Quotes of All Topics . Occasions . Authors
I can't draw. But I can draw with sound. That's the most useful thing I learned in terms of what my craft is... The arrangements were mine. They were little lines and stuff that I had written myself... And I was locked into this idea that vocals didn't count, melodies didn't count, songwriting craftsmanship didn't count. The only thing that counted was high arching guitar solos...
A lot of people lose a sense of reality when they achieve success. That's a terrible danger because you have to remember who you were and who you are basically and that you're still a person and all that out there is a kin of magic - what people see out there is magic, it's media magic. It's not very real and it's very glamorous, but you have to keep a sense of you through it all.
When I first started, I was really nervous. You could hear my voice quiver. So I started drinking a bit and that helped. A lot of entertainers have a few drinks before going onstage and don't overdo it. Me, it turned into a bigger habit. But I stopped that. I was getting older, and I was thinking about my kids. There's enough roadblocks out there without throwing in more yourself.
What people don't understand is that the underground that existed was created in the early 80s and was thriving throughout the 80s. Until the industry showed up it was a pretty significant network. It was all happening, but the smell of money had not wafted up high enough for the industry. It wasn't really until they came descending on Seattle that things really got out of control.
I yearn to live and love and burn, and yet so much of my time is spent faking and forgetting, faking and forgetting I carry out my disbelief with uninspired hands, my eyes shut, my emotions dulled, my spirit numb. In times like these I am in desperate need of truth to come to me like a blinding light, like a splinter in my soul, reminding me of the brevity of my time here on earth.
I suppose all moms have an idea who they hope their daughters will be. Like a connect-the-dots picture where you think you know what shape it will become. But then it's the daughter who draws the lines, and she might connect the dots you didn't intend, making a whole different picture. So I've gotta trust the dots she's given me, and she's gotta trust me to draw the picture myself.
These people shred. That's what I was saying about Nashville-you can go to an open mic night at the Holiday Inn and probably see more talented musicians than the ones touring. When we first came down here I was like, "Wow I'm glad we didn't cut our teeth down here, there's so much competition." You're being challenged constantly because you're surrounded by these amazing musicians.
My voice is my gift. And Pops had me using it in the right way. I had many offers to sing pop, to sing rhythm and blues. Pops said "Mavis, this record company want to give you a million dollars." I said, "No daddy, I want to sing with the family." And I did. I never wanted to branch out by myself. But I've had to now. It's my mission. I've been left here to do it. And I'm grateful.
I feel very strongly about letting people know I'm proud of who I am. I want people to know when they hear my songs it's coming from a specific place. The new record is specifically for us trans women: that we can sing about our pain, being ostracized by our lovers, who are ashamed of us in a way. There's no pop music like that for our community. I wanted to contribute in that way.
There's a kind of a line between music and math, so I guess I got the music gene, thank goodness. But my mother wasn't too thrilled. She wanted me to go to university and get a degree or do something, and my father, he liked opera so he wasn't too thrilled either, because he wanted me to be an opera singer and I didn't have - as he said, I don't really have the strength to do that.
When I went to high school - that's about as far as I got - reading my U.S. history textbook, well, I got the history of the ruling class. I got the history of the generals and the industrialists and the presidents that didn't get caught. How 'bout you? I got all of the history of the people who owned the wealth of the country, but none of the history of the people that created it.
I know so many kids who literally are, like, Instagram-famous. They have done nothing but post pictures on Instagram. And they have followings. People love to see them in person, but it's only because they post on their Instagram. It's literally crazy. Kids will paint a picture of themselves that is so far beyond who they actually are. It's like they're wearing someone else's skin.
Country music and the world will miss George Jones. He was someone who set a high standard in our industry for great music and lyrics that tapped into the emotions of the human heart at a very deep level. His music has touched the lives of country music lovers for over five decades. My prayers are with his family and I pray for the repose of his soul. May you rest in peace, brother.
The actual fund is called "THE JIMMY FUND" and THE REDSOX FOUNDATION IN BOSTON has gotten involved and people all over New England are very supportive of this effort. The Jimmy Fund is an official charity of the Boston Red Sox and my song "Down at Fenway Park" is often played at Fenway and if you buy the C.D. a portion of the proceeds go to the Jimmy Fund via the Red Sox Foundation.
I think one of the beauties so far of the so-called Spirit of Seattle is there aren't any leaders, pop stars, or guru figures that everyone else is falling in line with and following. No [Nelson] Mandela, Havel, or Subcomandante Ski Mask riding in on a white horse and everybody else just wanting to follow them to the promised land. We're stitching it together and doing it ourselves.
