Quotes of All Topics . Occasions . Authors
I am obnoxious to each carping tongue/ Who says my hand a needle better fits./ A poet's pen all scorn I should thus wrong/ For such despite they cast on female wits;/ If what I do prove well, it won't advance,/ They'll say it's stolen, or else, it was by chance.
A lot of the fun lies in trying to penetrate the mystery; and this is best done by saying over the lines to yourself again and again, till they pass through the stage of sounding like nonsense, and finally return to a full sense that had at first escaped notice.
But tomorrow, dawn will come the way I picture her, barefoot and disheveled, standing outside my window in one of the fragile cotton dresses of the poor. She will look in at me with her thin arms extended, offering a handful of birdsong and a small cup of light.
I know my voice has a limited range of motion; I don't write dramatic monologues and pretend to be other people. But so far, my voice is broad enough to accommodate most of what I want to put into my poetry. I like my persona; I often wish I were him and not me.
If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out. In a poem, the pen is more like a flashlight, a Geiger counter, or one of those metal detectors that people walk around beaches with.
I wrote poetry off and on in high school, when I could manage to get out of gym classes and sports - using my allergies as an excuse - and climb the hill behind school till I found a nice place to settle down with a notebook and look at Spokane spread out below.
I'm not comfortable, for myself and for others. And yet, one has these people whom you trust, have faith in, whom you believe see what you see, and then you come up against a moment where you feel suddenly tossed out. So I was really interested in those moments.
But I give you my word, in the entire book there is nothing that cannot be said aloud in mixed company. And there is, also, nothing that makes you a bit the wiser. I wonder--oh, what will you think of me--if those two statements do not verge upon the synonymous.
I liked the taste of beer, its live, white lather, its brass-bright depths, the sudden world through the wet-brown walls of the glass, the tilted rush to the lips and the slow swallowing down to the lapping belly, the salt on the tongue, the foam at the corners.
Rhythm is one of the principal translators between dream and reality. Rhythm might be described as, to the world of sound, what light is to the world of sight. It shapes and gives new meaning. Rhythm was described by Schopenhauer as melody deprived of its pitch.
What the reporters are like! They are mad with excitement at the thought of my approaching demise. Kind Sister Farquhar, my nurse, spends much of her time in throwing them downstairs. But one got in the other day, and asked me if I mind the fact that I must die.
l am not resigned to the shutting away of loving hearts in the hard ground. So it is, and so it will be, for so it has been, time out of mind: Into the darkness they go, the wise and the lovely. Crowned With lilies and with laurel they go; but I am not resigned.
How often a new affection makes a new man! The sordid, cowering soul turns heroic. The frivolous girl becomes the steadfast martyr of patience and ministration, transfigured by deathless love. The career of bounding impulses turns into an anthem of sacred deeds.
The excellence and inspiration of truth is in the pursuit, not in the mere having of it. The pursuit of all truth is a kind of gymnastics; a man swings from one truth with higher strength to gain another. The continual glory is the possibility opening before us.
Let us leave good sense behind like a hideous husk and let us hurl ourselves, like fruit spiced with pride, into the immense mouth and breast of the world! Let us feed the unknown, not from despair, but simply to enrich the unfathomable reservoirs of the Absurd!
Beauties, when disposed to sleep, Should from the eye of keen inspector keep: The lovely nymph who would her swain surprise, May close her mouth, but not conceal her eyes; Sleep from the fairest face some beauty takes, And all the homely features homelier makes.
I liked having some time to myself. Our family was such a close one, you could get smothered. Of course, we didn't always agree with one another. Sometimes I quarreled with my brother and sisters, but I couldn't remember hating anyone for more than five minutes.
Tell me who first did kisses suggest? It was a mouth all glowing and blest; It kissed and it thought of nothing beside. The fair month of May was then in its pride, The flowers were all from the earth fast springing, The sun was laughing, the birds were singing.
All the books of the world full of thoughts and poems are nothing in comparison to a minute of sobbing, when feeling surges in waves, the soul feels itself profoundly and finds itself. Tears are the melting ice of snow. All angels are close to the crying person.
You wouldn't consider all the bipeds you pass on the street human beings simply because they walk upright and carry their young in their bellies nine months! It is obvious how many of them are fish or sheep, worms or angels, how many are ants, how many are bees!
Kerry Cohen's powerful, transfixing story will be familiar to many women, most of whom won't want to admit it. In this heartfelt and authentic memoir, Cohen transcends the pain and shame of a promiscuous past, and leaves readers with a sense of hope and triumph.
He who attempts to make others believe in means which he himself despises is a puffer; he who makes use of more means than he knows to be necessary is a quack; and he who ascribes to those means a greater efficacy than his own experience warrants is an impostor.
If a man means his writing seriously, he must mean to write well. But how can he write well until he learns to see what he has written badly. His progress toward good writing and his recognition of bad writing are bound to unfold at something like the same rate.
Men are sponges, which, to pour out, receive; Who know false play, rather than lose, deceive. For in best understandings sin began, Angels sinn'd first, then devils, and then man. Only perchance beasts sin not ; wretched we Are beasts in all but white integrity.
I have been astonished that men could die martyrs for their religion-- I have shuddered at it, I shudder no more. I could be martyred for my religion. Love is my religion and I could die for that. I could die for you. My Creed is Love and you are its only tenet.
