Quotes of All Topics . Occasions . Authors
As a young man, Yeats spoke to me in a way I could understand. Shakespeare I couldn't understand, but Yeats I could. It was his subject matter and also I really admired the way he put his personal life on the line.
Well, I've been waiting, I was sure we'd meet between the trains we're waiting for I think it's time to board another Please understand, I never had a secret chart to get me to the heart of this or any other matter
The reason I moved to Nashville was because I was reading biographies of a lot of my country music heroes, and I thought it would be better to actually go where the history was, as opposed to just reading about it.
I come from a big, loud family, and I'm the quieter one. Performing is something I have to switch on. I've heard I get real sassy onstage, which I'm not in real life! It's fun to be that person for an hour a night.
Gay men are perfect men for girls who are tough. They're not threatened by strong women, and they're usually very in touch with their feelings and pay attention to details. I've always had an affinity with gay men.
I didn't have many friends; I might not have had any friends. But it all turned out good in the end, because when you aren't popular and you don't have a social life, it gives you more time to focus on your future.
Video is a funny thing. It's one thing to be an artist, singer-songwriter, and use words and create pictures in people's minds. And then be asked to do video for it, to actually give a certain visual for your song.
I wanted to challenge myself and move into something new. I felt that using the name Swans and the sonic attitude that that engenders was what I needed to move forward musically, and it's led to lots of new things.
Like the Bible says. A child should be leader of them all, and to be led by that kind of innocence. Didnt Jesus say bring on the children? Be like the children. Not childish, but child-like. That kind of innocence.
Look at how many great actors or entertainers have been lost to the world because they did a performance one night and that was it. With film, you capture that, it's shown all over the world and it's there forever.
The studio is my main compositional tool. And I used to be horrible in the studio. I didn't know any kind of technical stuff. But when you have something in your head, you've gotta figure out a way of executing it.
I do loads of pitch writing as well, where you write a pop song and then pitch it to DJs who can then work with the song, and sometimes they keep your vocal on it. It's just good to be involved in different things.
Sometimes supporting is difficult because a lot of people go to a gig to see the main act and to have a beer and a chat with their mates, so a lot of the time, even if you were John Lennon, would not listen to you.
One of the great things that I loved about doing solo - which I ended up doing because I was too shy to ever try out for bands back in the day - I could sit there with a list of songs and 'paint away' for the show.
In the early 60s, folk music seemed to be very popular. In the early 70s, people like James Taylor, John Denver, Jim Croce and Cat Stevens brought back the interest in acoustic music. Today, we don't hear anything.
I don't really care so much what people say about me because it usually is a reflection of who they are. For example, if people wish I would sound like I used to sound, then it says more about them than it does me.
I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.
There's just something so special about 'God Made Girls.' It comes from a girl's perspective, and there's nothing like that on radio right now, and so I think that's what made us able to pick that song as a single.
I didn't spend my childhood trying to be a performer; it was a big surprise to me that this was what I was doing. But it has always felt quite natural to me. I wasn't taught to do what I do; I found out bit by bit.
Isn't that the goal, as you grow older? That you start reclaiming those parts of yourself you didn't recognize or didn't think were there all along? That's what happened when I made The River and the Thread record.
I don't think about whether it's gonna be a dance record or a ballad or anything when I'm making music. I sit in the studio and I think, 'How am I feeling today?' and I write how I feel. It's really, really simple.
I never thought it was fair for an 8-year-old child not to be able to afford shoes, or to wander the streets having to beg for money. To know that child's joy would end soon, when they realised there was no future.
I was in musicals and I was in the choir when I was younger. Before I started writing my own songs I thought I wanted to be on Broadway, but it was nothing I ever really pursued. So this was pretty out of the blue.
One day when I have a band I will have a band name, but since it's just me I feel it should just be my name. For me it doesn't make much sense since the music is from me and about me. I haven't ever been in a band.
