Quotes of All Topics . Occasions . Authors
Marriage has a unique place because it speaks of an absolute faithfulness, a covenant between radically different persons, male and female; and so it echoes the absolute covenant of God with his chosen, a covenant between radically different partners.
Spend in pure converse our eternal day; Think each in each, immediately wise; Learn all we lacked before; hear, know, and say What this tumultuous body now denies; And feel, who have laid our groping hands away; And see, no longer blinded by our eyes.
Take care how you listen to the voice of the flatterer, who, in return for his little stock, expects to derive from you considerable advantage. If one day you do not comply with his wishes, be imputes to you two hundred defects instead of perfections.
In philosophy equally as in poetry it is the highest and most useful prerogative of genius to produce the strongest impressions of novelty, while it rescues admitted truths from the neglect caused by the very circumstance of their universal admission.
I am sure from my experience of juries that, in a criminal case especially, they will obey the law as declared by the Judge; they will take the law from the Judge, whether they like it or do not like it, and apply it honestly to the facts before them.
Knowing what you know, be serene also, like a mountain; and do not be distressed by misfortune. Knowledge without serenity is an unlit candle; together they are honey-comb; honey without wax is a noble thing; wax without honey is only fit for burning.
It is enough for me by day To walk the same bright earth with him; Enough that over us by night The same great roof of stars is dim. I do not hope to bind the wind Or set a fetter on the sea -- It is enough to feel his love Blow by like music over me.
Connubial Because with alarming accuracy she’d been identifying patterns I was unaware of—this tic, that tendency, like the way I've mastered the language of intimacy in order to conceal how I felt— I knew I was in danger of being terribly understood.
We are motivated more by aversion to the unpleasant than by a will toward truth, freedom, or healing. We are constantly attempting to escape our life, to avoid rather than enter our pain we, and we wonder why it is so difficult to be fully alive. (43)
Why'd he name Ram Dass that? And Krishna Das that, instead of vice versa? Is Krishna Das more Krishna like and Ram Dass more Ram-like? Maybe... why not? We grow into our names. But why did my parents named me Jeffrey and my brother Michael? Who knows?
The first time I saw a fingerbowl was at the home of my benefactress. [...] The water had a few cherry blossoms in it, and I thought it must be some clear sort of Japanese after-dinner soup and ate every bit of it, including the crisp little blossoms.
With a tiny bit of effort, the nettle would be useful; if you neglect it, it becomes a pest. So then we kill it. How many men are like nettles My friends, there is no such thing as a weed and no such thing as a bad man. There are only bad cultivators.
Behind the corpse in the reservoir, behind the ghost on the links, Behind the lady who dances and the man who madly drinks, Under the look of fatigue, the attack of migraine and the sigh There is always another story, there is more than meets the eye.
...of two simple men I saw today on the pier in the midst of the crowd, parting the parting of dear friends, the one to remain hung on the other's neck and passionately kissed him. While the one to depart tightly pressed the one to remain in his arms.
THOUGH you are in your shining days, Voices among the crowd And new friends busy with your praise, Be not unkind or proud, But think about old friends the most: Time's bitter flood will rise, Your beauty perish and be lost For all eyes but these eyes.
Your peaks are beautiful, ye Apennines! In the soft light of these serenest skies; From the broad highland region, black with pines, Fair as the hills of Paradise they rise, Bathed in the tint Peruvian slaves behold In rosy flushes on the virgin gold.
It is the artist's function not to copy but to synthesise: to eliminate from that gross confusion of actuality which is his raw material whatever is accidental, idle, irrelevant, and select for perpetuation that only which is appropriate and immortal.
Be stirring as the time; be fire with fire. Threaten the threat'ner, and outface the brow Of bragging horror. So shall inferior eyes, That borrow their behaviors from the great, Grow great by your example and put on The dauntless spirit of resolution.
A glooming peace this morning with it brings; The sun, for sorrow, will not show his head: Go hence, to have more talk of these sad things; Some shall be pardon'd, and some punished: For never was a story of more woe Than this of Juliet and her Romeo.
Go, write it in a martial hand; be curst and brief; it is no matter how witty, so it be eloquent and fun of invention: taunt him with the licence of ink: if thou thou'st him some thrice, it shall not be amiss; and as many lies as will lie in thy shee.
My heart leaps up when I behold A rainbow in the sky: So was it when my life began; So is it now I am a man; So be it when I shall grow old, Or let me die! The Child is father of the Man; I could wish my days to be Bound each to each by natural piety.
Wanderers eastward, wanderers west, Know you why you cannot rest? 'Tis that every mother's son Travails with a skeleton. Lie down in the bed of dust; Bear the fruit that bear you must; Bring the eternal seed to light, And morn is all the same as night.
My poems and prose are not often in direct conversation with each other, but there's so much crossover - everything that comes out of that crucible of language - that working in poetry and prose is energizing - to me as a writer and to the work itself.
