I think 'Dark Blue' came to me while I was doing a project in London. I read it, and the character immediately popped out at me.

There's a button that goes On and I'm On. And when I go On, there is almost no me; there is just a character who is doing all this.

I succeeded on sort of chutzpah and charm. No technique at all, didn't know what I was doing, but it worked and the character suited me.

Henson had never spoken to me about Kermit, but he had spoken to Frank Oz about the idea of me doing the character if he became too busy. I felt flattered.

Doing 'Roadies' was a big release for me. I play this character named Wes who's the most pure, innocent form of who I was when I was eighteen searching for something.

I'd never really considered doing young-adult novels, but one of the things that a friend pointed out to me is that I've actually had a teenage character in almost every adult novel that I've written.

I really kind of always wondered, if I did Superman, what I would do, and what I would be able to do, because it's a little harder for me, being kind of a realistic guy, to imagine doing a character who almost has no limits to his powers.

You never saw Peter Sellers the actor trying to make you laugh. All he was doing was the character. What I'm saying is that I don't think you should know you're in a movie. I don't like it when actors are winking at the audience and saying, 'Right, isn't this funny? Are you with me?'

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