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In socialist society certain inequalities in property still exist. But in socialist society there is no longer unemployment, no exploitation, no oppression of nationalities. In socialist society everyone is obliged to work, although he does not, in return for his labour receive according to his requirements, but according to the quantity and quality of the work he has performed.
Everything that’s out now…rap wise and music wise in general [is whack]. I mean, you know whack when you see it. So I’m on a crusade against whackness, and I hope no whackness comes my way. That’s my move, my mission for this record: to combat whackness on all fronts – to make sure that people know what quality music is. It’s not so much about message, but have something to say.
There is an assumption if you are not religious, you have fallen, or you are further from God, or you are not doing the right thing. The judgment on me, with regard to my changes, is that he must be out all night partying or banging prostitutes and doing blow. This whole thing for me was absolutely the contrary. It was actually that God started to become very real to me, inside.
Every day I wake up like, "This might be my last day, and I'm not scared of it. I'm gonna go out there, do what I gotta do; I ain't gonna let nothing stop me." Nothing puts any fear in my heart. I'm never scared to bite my tongue about something, or never be scared to come out and speak about something - that's what I mean. Like, I ain't scared of death. What you gonna do to me?
It was tough sitting in jail listening to Jay Leno and Rush Limbaugh and everybody making jokes about me getting shot. And watching the media report all kinds of lies about me, like that I got raped in jail. That never happened. But at least while I was locked down, all the inmates gave me props encouragement, and so did lots of mothers and kids, who wrote me letters of support.
It's the principle of it, I get a rush when I bust Some dope lines oral, that maybe somebody'll quote. That's what I consider real in this field of music, Instead of puttin' brain cells to work, they abuse it. Non-conceptual, non-exceptional, Everybody's either crime-related or sexual. For those who pose lyrical, but really ain't true, I feel: Their time's limited, hard rocks too.
When I was a teenager, the way some of these kids out here be actively gay, it would have been ridiculed in the hood. And now the hood is a bit more accepting. Begrudgingly accepting, but definitely more accepting than 20 years ago when I was a little kid. That doesn't mean that anybody should stop fighting for equality just because people are begrudgingly a little more accepting.
All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.
Every time I sit down and write I got to put something conscious in there. It's like I got a job now. They say that for those that know you got to deal in equality. If you know and you don't speak on it and don't apply it, it's like you're the worst hypocrite. I feel I got a job to do, being that I study so much and I believe in Allah like I do, I feel like I got to spread the word.
Today, I wanted to spend some time reading and responding to comments of fans on my Facebook page. Yes, there are great comments, but there are also a lot of people who are very opinionated and judgmental. So, initially, when I read these judgmental comments, I don't feel vulnerable, but rather I get defensive. But once I get past that anger, it sort of becomes hurt. It becomes pain.
If you are a true fan, you're a fan for one of two reasons. You either support what I do or you support me as a person. If you support what I do, the quality of work speaks for itself. If you support me as a person, my personal and political views won't alienate you. If you find a way to be turned off, that means you were never a fan in the first place. You were just riding the wave.
I see that happening with hip hop purists now. Where you have an artist like a Kendrick [Lamar] or a Drake, who are really trying different things emotionally, different things musically, and on a mainstream level. And you have underground hip hop fans dissing it, for the simple fact that it's mainstream - not because what they're doing is whack, or what they're doing is not sincere.
The Big L was cold crazy, A top-notch crook snatchin' pocket books from old ladies I told him, "Give up the dough, before you get smoked! Oh you broke? ( *shots* ) Now you're dead broke" My name is L and I'm from a part of town where clowns, Get beat down and all you hear is gunshot sounds 'Cause at nighttime niggas try to tax, they're sneakier than alley cats, that's why I carry gats
Money is a tool – it’s the means, not the end. Inspiration is the metric that dictates whether or not a project is a success. It’s more realistic than trying to aim for radio play, or trying to satisfy an AR, or the other gatekeepers on these platforms. I don’t even know how to create with those things in mind. But if you tell me the goal is to inspire? That makes my job a lot easier.
This is business: they don't care about your lyrics; The better you sell, the better future for their children. Controversy sells, so they support conflict, Makes more progress, means more profit. An artist gets killed, they say they're 'so sorry,' Meanwhile, they tell you the date of his next project. What a life...death made them more profit: Record companies get paid for your drama.
MCs get a little bit of love and think they hot, Talkin bout how much money they got...all y'all records sound the same. I'm sick of that fake thug, R&B-rap scenario, all day on the radio, Same scenes in the video, monotonous material. ...Y'all don't hear me though: These record labels slang our tapes like dope. You can be next in line and signed, and still be writing rhymes and broke.
