Quotes of All Topics . Occasions . Authors
I don't think that women ought to sit down at table with men. It ruins conversation and I'm sure it's very bad for them. It puts ideas in their heads, and women are never at ease with themselves when they have ideas.
The officers saluted as she passed and gravely bowed. They walked back across the courtyard and got into their chairs. She saw Waddington light a cigarette. A little smoke lost in the air, that was the life of a man.
Women age early, and their mistake is not knowing where to hide all the time that lies behind them so that no one sees it. What are they to do, devour it like the umbilical cords of their children? Hell and damnation!
I think I've always had these two currents, equally strong, of wanting to change the world and make the world better and fight injustices and fight violence, and then being an artist, which is a very different strain.
Heaven, as conventionally conceived, is a place so inane, so dull, so useless, so miserable that nobody has ever ventured to describe a whole day in heaven, though plenty of people have described a day at the seaside.
The seven deadly sins... food, clothing, firing, rent, taxes, respectability and children. Nothing can lift those seven millstones from Man's neck but money; and the spirit cannot soar until the millstones are lifted.
Our way of getting an army able to fight the German army is to declare war on Germany just as if we had such an army, and then trust to the appalling resultant peril and disaster to drive us into wholesale enlistment.
I do notice that I spend a lot of all my time steeped in different forms of myth, such as English folk music, for example, not really studying it necessarily, but just trying to experience it so I can recall it later.
It's absolutely essential for every generation to capture that social responsibility. Injustice grows like weeds. The injustices of the world are like weeds, and if you do nothing they'll choke your whole garden, man.
Madam, a circulating library in a town is as an evergreen tree of diabolical knowledge; it blossoms through the year. And depend on it that they who are so fond of handling the leaves, will long for the fruit at last.
I thought if I was going to live a life in this land I was accidentally born on, I must people it; I must have a history. . .. I'm looking for these people inside me, wherever they may be; that is my form of research.
For every nation that lives peaceably, there will be many others to grow hard and push their arrogance to extremes; the gods attend to these things slowly. But they attend to those who put off God and turn to madness.
I hate university towns and university people, who are the same everywhere, with pregnant wives, sprawling children, many books and hideous pictures on the walls ... Oxford is very pretty, but I don't like to be dead.
Wars are fought for oil wells and coaling stations; for control of the Dardanelles or the Suez Canal; for colonial pickings to buy cheap in and conquered markets to sell dear in. War is capitalism with the gloves off.
The moral I draw is that the writer should seek his reward in the pleasure of his work and in release from the burden of thought; and, indifferent to aught else, care nothing for praise or censure, failure or success.
People come to the Fountain Theatre because they've got hearts that are working and they've got heads that are working. They use the Fountain Theatre because it puts them in touch with the world that they're living in.
Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case.
You know, plenty of people headed off to Canada or America on the basis of government information, propaganda campaigns. Often you'd go off with a brochure in hand and you'd turn up and it wouldn't be like that at all.
If a person is to get the meaning of life he must learn to like the facts about himself -- ugly as they may seem to his sentimental vanity -- before he can learn the truth behind the facts. And the truth is never ugly.
What neo-capitalism does so brilliantly is that it's always subdividing and dividing, so that people are never able to be joined in their numbers and strength in a unified way. That is exactly what we have to overcome.
At first people refuse to believe that a strange new thing can be done, then they begin to hope it can be done, then they see it can be done--then it is done and all the world wonders why it was not done centuries ago.
Life on board a pleasure steamer violates every moral and physical condition of healthy life except fresh air. . . . It is a guzzling, lounging, gambling, dog's life. The only alternative to excitement is irritability.
Schools and schoolmasters, as we have them today, are not popular as places of education and teachers, but rather prisons and turnkeys in which children are kept to prevent them disturbing and chaperoning their parent.
For Mum, life was fundamentally hell. You went blind, you got raped, people forgot your birthday, Nixon got elected, your husband fled with a blonde from Beckenham, and then you got old, you couldn't walk and you died.
It was then that I began to look into the seams of your doctrine. I wanted only to pick at a single knot; but when I had got that undone, the whole thing raveled out. And then I understood that it was all machine-sewn.
