Book Quotes - Page 298

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We didn't have a whole lot of money when I was growing up either. I would always ask for magic books or magic tricks for my birthday or for Christmas and the rest of the year I either had to mow lawns or find part time jobs to help supplement the cost of doing magic.

Authors change publishers because it's like being married for a long time and suddenly you want to go out and have a wild affair! No, not seriously, sometimes the deal is more interesting with a new publisher, and other times they have more enthusiasm for your books.

All forms of books make a valuable contribution to education and the dissemination of culture and information. The diversity of books and editorial content is a source of enrichment that we must support through appropriate public policies and protect from uniformity.

I realize now I could have gotten a whole book out of that and so I think that was a big mistake. But the truth is you write in the moment and with your head down and there is no way back then that I could have conceived of Harry having the longevity that he has had.

I love books, food, music, sleep, people who work, heated arguments, the United States of America, and my wife and children. I dislike politicians, preachers, genteel persons, people who do not work or are on vacation, closed minds, movies, loud noises, and oiliness.

My depth of purse is not so great Nor yet my bibliophilic greed, That merely buying doth elate: The books I buy I like to read: Still e'en when dawdling in a mead, Beneath a cloudless summer sky, By bank of Thames, or Tyne, or Tweed, The books I read — I like to buy.

I don't write the same book over and over - I think if I did that, I would stop writing. I couldn't write a series with the same character, and I couldn't write a romance novel over and over again that takes place at a different beach every year. That's not who I am.

A throng of bearded men in sad-colored garments and gray, steeple-crowned hats, intermixed with women, some wearing hoods, and other bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes.

In Deism our reason and our belief become happily united. The wonderful structure of the universe, and everything we behold in the system of the creation, prove to us, far better than books can do, the existence of a God, and at the same time proclaim His attributes.

I've always remembered this quote from a book that I read as a kid. It was something along the lines of "What's scary is not necessarily what goes bump in the night, but that which whispers at midday." And I've always held that. The day can just be as scary as night.

Listening to people discussing a novel can be very interesting, if you've read whatever novel is being discussed. No one, it seems, ever says, "This is a great book but I didn't like it." Taking a little time to think about why this might be has been very liberating.

Life is like a book son. And every book has an end. No matter how much you like that book you will get to the last page and it will end. No book is complete without its end. And once you get there, only when you read the last words, will you see how good the book is.

I'm not sure whether I've been happy. After my last book tour, I sat on my balcony with a cup of tea. I thought: 'You can't rewind the movie. I've spent more than half my life in the Middle East. There have been great moments of horror and depression and loneliness.'

If the most significant characteristic of man is the complex of biological needs he shares with all members of his species, then the best lives for the writer to observe are those in which the role of natural necessity is clearest, namely, the lives of the very poor.

When a reader falls in love with a book, it leaves its essence inside him, like radioactive fallout in an arable field, and after that there are certain crops that will no longer grow in him, while other, stranger, more fantastic growths may occasionally be produced.

She picked up the book and then walked back past him into the tent, but as she did so, she brushed the top of his head lightly with her hand. He closed his eyes at her touch, and hated himself for wishing that what she said was true: that Dumbledore had really cared.

The starry vault of heaven is in truth the open book of cosmic projection, in which are reflected the mythologems, i.e., the archetypes. In this vision astrology and alchemy, the two classical functionaries of the psychology of the collective unconscious, join hands.

The Man Who Never Was,' by Ewen Montagu, remains the best book about wartime espionage written by an active participant - incomplete, and dry in parts, it nonetheless summons up the ingenuity and sheer eccentricity of those who played this strange and dangerous game.

History is always written by the winners. When two cultures clash, the loser is obliterated, and the winner writes the history books-books which glorify their own cause and disparage the conquered foe. As Napoleon once said, 'What is history, but a fable agreed upon?

I hate this world, this dream, this horrible nightmare, with its churches and chicaneries, its books and blackguardisms, its fair faces and false hearts, its howling righteousness on the surface and utter hollowness beneath and, above all, its sanctified shopkeeping!

Books are masters who instruct us without rods or ferules, without words or anger, without bread or money. If you approach them, they are not asleep; If you seek them, they do not hide; If you blunder, they do not scold; if you are ignorant, they do not laugh at you.

I am not a "Christian author." I am an author who is a Christian. While my books reflect my faith, they are not intended as teaching tools for a Christian audience per se. My books are stories created around principles that work for everyone and they work every time.

The worst way to read, he said, is with the thought that you do not have enough time. The only way to read is in the knowledge that there is an infinite amount of time stretching ahead, and that if one wishes to taste only afew sentences per day one is free to do so.

I read when I get up in the morning, when I can during the day and every single evening. Most of my weekends are spent reading great books. Books are my constant companions. If you eat three times a day you'll be fed. But if you read three times a day you'll be wise.

