Quotes of All Topics . Occasions . Authors
Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me prov'd, I never writ, nor no man ever lov'd.
Good night; ensured release, Imperishable peace, Have these for yours. * While sky and sea and land And earth's foundations stand And heaven endures. *These three lines are on the tablet over Housman's grave in the parish church at Ludlow, Shropshire, England
I think about the possibilities for empathy, for mutual solidarity among gay men and lesbians, not simply as people who suffer under homophobia, but as people who are also extremely creative, active, and have a particular understanding of the human condition.
Men and women are not free to love decently until they have analyzed themselves completely and swept away every mystery from sex; and this means the acquisition of a profound philosophical theory based on wide reading of anthropology and enlightened practice.
Live and lie reclined On the hills like Gods together, careless of mankind. For they lie beside their nectar, and the bolts are hurled Far below them in the valleys, and the clouds are lightly curled Round their golden houses, girdled with the gleaming world.
According to its doctors, my one intransigent desire is to have been a Confederate general, and because I could not or would not become anything else, I set up for poet and beg an to invent fictions about the personal ambitions that my society has no use for.
I must be mad, or very tired, When the curve of a blue bay beyond a railroad track Is shrill and sweet to me like the sudden springing of a tune, And the sight of a white church above thin trees in a city square Amazes my eyes as though it were the Parthenon.
He that would be content with a mean condition must not cast his eye upon one that is in a far better estate than himself, but let him look upon him that is lower than he is, and, if he see that such a one bears poverty comfortably, it will help to quiet him.
The formal stuff feels old and windy. Not to say you shouldn't know prosody. But it's a wonderful time for exploratory poetics. Contemporary poets are inventing all kinds of wild, complex shapes for poetry, as we see. It's a wonderful time, less ego-centered.
I sit at my table en grand seigneur , And when I have done, throw a crust to the poor; Not only the pleasure, one's self, of good living, But also the pleasure of now and then giving. So pleasant it is to have money, heigh ho! So pleasant it is to have money.
And strangely enoughthe only emotion I ever feel, is what the beaver must feel, as he bears each stick to his hidden construction, which creates the tranquil pond and gives the mallards somewhere to paddle, and the pair of swans a place to conceal their young
Women are allowed to enter the spaces of the senses, the space of the body, the spaces opened by sensations, all kinds of feelings, but women are not allowed to enter the spaces of reason to the same extent, that is to say the space of ideas, political ideas.
At great periods you have always felt, deep within you, the temptation to commit suicide. You gave yourself to it, breached your own defenses. You were a child. The idea of suicide was a protest against life; by dying, you would escape this longing for death.
Poetry is not a silent art. The poem must perform, unaided, in its reader's head. Educated readers give themselves a good performance. Educated listeners compare performance with text and with other performances. Good poets use the full resources of language.
In his bleak mercy, Death forever strips The soul of light and memory, rendering blind Our vision, lest surmounted deeps appal, As when on mountain-heights a glance behind Betrays with knowledge, and the climber slips Down gulfs of fear to some enormous fall.
As one who sees in dreams and wakes to find the emotional impression of his vision still powerful while its parts fade from his mind - Just such am I, having lost nearly all the vision itself, while in my heart I feel the sweetness of it yet distill and fall.
O power of fantasy that steals our minds from things outside, to leave us unaware, although a thousand trumpets may blow loud--what stirs you if the senses show you nothing? Light stirs you, formed in Heaven, by itself, or by His will Who sends it down to us.
I think that great poetry is the most interesting and complex use of the poet's language at that point in history, and so it's even more exciting when you read a poet like Yeats, almost 100 years old now, and you think that perhaps no one can really top that.
Courage is always greatest when blended with meekness; intellectual ability is most admirable when it sparkles in the setting of a modest self-distrust; and never does the human soul appear so strong as when it foregoes revenge and dares to forgive an injury.
Objects close to the eye shut out much larger objects on the horizon; and splendors born only of the earth eclipse the stars. So a man sometimes covers up the entire disk of eternity with a dollar, and quenches transcendent glories with a little shining dust.
I grew up reading 19th-century novels and late Victorian children's books, so I try for a good story full of coincidence and error, landscape and weather. However, the world was radically changed during my lifetime, and I tell of that battering as best I can.
Alone I walked on the ocean strand, A pearly shell was in my hand; I stooped, and wrote upon the sand My name, the year, the day. As onward from the sport I passed, One lingering look behind I cast, A wave came rolling high and fast, And washed my lines away.
I sit cross-legged on the rock The valleys and streams are cold and damp Sitting quietly is beautiful The cliffs are lost in mist and fog I rest happily in this place At dusk the tree shadows are low I look into my mind A white lotus emerges from the dark mud
Being who we are requires that we can talk openly about things that are important to us, that we take a clear position on where we stand on important emotional issues, and that we clarify the limits of what is acceptable and tolerable to us in a relationship.
If the garden of Eden really exists it does so moment by moment, fragmented and tough, cropping up like a fan of buddleia high up in the gutter of a deserted warehouse, or in a heap of frozen cabbages becoming luminous in the reflected light of roadside snow.