I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
We were coming out of the black community with this thing called rap music, which was basically black men yelling at the top of their lungs about what we liked and what we didn't like. It was disturbing to the status quo. It really shook things up. And those in power didn't know what to make of us, but they knew that we had to be silenced, stopped in any way from expressing our outrage.
What's bad for the culture is wack rappers that get held in high regard like they're some great thing because it's the flavor of the month, but everybody knows they can't rap. I don't think it's hard, even for somebody who's not hip-hop, to know that that's not good. When you put them up against somebody that can really rhyme, you go, "Okay, I get it. This is what it should sound like."
A lot of artists are scared to do that, they are scared to step out on their own. What am I the super villain of western Canada is that what I am? Is Classified the clean cut, staying true to his roots, hip hop guy from the East coast that stays in his lane and he made it big staying true to what he did and didn't make corny music? Then that is what he is and I am proud of him for that.
Drugs are so easy to get in the ghetto. They might not be easy to get in nice areas like Beverly Hills, but in Long Beach and Compton and South Central they're easy to get. They don't drop those drugs off in Beverly Hills. They drop them off in the ghetto. Then they tell us it's wrong to sell them. Well, we didn't bring them here. We just sell them. I was selling, like I sold newspapers.
For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.
I really embrace my hypocrisy. I embrace that because after I do that, I can move on; I can try and go away from that. You gotta understand what your problem is and know what it is, and then you can change it. You can't just be like, "I'm a hypocrite, and to not be a hypocrite, I'm just going to not do hypocritical things." You can't do that; you don't even understand what a hypocrite is.
Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.
My concern was first, for the black people of Mississippi, then I became concerned for black people nationwide, now my concern is for black people all over the world. I began to realize that it's not as much about race as we think it is. It's about the rich vs. the poor. I feel as if the different races are pitted against one another so we won't see the bigger (financial disparity) problem.
Foreign languages, I think they are important but I don't think it should be required because-actually I think they should be teaching you English and then teaching you how to understand double talk-a politician's double talk-not teaching you how to understand French and Spanish and German, when am I going to Germany? I can't even afford to pay my rent in America, how am I going to Germany?
Sometimes I'm just a little bit too honest. There was some things that were going on behind the scenes that I didn't like because it's not what hip-hop is about. Hip-hop is about honesty and it's about being real to the people, and I kinda felt like there's some instances where some artists aren't 100% honest with the people. Their integrity is lacking sometimes. And sometimes it comes out.
I think the problem for the future generations is a lot of people ain't takin' the time to look for galvanizing artists and give them their voice, so therefore for their voice to be heard, they gotta bang more pots on the ceiling, so to speak; they gotta do crazy things just to get recognized. I just feel that whenever you don't give a generation some kind of voice, then expect side effects.
Back in the days when I was a teenager, Before I had status and before I had a pager, You could find The Abstract listening to hip-hop, My pops used to say, it reminded him of be-bop, I said, well daddy don't you know that things go in cycles, The way that Bobby Brown is just ampin' like Michael, It's all expected, things are for the lookin', If you got the money, Quest is for the bookin'...
Some interviewers aren't even interested. They're just doing it because they gotta do it. Life is nothing without passion. Whatever you're doing, at least be passionate about it because I'm passionate about what I'm doing. I'm passionate about the words I'm saying right now. Just be passionate. When the interviews is passionate, it's more conversational and we're not covering the same ground.
We [black people] don't respect our elders. Besides artists, we don't respect Frederick Douglass. We don't respect Martin Luther King. You look at every Martin Luther King Boulevard out here, and it's a crack block. That's not because of white people. That's because of black leadership. We just have that problem, and it's something that I am going to spend the rest of my life trying to conquer.
What I want to know, though, is why all of a sudden is everybody acting like gangs are some new phenomenon in this country? Almost everyone in America is affiliated with some kind of gang. We got the FBI, the ATF, the police departments, the religious groups, the Democrats and the Republicans. Everybody's got their own little clique and they're all out there gangbanging in their own little way.
Trust me, pitfalls of early fame are always around. But you have to have the strength within yourself to say, "No!" Like tonight, I'd like to go out, and I have the freedom to do so. But I probably won't because I can't risk having my name associated with anything negative at this critical time. That's just to protect my brain and my job. There's no reason to play any games with a career I love.
I'm not saying this because I'm looking for a soft cushion wherever I'm heading, I just feel that I've got thousands and thousands of young fans that have to learn about what's real when it comes to AIDS. Like the others before me, I would like to turn my own problem into something good that will reach out to all my homeboys and their kin. Because I want to save their asses before it's too late.
I think everybody has a purpose. Everybody is made to be a picture of how good and glorious God is, and I think sometimes we'll get it confused and think because we mess up, we make mistakes or we have some blemishes in our record, that our purpose is somehow messed up. But actually that only serves to further paint a picture of how good God is when he uses people who are messed up just like me.