I think we have to have capital punishment, I think there has to be something to contain certain people. Those deterrents I think are necessary, especially in prison. You can threaten people for just so long, but they can flip you off and do what they want to; but not if they have to die. I hate it, though, the thought of the death penalty is terrible, but it's completely necessary.
Chronicle Books is a wonderful book company. I love how everything represents who I am. The Diva Rules! is not an autobiography in the sense that I am talking about my life but more about my journey as to where I am now. People told me I would never make it. I was staring in the face of adversity and did it anyway. I chronicle it through the years. It is about finding your strength.
When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.
It was Rachel Carson's famous book 'Silent Spring' that got me involved with the environment. I read it in The New Yorker, in installments. Up to then, I'd thought the main job to do is help the meek inherit the Earth. And I still, that's a job that's got to be done. But I realized if we didn't do something soon, what the meek would inherit would be a pretty poisonous place to live.
If you can get them once, man, get them standing up when they should be sitting down, sweaty when they should be decorous, smile when they should be applauding politely-and I think you sort of switch on their brain, man, so that makes them say: 'Wait a minute, maybe I can do anything.' Whoooooo! It's life. That's what rock and roll is for, turn that switch on, and man, it can all be.
I want to tell everyone, 'You're perfectly fine right now.' No one told me that.. I hope people can think, 'I'm great the way I am. I'm doing fine. Even if I can't reach the criteria of success measured and necessitated by society, even if I'm weeded out, I'm beautiful the way I am. I'm pretty, I'm perfectly fine without having to think about other people's opinions and stereotypes.'
You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.
Oh, it was awful, and I vowed to myself I would never, ever push myself to the edge that much again. It was really frightening. Because absolutely everything seemed to be impossible to deal with, just little things became major - noise, if someone had a radio on, or even the sound of traffic, or being in someone's company for longer than 10 minutes - I started to find it all too much.
I live on a boat two months out of the year, and if I did not have that then I don't know how I'd be able to handle all this.... I am a very intense person on stage. I have to remember why I am there, what I am doing. You can spend all day backstage preparing for the show and lose sight of why you are doing this. Off stage, I am a very simple kind of guy. I live my life in flip-flops.
I am a bohemian person. I don't speak German, and I live in a foreign country where all the signs are in German. I did that deliberately. I'm like a ghost. Look at how much media and advertising you're subjected to, this mindless chatter of advertising. I just block it out so effortlessly because it's all a foreign language to me. It's really a good thing for my head, living in Berlin.
Podor is a nice town. It's at the north of Senegal near the river. The town faces the other country that is Mauritania. It is a very cultural town, because at the beginning it was closest stop when you come from the Sahara and also when you come from the south to go to the north part of Africa. It was just at the middle, and so it's where a lot of cultures of West Africa come together.
There is temptation to place too much importance on those things that you're meant to do, and not on to little everyday happinesses. I think if you do what makes you happy on a daily basis, your days gather into years and you have a happy life. I don't want to think too far ahead. I want to make sure that I enjoy tomorrow, and the next day, and the next day. And we'll see what happens.
My mom and my real father divorced before I was one. My mom and my stepfather divorced when I was in high school. Then she fell in love with a guy, and the guy died. That was a rough time. She has handled adversity well. That's where I got my work ethic. So my mother's where I got my love of music, but my father's where I got my athletic ability. And my hair loss. And my love of women.
Over the last thirty years or so, I have definitely become more enlightened about corners of the social spectrum that I had less exposure to as a young man. I've interacted with more poor people, more minorities and more sexual minorities. As you get more people from different backgrounds involved in your life, you get a broader perspective and you're less cavalier about your opinions.
Rush like a river from the highest mountain, drink from the fountain and stop your counting. What kind of wine does he have in his tavern, oh so enchanted and sing like a mad man. Mad with the love of a wife for her husband, child or mother, sister or brother... sing for the Most High, sing for no other. We are all notes in this eternal song, God plays his flute and we all dance along.
I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.
There was a time when I wanted to get out of the Western world. I went down to Grenada and looked at a place, and I realised that if I lived in a Grenadian manner I'd be nothing but a blah. I'm going to need constant bodyguarding, guns and money to join the community there. Otherwise you just got a bunch of fat, old white people dying together, overeating, drinking. Not very attractive.
Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. At that time, I found my work self-referential; it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook.
Very sacred is the vocation of the artist, who has to do directly with the works of God, and interpret the teaching of creation to mankind. All honor to the man who treats it sacredly; who studies, as in God's presence, the thoughts of God which are expressed to him; and makes all things according to the pattern which he is ever ready to show to earnest and reverent genius on the mount.