I sometimes think that I can't do the bigger thing that [Zadie Smith] do so beautifully, as in Swing Time, with so much world in it and so much rapturous paint thrown around. I don't think it would be possible to write a book on that scale with as much OCD as I have.

I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless.

If you don’t want to cry about the state of the economy, why not laugh instead? This book is an ideal introduction to the subject for anybody who thinks they ought to understand what’s happening around them but is put off by the usual dense text and economics jargon.

There's nothing definite yet. Of course, any time you have a book, there's going to be book signings and stuff. We'll do bookstores that handle both audio and video. And some of the stores want to have the CDs available at the same time. So that part looks real good.

Whether it's viewers of the show or readers of my columns and books, I'm consistently impressed with their wit, humor and insight. That goes for about 95 percent of the audience. The other five percent are why the 'Delete' option and restraining orders were invented.

It may sound a bit like an army barracks, but the truth of the matter is: there must be some time laid aside for arranging, time for working on either a book or an article - I've written two articles in the last four months for the New York Times book review section.

I was always a clown. In the eighth grade I won a city speech contest by doing an Eddie Murphy routine. I'm no good at public speaking, but if I can assume a role and speak as that person, then I'm fine. When I had to give a book report, I always did it in character.

As a kid, my brother and I would read the same novel, we'd memorize entire pages, reenact the book as it's characters, and would immerse in playing like that for hours. I suppose it was a natural follow up, wanting to still play in a similar fashion, but as an adult.

I've known white Australian girls from wealthy families who were sent to posh private schools, who knew all of that stuff, and I think would recognise much in Jefferson's book. What I related to most strongly was the sexism and misogyny Margo Jefferson had to battle.

When I was 8 years old, I made my own encyclopedia of American biography - Johnny Appleseed, Jim Bowie, Davy Crockett, Daniel Boone, Charles Lindbergh, my pantheon of favorite heroes. Then I would write my own things and sew them together and try to make my own book.

A civilization without retail bookstores is unimaginable. Like shrines and other sacred meeting places, bookstores are essential artifacts of human nature. The feel of a book taken from the shelf and held in the hand is a magical experience, linking writer to reader.

There was this book I read and loved, The story of a ship Who sailed around the world and found That nothing else exists Beyond its own two sails And wooden shell And what is held within. All else is sure to pass. We clutch and grasp And debate what's truly permanent.

I had started to feel that somewhere in the second half of the 20th century, the idea of page-turning as a good thing had been lost. You were getting books that were the equivalent of absolutely beautifully prepared dishes of food that didn't taste like anything much.

Before I left the 'Star' last year to write books full-time, I welcomed catastrophe. It was material. Missed planes, broken pipes, dead lawns, digestive disorders, you name it, if it was something that had gone horribly wrong, it was worth banging out 600 words about.

I'm not a fan of mysteries, so to prepare for this experience of writing a mystery I started reading the most successful ones in the market in 2012. And I realized I cannot write that kind of book. It's too gruesome, too violent, too dark; there's no redemption there.

She could give herself up to the written word as naturally as a good dancer to music or a fine swimmer to water. The only difficulty was that after finishing the last sentence she was left with a feeling at once hollow and uncomfortably full. Exactly like indigestion.

My favorite book in the Bible is always Proverbs because it's where you can find wisdom for no matter what you're going through. It hits me every time I read it. I've always read Proverbs regularly because it helps me deal with what's happening every day in real life.

If you knew when you began a book what you would say at the end, do you think that you would have the courage to write it? What is true for writing and for a love relationship is true also for life. The game is worthwhile insofar as we don't know what will be the end.

Nothing written in any book is a perfect reflection of truth.(...) No teachings and no bibles on earth are perfect. They can never be so, for this is an imperfect universe. The perfection isn't here, it is in the worlds beyond, and this is what we are trying to reach.

I hear some guy teaches a course in diagrammatic thinking now; he's written books on it and stuff like that, and so it was kind of natural for me. Because it was a way in which words naturally fitted into something that's visual. I was always interested in doing that.

Justin Halpern tosses lightning bolts of laughter out of his pocket like he is shooting dice in a back alley. In one sweep of a paragraph, he ranges from hysterical to disgusting to touching--and does it all seamlessly. Sh*t My Dad Says is a really, really funny book.

Most of us can't rush around, talk to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for... are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book.

Bea says that the art of reading is slowly dying, that it's an intimate ritual, that a book is a mirror that offers us only what we already carry inside us, that when we read, we do it with all our heart and mind, and great readers are becoming more scarce by the day.

How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window not to look out of.

The thing is - do we really need another writer who writes a book every eighteen months, whether the quality is wonderful or not? I mean, maybe. But I can name twenty off the top of my head who do it. Maybe what we need is a writer like me who goes very slow, as well.

I struggle with confidence, every time. I’m never completely sure I can write another book. Maybe my scope is too grand, my questions too hard, surely readers won’t want to follow me here. A novel is like a cathedral, it knocks you down to size when you enter into it.

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