I do not look to Hollywood to give me character clues.

If you were to look back at me as a school kid you'd see a very quiet little church mouse kind of character.

A story and character are most important for me, not how I look, what clothes I wear, or what nail paint has been chosen for me.

For me, changing my physical appearance for a character is never a problem. If I have to look a certain way for a role, I just do it.

For me, one of the most important things I look for in an actor is whether we can converse. Do we have a similar ability to discuss a character?

I usually look at things like that from an audience perspective first, then have a closer look at the specific character they're talking about me for.

I've gotten a lot of compliments on the 'Criminal Minds' guy. I guess it's because the look of that character is so different from what people expect of me.

My character in 'Fresh Meat' is quite prim and tidy, and then I basically had no make-up for the whole shoot of 'Kidnap and Ransom' - apart from a bit of Vaseline to make me look even sweatier!

Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.

Let's call a spade a spade: when people look at me, they say, 'Oh, she's the androgynous one.' I'll tell you what type of character I would never be offered out there: The femme fatale. Or the white-trash, heterosexual hillbilly.

People want to call me racist for doing the Bon Qui Qui character, and I'm like, 'Look, Bon Qui Qui is a representation of a hood chick. That's it.' There are lots of hood chicks out there: some are black, some are Mexican, some are Salvadorian, and some are white.

For me, my preference for comedy is grounding it in the psychology of the character, and not just kind of making faces. Even when it's a crazy character, grounded comedy resonates more with people because it doesn't look like you're watching someone do vaudeville. No offense to vaudeville.

For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.

I was a very quiet, shy child. I grew up in a small town, Louisville, Kentucky, and there weren't too many Hawaiian-Filipino girls, so I stuck out like a sore thumb. I didn't look like everyone else and didn't feel I belonged... But these things only build character and make you stronger. It taught me to grow into the woman I was to become.

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