I'm not in business to be loved, but I am in business.

Either you bring the water to L.A. or you bring L.A. to the water.

Everyone thinks that 'Chinatown' is the best screenplay. I'm not sure it is.

The trouble with that movie is that you had to see Chinatown the day before you saw The Two Jakes.

I took a Chinatown bus to New York to enroll in the International Culinary Center's pastry program.

I think Jack Nicholson in 'Chinatown' is a very funny character, but I would never call that a comedy.

I'm astounded by people who want to 'know' the universe when it's hard enough to find your way around Chinatown.

I always think it's absurd when people go, 'How can you have a show about Batman without Batman?' 'Gotham' is plenty fascinating, 'Chinatown' style.

I try to always have flowers in the house. I have a florist in Chinatown, and they deliver orchids every two weeks. I like living with living things.

Polanski is a great film director - although the much-acclaimed 'Chinatown' has a muddled script - but his true talent is to make fools of his friends.

I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.

I've always wanted to make a film about the Tong Wars, the rioting and the crime factions in San Francisco's Chinatown in the early part of the last century.

Films like 'The Godfather,' 'Chinatown' and 'The Exorcist' brought a realism and currency and understatement to their genres that we wanted for 'Mildred Pierce.'

I became addicted to the movie-going experience in the 1970s, when I attended multiple screenings of films such as 'Chinatown', 'Jaws', 'Star Wars' and the original 'Rocky'.

I enjoy walking through Nolita and Chinatown, watching the people and the buildings, browsing through shops and stopping at little cafes for a cup of coffee or glass of wine.

Having spent many years working in New York's Chinatown restaurants early in my career, I have the utmost respect for the history and connection New Yorkers have with Chinese cuisine.

For the first year I lived in New York, I never ate out. I literally just ate lentils and brown rice at home. Sometimes I'd treat myself to this half chicken from Chinatown that cost $3.50.

Living in L.A., it's such a big huge place and there's so much of it. It's so much fun to be in Chinatown, or Downtown L.A. I was in Lynnwood, I was in Huntington Beach. I was in Venice. It's an incredible place.

Films like 'The Godfather,' 'The Exorcist,' 'Klute,' 'Chinatown,' 'Network,' and 'The Parallax View': They were drawn from the genre tradition, but they dressed down the stylistic telling of those traditions and genres.

The idea of the beauty of diversity came from just growing up where I grew up. Los Angeles is a very big city - there's Little Ethiopia, Little Armenia, Little Tokyo, Chinatown, there's African-Americans, Latinos, Europeans.

Polanski's 'Chinatown' is a film that I have purposefully and consciously imitated, but 'Vertigo' is one that has got into my bloodstream. Every time I reappraise things that I've done, the influence is there, time and time again.

I was born in San Francisco's Chinatown in 1948 but grew up in a black neighborhood. During elementary and middle school, I commuted to a bilingual school in Chinatown. So I did not confront white American culture until high school.

Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.

I arrived in New York in 1986, when I was 28. The market here was nothing. In the Union Square farmers' market, it was a couple of potatoes, everything from California. So the only place I was comfortable shopping was in Chinatown, because it all came from Hong Kong.

America loses so much of what defines it if you subtract the Chinese influence. I know this because I spent 12 years living in one of America's most popular tourist destinations: San Francisco. And it would not be one of America's top tourist destinations without Chinatown.

The cultural pressure for a middle-class Chinese-American to walk, talk and act like a lower-class thug from Chinatown is nil. The same can be said of Jews, or of any other ethnic group. But in black America the folly is so commonplace it fails to attract serious attention.

Southeast Asia food uses many different types of spices which are quite new to me, like the curry leaves which I saw at the Kreta Ayer wet market in Chinatown. With such spices used in cooking, this usually imparts a strong aroma to Southeast Asian food, which appeals to the senses.

I have a little studio in Chinatown, and I sometimes go there and rearrange my brushes. But I would have to stop acting altogether in order to become a painter. At the moment, I'm still interested and active as an actor and director. Besides, I rather think acting and painting are all part of the same creative urge.

As a child growing up in San Francisco in the 1950s, I sometimes met insults when I ventured outside of Chinatown or my neighborhood. I have even been spat on and threatened with a knife. I could have let my anger fester until it became hate. However, I realized they were isolated incidents, and I simply got on with my life.

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