I haunted streets, whorehouses, police stations, courtrooms, theater stages, jails, saloons, slums, madhouses, fires, murders, riots, banquet halls and bookshops. I ran everywhere in the city like a fly buzzing in the works of a clock, tasted more than any fit belly could hold, learned not to sleep, and buried myself in a tick-tock of whirling hours that still echo in me.
We're all doing time. As soon as we get born, we find ourselves assigned to one little body, one set of desires and fears, one family, city, state, country, and planet. Who can ever understand exactly why or how it comes down as it does? The bottom line is, here we are. Whatever, wherever we are, this is what we've got. It's up to us whether we do it as easy time or hard time.
Sometimes, with the scale of a film, it's like when I walked on the sets of "The Matrix," especially in "Reloaded," there was the city square, or in "Revolutions" with some of the machine world, you're like, "Wow, this is a big playground," which is fun to watch. But the acting experience and the collaborating and creating the world, working on the piece, they're the same joys.
In Koln, a town of monks and bones, And pavement fang'd with murderous stones, And rags and hags, and hideous wenches, I counted two-and-seventy stenches, All well defined, and several stinks! Ye nymphs that reign o'er sewers and sinks, The River Rhine, it is well known, Doth wash your city of Cologne; But tell me, nymphs! what power divine Shall henceforth whash the river Rhine.