It's very lucky to be able to do a job where I get to sit about writing plays all day and going to the theatre. The downside, I suppose, is that you put it out there, and people are invited to like it or loathe it.

My parents are avid consumers of art, collectors of African American paintings, and have always gone to the theater. My mother has always been an activist, too. As long as I can remember, we were marching in lines.

I am the child of Fortune, the giver of good, and I shall not be shamed. She is my mother; my sisters are the Seasons; my rising and my falling match with theirs. Born thus, I ask to be no other man than that I am.

Henceforth ye may thieve with better knowledge whence lucre should be won, and learn that it is not well to love gain from every source. For thou wilt find that ill-gotten pelf brings more men to ruin than to weal.

Yes, I have tricks in my pocket, I have things up my sleeve. But I am the opposite of a stage magician. He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion.

I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success.

Before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself.

What politicians want and what creative writers want will always be profoundly different, because I'm afraid all politicians, of whatever hue, want propaganda, and writers want the truth, and they're not compatible.

Are we simply waving farewell to the days when some of the most interesting thinking in Europe and America came to us from our fiction film-makers? BBC2, which once introduced and showed great films, now shows none.

I visited a new cultural center in Shanghai in 2005 that was pretty much perfect, except for the really badly translated Chinglish signs: a handicapped restroom that said 'Deformed Man's Toilet,' that kind of thing.

If the theatre has taught me anything, it's that when things change in the body, in the body politic, in the body of the world, in the body of the earth, in the body of the person, there's change. You never go back.

I think we have made progress. There's no doubt about it, we have moved forward. But there's some essential, core thing that has not been deconstructed. And I'm telling you, it's connected to the body. I know it is.

I believe in fierce love, pushing the edge, calling the robbers, the corporates, the elites, the pillagers and insanely wealthy to task, going whatever distance we need to go now to protect our earth and each other.

We must not stay as we are, doing always what was done last time, or we shall stick in the mud. Yet neither must we undertake a new world as catastrophic Utopians, and wreck our civilization in our hurry to mend it.

A woman cannot be herself in the society of the present day, which is an exclusively masculine society, with laws framed by men and with a judicial system that judges feminine conduct from a masculine point of view.

It's like two years straight out of your life doing a film. It's very enjoyable, especially working with the guys, but I kind of like the idea of traveling and growing, and developing as a writer and as a filmmaker.

On Valentine's Day, couples in Calgary can celebrate their love for each other with couples' nude yoga - great way to get in shape and see a side of your partner you've never seen before and never want to see again.

The writer has two kinds of faith: actual writing and sitting openly. Have faith in your personal effort or sweat. And faith in God, or whatever you want to call it. Then the voices will come. Faith is the big deal.

When war is not just it is subsequently justified; so it becomes many things. In reality, an unjust war is merely piracy. It consists of piracy, ego and, more than anything, money. War is our century's prostitution.

Every nation, every race, has not only its own creative, but its own critical turn of mind; and is even more oblivious of the shortcomings and limitations of its critical habits than of those of its creative genius.

I like dialogue that is slightly more brittle than life. I have always admired and wished to write one of those 1940s film scripts where every line is written with a sharpness and economy that is frankly artificial.

To wrap up the idea of 'Parade's End' in a sentence or two, I would say it's a love story in which we see a man with two women, and we know what's attractive about them. And we know why and what they feel about him.

If I had been asked to write 1,200 words for a newspaper tomorrow, on any subject, I would just do it rather than leave a white hole in the page. And I think it's a very healthy attitude to take to writing anything.

Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.

The director works as an interpretive artist, but he's still an artist, so you also have to give him room to create and to put his vision of the play or his translation or interpretation of the material on the stage.

With my good friend Rob Penny, I founded the Black Horizons Theater in Pittsburgh with the idea of using the theater to politicize the community or, as we said in those days, to raise the consciousness of the people.

I think that plays are probably the most personal, because it's just me in charge, but sometimes it's just really - I think that there's honor in being a good artist, and there's honor in being a good 'craftsperson.'

Ultimately one has to pity these poor souls who know every secret about writing, directing, designing, producing, and acting but are stuck in those miserable day jobs writing reviews. Will somebody help them, please?

The audience will teach you how to act and the audience will teach you how to write and to direct. The classroom will teach you how to obey, and obedience in the theatre will get you nowhere. It’s a soothing falsity.

You may dislike the intention enormously but your judgment of the artistic merit of the work must not be based on your view of what it's about. The work of art must be judged by how well it succeeds in its intention.

You see, now that trials have come, they have shown that I am NOT a nice child. I was afraid they would. Perhaps... that is what they were sent for... I suppose there MIGHT be good in things, even if we don't see it.

If all the Churches of Europe closed their doors until the drums ceased rolling they would act as a most powerful reminder that though the glory of war is a famous and ancient glory, it is not the final glory of God.

You have no right to say that I am not sincere. I have found a happiness in art that real life has never given me. I am intensely in earnest about art. There is is a magic and mystery in art that you know nothing of.

Ballet is always about the realm of possibilities, the realm of what the human body can do, what the human spirit can do. And it's about listening, it's about listening to remarkable music and how we respond to that.

At first I threw my weight upon my heels, as one does naturally in a boot, and was a good deal bruised, but after a few hours I learned the natural walk of man, and could follow my guide in any portion of the island.

All you've got is the word of a fool dog. It's been my experience that a bloodhound is the foolishest dog that is. I don't remember of anybody ever keeping a bloodhound for a yard dog. They're such dad blasted fools.

I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.

I believe in entertainment. I love entertainment. But I love it with a purpose. I want people to come out thinking about what they saw, and perhaps reassessing what's happening in their own lives with their families.

If you lead with the anger, it will turn off the audience. And what I want is the audience to engage with the material and to listen and then to ask questions. I think that 'Ruined' was very successful at doing that.

Here's the dilemma of the modern age: There used to be actions that workers could take, in the form of a strike. But now, that's being pre-empted by lockouts. They don't even have that leverage to protect their jobs.

When I heard the Pogues, I connected with the songs immediately, but it was also the first time I didn't reject out of hand the kind of music that my parents had always tried to push on to us when we were growing up.

The most effective way of attacking vice is to expose it to public ridicule. People can put up with rebukes but they cannot bear being laughed at: they are prepared to be wicked but they dislike appearing ridiculous.

Rewriting is when writing really gets to be fun. . . . In baseball you only get three swings and you're out. In rewriting, you get almost as many swings as you want and you know, sooner or later, you'll hit the ball.

If Parliament were to consider the sporting with reputation of as much importance as sporting on manors, and pass an act for the preservation of fame as well as game, there are many who would thank them for the bill.

Do not believe that you alone can be right.The man who thinks that,The man who maintains that only he has the powerTo reason correctly, the gift to speak, the soul-A man like that, when you know him, turns out empty.

Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves.

Oh, I haven't reached any peak. I hit the bottom in the '60s. When a certain actress undertook the leading role in a recent play of mine, she referred to me as "that old derelict." Not to my face, but behind my back.

I shall have poetry in my life. And adventure. And love, love, love, above all. Love as there has never been in a play. Unbiddable, ungovernable, like a riot in the heart and nothing to be done, come ruin or rapture.

I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you're dead.

So I think I'll say the obvious thing: theater is ephemeral. When a production is done, it's gone forever. You can take pictures of it. You can make a film of it. But it's not the production. It's not the same thing.

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