But thy strong Hours indignant work’d their wills, And beat me down and marr’d and wasted me, And tho’ they could not end me, left me maim’d To dwell in presence of immortal youth, Immortal age beside immortal youth, And all I was, in ashes. - Tithonus
One of the rules of Greek lament poetry is that it mustn't mention the dead by name in case of invoking a ghost. Maybe the 'Iliad,' crowded with names, is more than a poem. Maybe it's a dangerous piece of the brightness of both this world and the next.
What made the beauty of the moon? And the beauty of the sea? Did that beauty made you? Did that beauty make me? Will that make me something? Will I be something? Am I something? And the answer comes: already am, always was, and I still have time to be.
I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there's always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.
I should have told You before talking in terms of Forever that any given day wears me out and works me sour, that there are nights when the sky is so clear I stand obnoxious underneath it begging for the stars to shoot at me just so I can feel at Home.
A man needed somebody. There wasn't anybody around, so you had to make up somebody, make him up to be like a man should be. It wasn't make-believe or cheating. The other way was make-believe and cheating: living your life without a man like him around.
An artist's sensitivity to criticism is, at least in part, an effort to keep unimpaired the zest, or confidence, or arrogance, which he needs to make creation possible; or an instinct to climb through his problems in his own way as he should, and must.
Delicate, gracious, and eloquent, John Brandi's poems reveal that he remains an extraordinary profound poet of prayer and praise. His is the most honorable and heroic of ambitions - to dress our broken world in the clothes of language, trust, and hope.
I, too, often shrivel the grey shreds,Sniff them and think and sniff again and tryOnce more to think what it is I am remembering,Always in vain. I cannot like the scent,Yet I would rather give up others more sweet,With no meaning, than this bitter one.
I was a working-class kid from Boston. But I never lost my accent because I felt like that was what I was doing. I didn't have to perform Woody Guthrie like Bob Dylan did in the '60s, I just had to make myself be Eileen Myles and let that be my shield.
With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
Happy the man, of mortals happiest he, Whose quiet mind from vain desires is free; Whom neither hopes deceive, nor fears torment, But lives at peace, within himself content; In thought, or act, accountable to none But to himself, and to the gods alone.
Cling closer, closer, life to life, Cling closer, heart to heart; The time will come, my own wed Wife, When you and I must part! Let nothing break our band but Death, For in the world above 'Tis the breaker Death that soldereth Our ring of Wedded Love.
I consider my selfbeing ... that taste of myself, of I and me above and in all things, which is more distinctive than the taste of ale or alum, more distinctive than the smell of walnutleaf or camphor, and is incommunicable by any means to another man.
How wonderful is the human voice! It is indeed the organ of the soul. The intellect of man is enthroned visibly on his forehead and in his eye, and the heart of man is written on his countenance, but the soul, the soul reveals itself in the voice only.
These groups within a society can he distinguished according as to whether, like an army or an orchestra, they function as a single body; or whether they are united merely to defend their common interests and otherwise function as separate individuals.
But the further step, by means of which a civilization is given its quality or culture, is only attained by a process of cellular division, in the course of which the individual is differentiated, made distinct from and independent of the parent group.
Things are going downhill with you!' he said to himself, and laughed about it, and as he was saying it, he happened to glance at the river, and he also saw the river going downhill, always moving on downhill, and singing and being happy through it all.
The first poem in The Beauty holds a woman in Portugal in a wheelchair singing, with great power, a fado. I have never seen this or heard of it, the image simply arrived. But surely such a thing has happened. And it matters to me that it has, or could.
Very rarely does a mainstream film push the envelope. A film that's so-called mainstream and questions certain norms, certain notions of morality, and gets away with it opens doors. It means the common man, the majority of the people, have accepted it.
And after hearing what our Church can say, If still our reason runs another way, That private reason 'tis more just to curb, Than by disputes the public peace disturb; For points obscure are of small use to learn, But common quiet is mankind's concern.
God's ways seem dark, but, soon or late, They touch the shining hills of day; The evil cannot brook delay, The good can well afford to wait, Give ermined knaves their hour of crime; Yet have the future grand and great, The safe appeal of Truth to Time!
This Grave contains all that was Mortal of a Young English Poet Who on his Death Bed in the Bitterness of his Heart at the Malicious Power of his Enemies Desired these words to be engraved on his Tomb Stone "Here lies One Whose Name was writ in Water."
What needs my Shakespeare for his honour'd bones,- The labour of an age in piled stones? Or that his hallow'd relics should be hid Under a star-y-pointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name?
My grandmother and my mom and my aunt Aurelia, my grandmother Juanita, my mom Lucia - we lived on the outskirts of a barrio in Mexico City called Tepito, and Tepito for many, many decades was the largest barrio in Mexico and perhaps even Latin America.
The performance group The Ant Farm redoing JFK's assassination in Dallas was an event that struck a chord with me, especially when one of the members said they'd only intended to do it once, but the Dallas audience insisted they repeat the performance.
There are poems that are never written, that simply move across the mind like skywriting on a still day: slowly the first word drifts west, the last letters dissolve on the tongue, and what is left is the pure blue of insight, without cloud or comfort.