...she opened the door very slowly and carefully, half hiding behind it, as if badly frightened of what might be waiting for her on the other side. And considering that it was me waiting, this showed rare common sense.
I've had students at Yale: my main task with them in drama school was not helping them with their writing but showing them how valuable they were. Because they're ready to give it up and go into teaching or television.
'Coriolanus' has been around for 400 years, and it's going to be around for another 400 years, and nothing I can do is going to mess it up. So, going into it, I felt sort of very free to look at it as a filmmaker does.
I see a great lack of stories around. I bought six literary magazines and looked through them to see what people were doing. There wasn't a story in them. They were all about how poetic the feelings of the author were.
I'm always struck when I go somewhere I've never been before, especially if it's in my home town, by just how different the atmosphere can be, and how disorienting it can be - especially if there's any kind of trouble.
Ah, there should be a young man, ein schone Junge carrying Blumen, a bouquet of roses. There should be cold Rhine wine and Strausswaltzes, and on the long way home kisses in the shadow of an archway, like a Cinderella.
I come from a tradition where the writer writes a play for the actors, rather than for himself, and the dialogue is made to work onstage, so it needs actors to help shape it. So you never get a play right straightaway.
Sometimes people are so close to the material, they miss an important cross-reference. You can't drop this line because half an hour later, it affects that line. And the writer is the person who knows that immediately.
I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you might nudge the world a little or make a poem that children will speak for you when you are dead.
There in the mist, enormous, majestic, silent and terrible, stood the Great Wall of China. Solitarily, with the indifference of nature herself, it crept up the mountain side and slipped down to the depth of the valley.
For if the proper study of mankind is man, it is evidently more sensible to occupy yourself with the coherent, substantial and significant creatures of fiction than with the irrational and shadowy figures of real life.
Before our eyes is fought a battle of symbols... for there can be theatre only from the moment when the impossible really begins and when the poetry that occurs on the stage sustains and superheats the realized symbols.
Most of black America is in housing projects, without jobs, living on welfare. And this is not the case in 'The Cosby Show,' because all the values in that household are strictly what I would call white American values.
The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.
You get rich through luck. You get rich through crime. You get rich through fulfilling the needs of another. You can be as greedy as you like. If you can’t do one of those three things, you ain’t going to get any money.
You get rich through luck. You get rich through crime. You get rich through fulfilling the needs of another. You can be as greedy as you like. If you can't do one of those three things, you ain't going to get any money.
I think it is the responsibility of critics to rely less strenuously on, to use a Hollywood phrase, "what they can live with," and more on an examination of the works of art from an aesthetic and clinical point of view.
Well, the tyranny of masculinity and the tyranny of patriarchy I think has been much more deadly to men than it has to women. It hasn’t killed our hearts. It’s killed men’s hearts. It’s silenced them, it’s cut them off.
Well, the tyranny of masculinity and the tyranny of patriarchy I think has been much more deadly to men than it has to women. It hasn't killed our hearts. It's killed men's hearts. It's silenced them; it's cut them off.
When you loved me I gave you the whole sun and stars to play with. I gave you eternity in a single moment, strength of the mountains in one clasp of your arms, and the volume of all the seas in one impulse of your soul.
Let a short Act of Parliament be passed, placing all street musicians outside the protection of the law, so that any citizen may assail them with stones, sticks, knives, pistols or bombs without incurring any penalties.
If you demand my authorities for this and that, I must reply that only those who have never hunted up the authorities as I have believe that there is any authority who is not contradicted flatly by some other authority.
What is any respectable girl brought up to do but to catch some rich man's fancy and get the benefit of his money by marrying him?--as if a marriage ceremony could make any difference in the right or wrong of the thing!
Ultimately, theatre is about creating a sense of wonder, and I think wonder is achieved not by a kind of wide-eyed silliness but by being available to that which is most unknown, inside the material and inside yourself.
But you're beautiful, and the beautiful should be given whatever they want." "Hey, what about the ugly ones?" "The ugly ones." She poked her tongue out. "It's their fault if their ugly. They're to be blamed, not pitied.