The Internet is such a paradoxical space - it's limitless and totally bounded, apparently free yet corporate-controlled, apparently invisible yet surveilled, a place of disembodiment where bodies are policed and enviolenced, a place that is apparently 'nowhere'.
As a child I was taught that to tell the truth was often painful. As an adult I have learned that not to tell the truth is more painful, and that the fear of telling the truth - whatever the truth may be - that fear is the most painful sensation of a moral life.
Do men drop out of college because they get someone pregnant? Do they quit their job if they get someone pregnant? No. And we do not require men to support women they have made pregnant. Once the baby is born, there can be child support. Before that, though, no.
I wonder if Karl Ove Knausgård would've written the same books today had been using Twitter. It wasn't around when he was writing those books. Those books were written during the age of the blog, with its big verbiage. The landscape has completely changed today.
This is the mountain standing in the way of any true Negro art in America - this urge within the race toward whiteness, the desire to pour racial individuality into the mold of American standardization, and to be as little Negro and as much American as possible.
I opened my veins. Unstoppably life spurts out with no remedy. Now I set out bowls and plates. Every bowl will be shallow. Every plate will be small. And overflowing their rims, into the black earth, to nourish the rushes unstoppably without cure, gushes poetry.
I commend you, Postumus, for kissing me with only half your lip; you may, however, if you please, withhold even the half of this half. Are you inclined to grant me a boon still greater, and even inexpressible? Keep this whole half entirely to yourself, Postumus.
I like to photograph miniature constructed scenes - I'll buy a very sad cake decoration like a plastic computer for a dreary office birthday party and construct a wildly colorful scene to put on its screen, or do a series of dollhouse chairs frozen in ice cubes.
Time itself flows on with constant motion, just like a river: for no more than a river can the fleeting hour stand still. As wave is driven on by wave, and, itself pursued, pursues the one before, so the moments of time at once flee and follow, and are ever new.
To be ambitious of true honor and of the real glory and perfection of our nature is the very principle and incentive of virtue; but to be ambitious of titles, place, ceremonial respects, and civil pageantry, is as vain and little as the things are which we court
Isn't it time that these most ancient sorrows of ours grew fruitful? Time that we tenderly loosed ourselves from the loved one, and, unsteadily, survived: the way the arrow, suddenly all vector, survives the string to be more than itself. For abiding is nowhere.
Burns' Hog-Weighing Method: (1) Get a perfectly symmetrical plank and balance it across a sawhorse. (2) Put the hog on one end of the plank. (3) Pile rocks on the other end until the plank is again perfectly balanced. (4) Carefully guess the weight of the rocks.
The breezes at dawn have secrets to tell you Don't go back to sleep! You must ask for what you really want. Don't go back to sleep! People are going back and forth across the doorsill where the two worlds touch, The door is round and open Don't go back to sleep!
They say that the Dead die not, but remain Near to the rich heirs of their grief and mirth. I think they ride the calm mid-heaven, as these, In wise majestic melancholy train, And watch the moon, and the still-raging seas, And men, coming and going on the earth.
My skin is kind of sort of brownish pinkish yellowish white. My eyes are greyish blueish green, but I'm told they look orange in the night. My hair is reddish blondish brown, but its silver when its wet, and all the colors I am inside have not been invented yet.
Democracy is the product of human thought and reasoning. It's true that philosophers and thinkers have always imagined a utopia in which everything is as it ought to be and the people live in freedom and comfort. But this was not achieved until recent centuries.
We fitted, amusingly enough, into none of the form categories of 'The Young American Couple'... security to us is in ourselves, and no job, not even money, can give us what we have to develop: faith in our work and hard, hard work, which is Spartan in many ways.
Tis like the birthday of the world, When earth was born in bloom; The light is made of many dyes, The air is all perfume: There's crimson buds, and white and blue, The very rainbow showers Have turned to blossoms where they fell, And sown the earth with flowers.
One of poetry's great effects, through its emphasis upon feeling, association, music, and image - things we recognize and respond to even before we understand why - is to guide us toward the part of ourselves so deeply buried that it borders upon the collective.
Genres have a history and impose a historical character upon the writer. What is interesting in the poem involves a certain kind of dramatization of the self that you don't have to engage in in the essay. In fact, the essay is a more social medium than the poem.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
Without enough wilderness America will change. Democracy, with its myriad personalities and increasing sophistication, must be fibred and vitalized by regular contact with outdoor growths - animals, trees, sun warmth and free skies - or it will dwindle and pale.
A perfect writer would make words sing, dance, kiss, do the male and female act, bear children, weep, bleed, rage, stab, steal, fire cannon, steer ships, sack cities, charge with cavalry or infantry, or do anything that man or woman or the natural powers can do.
If you, who are organised by Divine Providence for spiritual communion, refuse, and bury your talent in the earth, even though you should want natural bread, sorrow and desperation pursue you through life, and after death shame and confusion of face to eternity.
For the good are always the merry, / Save by an evil chance,/ And the merry love the fiddle,/ And the merry love to dance: / And when the folk there spy me,/ They will all come up to me, / With,”Here is the fiddler of Dooney!” / And dance like a wave of the sea.