I have a hard time not wearing my heart on my sleeve and answering people honestly. You know, my friends warn me that I should be more guarded 'cause sometimes I am too honest and open, but it's also just who I am.
I have no shame around the fact that I can be shot into suicidal feelings by certain people's treatment of me. I am no different to any other person, I therefore act as I believe any other person should be free to.
My favorite way of working is if somebody gives me a piece of music, because I'm quite limited as a player, so it's my favorite thing if somebody gives me a piece of music, and then I can write lyrics and melodies.
I still stand behind the stuff I did early on, but I was on a record label, and I didn't have a lot of creative control. Another side of that is just being young and having bad taste. There was plenty of that, too.
My gift's primarily literary. That being said, I ended up a musician. By the time I made the bluegrass record...I'm more impressed with myself when I push the envelope musically than I am when I push it literality.
You should have felt the buzz the moment all five of us got together in the same room for the first time again. We all started laughin'—it was like the five years had never passed. We knew we'd made the right move.
My music is just about story telling. I don't have much to say, and I'm not trying to change anyone's mind. I'm just singing through conviction about what I love and what I care about, starting with the very small.
I'd always been insecure. Being the fourth of five kids means attention is divided five ways, and to do this equally is impossible. I grew up feeling like the little orphan in the family, the one who didn't fit in.
It's kind of exhilarating, walking through a crazy, insane mob. The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
It's important for me to put out things that I think are good - I want to be a fan of my own stuff. I also want my live shows to be really awesome, and dance is such an important element for me and my performances.
I don't like the word 'poetry,' and I don't like poetry readings, and I usually don't like poets. I would much prefer describing myself and what I do as: I'm kind of a curator, and I'm kind of a night-owl reporter.
Some people are afraid of what they might find if they try to analyze themselves too much, but you have to crawl into your wounds to discover where your fears are. Once the bleeding starts, the cleansing can begin.
When I sit down to make a set list I usually think, 'We'll build it up here, take it down here, go into a quiet section here, explode here,' in a way that there's a flow and it doesn't feel like shuffle on an iPod.
For a woman to be able to dominate and also be feminine and soft, that's a talent. And its not all about appearance. A woman who has a brain, who is street-smart and book-smart, that woman is very, very sexy to me.
I grew my dreadlocks 12 years ago because they give me the freedom to roll out of bed and not spend hours on my woolly, thick hair. I get tons of dropped jaws and compliments, so I reckon folks like them all right.
Do you remember the time darlin' when everything made more sense in the world? Oh I remember, I remember... when life made more sense... Take me back, take me back, take me way back... to when life made more sense.
A lot of the album is made of love songs I've written over the past three or four years that have lasted the test of time. It's probably the thing that connects the songs together other than the sound of my vocals.
I chose the songs for the music more than for the lyrical content and it wasn't until the end of the recording and when we were trying to decide running order that I realized how sad a lot of the songs could sound.
When we went to cover it I thought we would change it to a song of loving and longing instead of the sex machine song Kylie turned it into. I've met Kylie and told her we were covering her song and she was pleased.
Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
I suppose I had my rock star fantasies while I was singing into my hairbrush in the bathroom mirror, but I never really consciously said, 'OK, this is what I'm going to do for a living and I'm going to be Weird Al.'
Come Christmas Eve, we usually go to my mom and dad's. Everybody brings one gift and then we play that game when we all steal it from each other. Some are really cool, others are useful and some are a bit out there.
It is OK to be happy in life. Even through all the strife, maybe especially during times of great pain and suffering. We still have to be able to stay close to that joy because we can't save the world in a bad mood.
I knew there was never anyone to blame when people get into drugs. They're always responsible for their own behavior, and it's not the dealer, it's not the friend, it's not the bad influence, it's not the childhood.
My buddies worked with me for weeks, and I went up to take my test, and started crying because I couldn't remember the words. I can remember songs. If you put it to a melody, I would have sung it to 'em in a minute.