At four o'clock in the morning most people have been asleep for hours, but at four o'clock in the morning the night-club children of a few years ago were just getting hot. The band jazzed at full blast. The air was so thick you could pick it up in handfulls and through it around like snowballs. The dance-floors were crowded with couples who couldn't do anything but wiggle hips and feet.
I am the dictionary definition of feminist in that I believe women are equal to men. People sometimes use the word for different meanings and it is important to understand that feminism at its core is really is just believing that everyone is equal and should have the same rights. We are all beautiful women, we are still in the fight for equal pay, and we don't need to fight each other.
I was 21. At the time, I was under the thumb of my label, and I felt like I had to do, say and act out everything they asked me to do. I was trying to please them and the public and finally I had to say, "Enough. I'm going to make a record that makes me happy and addresses all facets of being a woman. I don't care if I sell one or one million records." That's how I came to make Stripped.
My album Pain Medicine might not make all of America feel better, but for single mothers and women who have been hurt as well as women who seek personal life fulfillment it will make them feel as if they have someone they can relate too. The obstacles and issues that I have gone through in my life are more then one could imagine so if I can make it they can also make it through anything.
I went through that stage every teenager goes through: Who am I? What am I? Where do I fit in? In my case I had to deal with newspapers saying I looked fat or tired or my hair was a mess. People always criticize: they either love you, or they don't. But you have to block that out and concentrate on the work. And I feel I am doing good work, and I'm finally getting to see who I really am.
There are so many conditions to programming in America, where it's dominated by these people that own 800 radio stations that have no idea who to play and who not to play, and they listen to somebody or read somebody else's programming sheet and go by Buck Owens' opinion or something. Eight hundred stations are controlled by some guy that doesn't have a clue as to what to do about music.
And there's a wonderful parable in the New Testament: The sower scatters seeds. Some seeds fall in the pathway and get stamped on, and they don't grow. Some fall on the rocks, and they don't grow. But some seeds fall on fallow ground, and they grow and multiply a thousandfold. Who knows where some good little thing that you've done may bring results years later that you never dreamed of?
It is hard to compare cultures without overgeneralizing, but I think a lot of American poetry has an assertiveness - an upbeat quality - that's less typical of Canadian poetry. Of course there are poets in both countries to whom that generalization does not apply. Speaking broadly, I'd describe Canadians as being a bit more reserved than Americans. Not less opinionated - just less direct.
Love is what makes you do everything. It really does conquer all. With my first album, I was writing about empowerment hoping that would make it true. And now it is. I'm in charge. I make the rules. I've been writing since I was nine years old and I'm very much involved in the creative process. And now that I'm in a happier place in my personal life, I'm spitting songs out left and right.
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
Tobin Bell wasn't obligated to do the second Saw film but he wanted to. I think they brought me into this film because there's a first time director, and my reputation is one of an actor who's there for the betterment of the project. I'm not there to better myself. I'm there to bring all my resources to the project to make it as good as it can be. In the end, that makes everyone look good.
I always thought my days spent in darkness [as a child she had cataracts and was unable to see for nearly four years] gave me a very special sensitivity. Much later, when I really wanted to hear, really 'see' a song, I'd close my eyes, and when I wanted to bring it out of the very depths of myself, out of my guts, out of my belly, when the song had to come from far away, I'd close my eyes.
One of my friends was a stage hand at a Bob Dylan show in the mid-90s and I remember him telling me that somebody crowd surfed during the gig. And this friend of mine was an old punk rock guy - he was totally humiliated by it. But some of Bob's people were there and they said, "Oh, Bob will be so excited! This is the kind of energy we want at his shows." That's where the old school was at.
There's conflict in everything, just trying to buy a used car you deal with people that you don't want to deal with, you know, that's just the way of life, nothing stops changing, you're always going to have the conflict till your last breath, I mean on your deathbed, arguing with the doctor who's going to pay the bill, you know, it's just the reality of it, so none of that ever goes away.
My experience protesting with Mojave Dolphins, and the other wonderful animal activists, can be described in a few words: inspiring, motivational and purposeful. The execution of the protests is incredible; the signs are amazing, creative and eye catching. You can really feel the unity in the group, running like a well oiled machine towards the goal of liberating our captive animal friends.
A lot of overdubs from the last couple of records had to do with me being insecure about the way my voice sounds or the way I play guitar. I would want to mask it with extra things, or keep every moment super exciting. With the newest record, I tried my best to back off, and if something wasn't interesting at every moment, or if my voice didn't sound that good, just let it go and accept it.