I want to be able to get my point across. I respect people expressing their freedoms and their liberties and their rights, but at the same time I'm almost mindful that my freedoms can be other people's downfalls. I don't want to flash my freedoms in your face all the time, especially if they're going to be detrimental. I can get you to understand my point without going overboard, and we're cool.
My father had been in the military and he was a weapons specialist, so he had an affinity for weapons but also for the discipline of it. He taught us how to shoot when we were young. He opened up karate schools in the worst parts of the city, on purpose, and then he would systematically clean out a three-block radius, all of the gang-bangers and drug dealers and everybody of nefarious character.
I actually went on lectures at Harvard, Stanford, Oxford and all the business schools eight years ago, explaining what the implications were and how the platforms could be powerful in creating the narrative of your brand and mobilizing your life so that you become humanized as well. I understood that and thought that was really empowering, not only to artists, but to brands as well and in general.
It's my opinion that, if Barack did want to solve the gang problem, number one would be to work with people from the inside out, people who can actually give him an accurate analysis of the problem in L.A., because they're in it or at one point were a part of it, and now they're workin' to change it, and redirect the energy and the focus of it. And then consciously take steps to solve the problem.
Cool is not just one type of cool. Cool is confidence and knowing, i guess, what you are and being fine with it. Some people can be what people call “nerds” and they're cool because they know they're needs. They know what they are and they're so confident in knowing what they are that that makes them cool, and somebody aspires to be like them because they're fine with it. it's confidence, you know.
I feel bad [about Lil Wayne going to jail], because I don't think anything like this has happened in music since Elvis got drafted into the Army. Let's just keep it real - Lil Wayne is not just the biggest rapper, Lil Wayne is the biggest pop star right now. Maybe Susan Boyle is on his level. But when you talk about music, nice times out of ten, Lil Wayne's name is gonna come into the conversation.
Sometimes when you meet stars, on one hand you're like, "You're who I'm inspired by, you're who I look up to." On the other hand you're like, "I wanna be in the same kind of shoes that you're in." That's how I've always seen myself. Some of me is star-struck, some of me feels like I'm looking at a peer. They're another person who sees the world the same way I do, who already did it. It's inspiring.
The top two for me are Spotlight and The Revenant [movies]. Everything says The Revenant, but Spotlight is special. I think this movie would have been a lot more jumpy and fast-faced if anyone else had done it. This movie is very unassuming in how powerful it is. It very calmly, and very cooly, eats you up inside. I think if there's anything that will upset the Revenant run, it's gonna be Spotlight.
A lot of people have that story that they used to sell crack or shoot people; that's nothing new. But honestly, if that was me, I probably still wouldn't be doing that because it's so many people that's doing that. It just gets old when you hear a million raps about how many ways I could shoot you. So I just try to be more creative and come with something new because I actually care about the music.
No matter what's in your head, you go up into any hospital, up to a terminal ward and it'll smack you right back into reality that, "Hey man, whatever you're dealing with, if it's heavy on your heart and head, you're gonna have to let that go, because there, some people are dealing with unavoidable situations that they can't let go." And then they eventually let those go, so, I mean, that's helpful.
People always have these debates about who their favourite rapper is. And I think it's based upon what mood that particular person is in. If someone's favourite rapper is a lyricist then they're focused on rhymes or substance. If someone's favourite rapper is a party rapper, you know, someone who makes music about the clubs... "Oh, he's my favourite rapper". No, his subject matter is your favourite.
Black people are just constantly immature in their thinking, undisciplined, and we suffer as a people. This is not about race in the sense that black people got to get something better than whites or Latinos or Asians. This is just basically that we keep complaining about what we don't have and what we can't do, and then, when we get in positions to do stuff, we fight amongst ourselves like savages.
To do business with a friend is difficult. The business itself is so stressful, so if you're havin' a bad day you can easily take it out on somebody, and then you takin' it out on somebody can easily turn into a blowup. It's weird, because you might really get to know a person by doin' business with them, then you probably decide you don't even wanna be around them, and that can really launch it off.
I feel like [throughout] my entire career and life, that I've been judged by people who really did not know me. But I definitely think that they probably were right to assume what they had assumed about me, because there was so little to go on out there. If you only see videos of me being crazy and hearing little things here and there, then obviously you're not going to have any idea who I really am.
When you're drug kingpin - you're a mayor. You are a governor. But of a different society. You get to do what you want to do, just like any mayor. You can park your car anywhere. You get the best women. You go to the restaurants and eat free. It was like being a rock star. Like being Magic Johnson or Michael Jordan. It was just pure freedom, everything I was looking for. I desperately wanted freedom.