When the hornet hangs in the hollyhock, And the brown bee drones in the rose, And the west is a red-streaked four-o'clock, And summer is near its close, It's, Oh!, For the gate, and the locust lane; And dusk, and dew, and home again!

The ultimate source of energy, the sun is ready to set. The leaves of the blooming lotus flower in the pond are losing their lustre. A bumblebee, sitting on that lotus is enjoying the romantic pleasure and murmuring passionate songs.

What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves -- our own hungers, our own wishes, our own deficiencies.

Why aren't we investing more in alternate tech? The Saudi Arabians are, Scottish Power is. I was just there. Could it be that we're counting on the oil going on forever and ever and ever and us having all of it and getting very rich?

All your female friends are either old or ugly; nay, more ugly than old women usually are. These you lead about in your train, and drag with you to feasts, porticos and theaters. Thus, Fabulla, you seem handsome, thus you seem young.

Am I willing to give up what I have in order to be what I am not yet? Am I willing to let my ideas of myself, of man be changed? Am I able to follow the spirit of love into the desert? To empty myself even of my concept of emptiness?

I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars.

O cruel cloudless space, And pale bare ground where the poor infant lies! Why do we feel restored As in a sacramental place? Here Mystery is artifice, And here a vision of such peace is stored, Healing flows from it through our eyes.

It was hard for me, as a father, to imagine going through what my birth mom went through, to raise a child inside of her for nine months, and then have to say goodbye. And so it's hard for me to understand that pain and that process.

The rap community has been singled out as more homophobic than other groups, but I don't think that's right. It's homophobic, all right, but no more so than the heavy-metal community or the Hollywood community or any other community.

By diminishing the value of silence, publicity has also diminished that of language. The two are inseparable: knowing how to speak has always meant knowing how to keep silent, knowing that there are times when one should say nothing.

All things change, nothing is extinguished. There is nothing in the whole world which is permanent. Everything flows onward; all things are brought into being with a changing nature; the ages themselves glide by in constant movement.

As far as I can tell, writing the essays didn't change the way I wrote poetry. Although the essays contain scattered passages that might be called lyrical, they often contain closed statements of what is only suggested in the poetry.

But maybe it's up in the hills under the leaves or in a ditch somewhere. Maybe it's never found. But what you find, whatever you find, is always only part of the missing, and writing is the way the poet finds out what it is he found.

An attitude of permanent indignation signifies great mental poverty. Politics compels it votaries to take that line and you can see their minds growing more impoverished every day, from one burst of righteous indignation to the next.

We are the women of daylight; of clocks and steel foundries, of drugstores and streetlights, of superhighways that slice our days in two. Our dreams are pale memories of themselves, and nagging doubt is the false measure of our days.

Before man can be free, and equal, and truly wise, he must cast aside the chains of habit and superstition; he must strip sensuality of its pomp, and selfishness of its excuses, and contemplate actions and objects as they really are.

We live and move and think; but we are not the creators of our own origin and existence. We are not the arbiters of every motion of our own complicated nature; we are not the masters of our own imaginations and moods of mental being.

Rough wind, the moanest loud Grief too sad for song; Wild wind, when sullen cloud Knells all the night long; Sad storm, whose tears are vain, Bare woods, whose branches strain, Deep caves and dreary main, Wail, for the world's wrong!

The Astonishment Tapes will now take its place within the growing field of international research about postwar American poetry's important contribution to world literature. Miriam Nichols has once again done exceptional scholarship.

Religion is something infinitely simple, ingenuous. It is not knowledge, not content of feeling... it is not duty and not renunciation, it is not restriction: but in the infinite extent of the universe it is a direction of the heart.

Then welcome each rebuff That turns earth's smoothness rough, Each sting that bids nor sit nor stand, but go! Be our joys three-parts pain! Strive, and hold cheap the strain; Learn, nor account the pang; dare, never grudge the throe!

You've often heard me say - perhaps too often - that poetry is what is lost in translation. It is also what is lost in interpretation. That little poem means just what it says and it says what it means, nothing less but nothing more.

She told me that all the girls in Annezin prayed every night for the war to end and for the English to go away as soon as their money was spent. She said that the clause about the money was always repeated in case God should miss it.

You begin to see that all of these things are connected: The kind of cuts that mean less environmental protection are also the kind of cuts that mean less musical education for the schools and that also mean more overcrowded schools.

I made an oath to myself: as long as I live as long as my soul remains in this body I won't deviate from the right way but later I looked to my left and then to my right and I saw our beloved everywhere how could I make a wrong turn?