Good-night! good-night! as we so oft have said Beneath this roof at midnight, in the days That are no more, and shall no more return. Thou hast but taken up thy lamp and gone to bed; I stay a little longer, as one stays To cover up the embers that still burn.
That was the first sound in the song of love! Scarce more than silence is, and yet a sound. Hands of invisible spirits touch the strings Of that mysterious instrument, the soul, And play the prelude of our fate. We hear The voice prophetic, and are not alone.
What is time? The shadow on the dial, the striking of the clock, the running of the sand, day and night, summer and winter, months, years, centuries-these are but arbitrary and outward signs, the measure of Time, not Time itself. Time is the Life of the Soul.
I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention.
They are slaves who fear to speak For the fallen and the weak; They are slaves who will not choose Hatred, scoffing, and abuse, Rather than in silence shrink From the truth they needs must think; They are slaves who dare not be In the right with two or three.
Making one object, in outward or inward nature, more holy to a single heart is reward enough for a life; for the more sympathies we gain or awaken for what is beautiful, by so much deeper will be our sympathy for that which is most beautiful,--the human soul!
O sleep! O sleep! Do not forget me. Sometimes come and sweep, Now I have nothing left, thy healing hand Over the lids that crave thy visits bland, Thou kind, thou comforting one. For I have seen his face, as I desired, And all my story is done. O, I am tired.
The fine arts, both in those who cultivate and those only who admire them, open and expand the mind to great ideas. They inspire liberal feelings, create a harmony of temper, favorable to a sense of justice and a habit of moderation in our social intercourse.
Until, accustomed to disappointments, you can let yourself rule and be ruled by these strings or emanations that connect everything together, you haven't fully exorcised the demon of doubt that sets you in motion like a rocking horse that cannot stop rocking.
Poetry comes to me out of thin air or out of my unconscious mind. It's sort of the way dreams come to us and the way that we get knowledge from them, through television, old movies, which I watch a lot of. Lines of dialogue suddenly seem to be part of a poem.
The age is dull and mean. Men creep, Not walk; with blood too pale and tame To pay the debt they owe to shame; Buy cheap, sell dear; eat. drink, and sleep down-pillowed, deaf to moaning want; Pay tithes for soul-insurance; keep Six days to Mammon, one to Cant
O let me lead her gently o'er the brook, Watch her half-smiling lips and downward look; O let me for one moment touch her wrist; Let me one moment to her breathing list; And as she leaves me, may she often turn Her fair eyes looking through her locks auburne.
Love itself is the most elitist of passions. It acquires its stereoscopic substance and perspective only in the context of culture, for it takes up more place in the mind than it does in bed. Outside of that setting it falls flat into one-dimensional fiction.
In order to live in a different country, you have to love something there. You have to love something there. You have to love either the spirit of the laws or the economic opportunities, or the - well, history of the country, the language perhaps, literature.
True love should be, according to its origin, entirely arbitrary and entirely accidental at the same time; it should seem both necessary and free; in keeping with its nature, however, it should be both destiny and virtue and appear as a mystery and a miracle.
Life without love is like a tree without blossoms or fruit.” “Love has no other desire but to fulfill itself. To melt and be like a running brook that sings its melody to the night. To wake at dawn with a winged heart and give thanks for another day of loving
Who among you does not feel that his power to love is boundless? And yet who does not feel that very love, though boundless, encompassed within the center of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds?
Poetry can change the world, just like any art can change the world, by changing consciousness. Of course this was the great slogan of the nineteen sixites hippies’ revolution—enlarge the area of consciousness, which quite often was done by psychedelic means.
I am not yet born; Forgive me For the sins that in me the world shall commit, my words When they speak me, my thoughts when they think me, My treason engendered by traitors beyound me, My life when they murder by means of my hands, my death when they live me.
I would have a poet able bodied, fond of talking, a reader of the newspapers, capable of pity and laughter, informed in economics, appreciative of women, involved in personal relationships, actively interested in politics, susceptible to physical impressions.
No, my secrets are of the grave and must be kept. And this is how I sometimes think of myself, as a great explorer who has discovered some extraordinary land from which he can never return to give his knowledge to the world: but the name of this land is hell.
I feel despised there, for having so little money; also for once having had so much. I never actually had it, of course. Father had it, and then Richard. But money was imputed to me, the same way crimes are imputed to those who've simply been present at them.
We are in the grip of some big machine grinding us along. The force of it simplifies everything. A weird calm settled over me from inside out. What is about to happen has stood in line to happen. All the roads out of that instant have been closed, one by one.
I know death is the fascinating snake under the leaves, sliding and sliding; I know the heart loves him too, can't turn away, can't break the spell. Everything wants to enter the slow thickness, aches to be peaceful finally and at any cost. Wants to be stone.
Weddings and funerals have so much in common (except that in Ireland funerals are more fun - better food, better drink): at both, our senses are sharpened and we register much more than usual - a striking face or hair-do, the wind's behaviour, a bird singing.