-immigration state laws start to happen is they happen in states where there is an enormous influx. In these places, the dominant culture, the Anglo culture has held sway for such a very, very long time. Now, they are living in another culture, another language. They fear losing dominance and control. It is sadly human nature to find a group to scapegoat. This happens throughout man's history.
... But I'm annoying you to no purpose with my arguments. A person whose house is only open on the west can't see the sun rise at dawn; it's only seen when the sun sets at dusk. If one tries to compare the color and appearance of the two, one will go on arguing forever... ...The fault lies not with the vision but with the closed windows. If you look out of only one opening till the day you die, you'll ever see anything new.
And they beat. The women for having known them and no more, no more; the children for having been them but never again. They killed a boss so often and so completely they had to bring him back to life to pulp him one more time. Tasting hot mealcake among pine trees, they beat it away. Singing love songs to Mr. Death, they smashed his head. More than the rest, they killed the flirt whom folks called Life for leading them on.
've always defined a truly alluring story as a journey we're not equipped to take ourselves with a person we're tempted but afraid to emulate. Impostor narratives are exactly that. When they end in disaster, as Clark's did, or as Gatsby's did, we can congratulate ourselves for our own wisdom. We can also experience, safely, at no cost, the terrible thrill of radical self-invention, of trading who we are for who we might be.
People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors. It should tell us something that in healthy societies drug use is celebrative, convivial, and occasional, whereas among us it is lonely, shameful, and addictive. We need drugs, apparently, because we have lost each other.
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you’re a writer you have a moral obligation to do this. And it is a revolutionary act—truth is always subversive.
I was driven to Whipsnade one sunny morning. When we set out I did not believe that Jesus Christ is the son of God, and when we reached the zoo I did. Yet I had not exactly spent the journey in thought. Nor in great emotion. “Emotional” is perhaps the last word we can apply to some of the most important events. It was more like when a man, after a long sleep, still lying motionless in bed, becomes aware that he is now awake.
The rapt pupil will be forgiven for assuming the Tsar of Death to be wicked and the Tsar of Life to be virtuous. Let the truth be told: There is no virtue anywhere. Life is sly and unscrupulous, a blackguard, wolfish, severe. In service to itself, it will commit any offense. So, too, is Death possessed of infinite strategies and a gaunt nature- but also mercy, also grace and tenderness. In his own country, Death can be kind.
Life is funny isn’t it? Just when you think you’ve got it all figured out, just when you finally begin to plan something, get excited about something, and feel like you know what direction you’re heading in, the paths change, the signs change, the wind blows the other way, north is suddenly south, and east is west, and you’re lost. It is so easy to lose your way, to lose direction. And that’s with following all the signposts
Your assumptions about the lives of others are in direct relation to your naïve pomposity. Many people you believe to be rich are not rich. Many people you think have it easy worked hard for what they got. Many people who seem to be gliding right along have suffered and are suffering. Many people who appear to you to be old and stupidly saddled down with kids and cars and houses were once every bit as hip and pompous as you.
Human love, human trust, are always perilous, because they break down. The greater the love, the greater the trust, and the greater the peril, the greater the disaster. Because to place absolute trust on another human being is in itself a disaster, both ways, since each human being is a ship that must sail its own course, even if it go in company with another ship.... And yet, love is the greatest thing between human beings.