At every instant and from every side, resounds the call of Love: We are going to sky, who wants to come with us? We have gone to Heaven, we have been the friends of the angels, And now we will go back there, for there is our country.

Humankind is being led along an evolving course, through this migration of intelligences, and though we seem to be sleeping, there is an inner wakefulness that directs the dream, and that will eventually startle us back to the truth.

Thinking about writing as an act of celebration is sometimes a helpful framework for me. It allows me to prioritize what I want to call attention to and what I want others to know about me. It makes me ask: What is worth celebrating?

Imagine - four years you could have spent travelling around Europe meeting people, or going to the Far East of Africa or India, meeting people, exchanging ideas, reading all you wanted to anyway, and instead I wasted it at Roosevelt.

I was so lucky that I didn't have anyone to copy, be impressed by. I had developed my own style, I was creating before I knew there was a Thurber, a Benchley, a Price and a Steinberg. I never saw their work until I was around thirty.

I once stood in the middle of New York city watching my name go round the electronic zipper sign in Times Square and I felt pretty thrilled, but not quite as thrilled as I felt when I saw my name in the 'Examiner' for the first time.

In pursuing certain virtues - colorful local effects, personae and personality, juxtaposition, close calls with nonsense, uncertainty, critiques of ordinary language - the current crop of American poets necessarily give up on others.

No sun, no moon, no morn, no noon, No dawn, no dusk, no proper time of day, . . . . . . No road, no street, no t' other side the way, . . . . . . No shade, no shine, no butterflies, no bees, No fruits, no flowers, no leaves, no buds.

Whatever's there to feel, feel it—the riddance, the relief, the fright and freedom, the fear of forgetting, the dull ache of your own mortality. Get with someone you can trust with tears, with anger, and wonderment and utter silence.

Every abstract picture of the world is as impossible as a blueprint of a storm. Don't be ashamed because you're human: be proud! Inside you, vaults behind vaults open endlessly. You will never be finished, and that's as it should be.

Strong and rare natures are thus created; misery, almost always a stepmother, is sometimes a mother; privation gives birth to power of soul and mind; distress is the nurse of self-respect; misfortune is a good breast for great souls.

An electric chain seems to vibrate, as it were, between our brain and him or her preserved there [in a Daguerreotype] so well by the limner's cunning. Time, space, both are annihilated, and we identify the semblance with the reality.

TO the States or any one of them, or any city of the States, Resist much, obey little, Once unquestioning obedience, once fully enslaved, Once fully enslaved, no nation, state, city of this earth, ever after-ward resumes its liberty.

I would have touched it like a child But knew my finger could but have touched Cold stone and water. I grew wild, Even accusing heaven because It had set down among its laws: Nothing that we love over-much Is ponderable to our touch.

A story, in which native humour reigns, Is often useful, always entertains; A graver fact, enlisted on your side, May furnish illustration, well applied; But sedentary weavers of long tales Give me the fidgets, and my patience fails.

Life - give me life until the end, That at the very top of being, The battle-spirit shouting in my blood, Out of the reddest hell of the fight I may be snatched and flung Into the everlasting lull, The immortal, incommunicable dream.

'By heaven, that thou art fair, is most infallible true, that thou art beauteous truth itself, that thou art lovely. More fairer than fair, beautiful than beauteous, truer than truth itself, have commiseration on thy heroical vassal.

Is there no pity sitting in the clouds That sees into the bottom of my grief? O sweet my mother, cast me not away! Delay this marriage for a month, a week, Or if you do not, make the bridal bed In that dim monument where Tybalt lies.

Anger and the thirst of revenge are a kind of fever; fighting and lawsuits, bleeding,--at least, an evacuation. The latter occasions a dissipation of money; the former, of those fiery spirits which cause a preternatural fermentation.

The mother's battle for her child with sickness, with poverty, with war, with all the forces of exploitation and callousness that cheapen human life needs to become a common human battle, waged in love and in the passion for survival.

As some to church repair, Not for the doctrine, but the music there. These equal syllables alone require, Though oft the ear the open vowels tire While expletives their feeble aid do join, And ten low words oft creep in one dull line.

From yon blue heavens above us bent The gardener Adam and his wife Smile at the claims of long descent. Howe'er it be, it seems to me, 'Tis only noble to be good. Kind hearts are more than coronets, And simple faith than Norman blood.

Do we indeed desire the dead Should still be near us at our side ? Is there no baseness we would hide ? No inner vileness that we dread ? How many a father have I seen A sober man, among his boys Whose youth was full of foolish noise.

To be a political poet means simply to be a poet, and any poet worth their salt will be a political animal in their own peculiar way - they have no choice: politics is one of the many fragments we thread into the tapestry of the poem.

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