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Life inside successful Web startups - especially the really successful ones - can be nasty, brutish, and short. As companies grow exponentially, egos clash, investors jockey for control, and business complexities rapidly exceed the managerial abilities of the founders.
When I am finishing a picture, I hold some God-made object up to it - a rock, a flower, the branch of a tree or my hand - as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
We got off the Clash of the Titans tour and I said that my wife and I were working on having a baby and sure enough we found out that she was pregnant. So I told them nine months in advance that I wasn't going to tour in September so I could witness the birth of my first son.
We've grown up on the Beach Boys and the Beatles and Blur and Bowie and the Clash. Also E.L.O. and Hall and Oates. Those are all artists who write songs that are accessible but still left of center. It's intelligent pop. There's still something different and complex about it.
Actors get to go to these amazing worlds. In 'Terminator,' I was a cyborg with feelings; in 'Avatar,' I lived for 15 months on a fantastical planet, and in 'Clash of the Titans,' I get to fight a scorpion the size of a dump truck. It's a bizarre job, but you explore yourself.
When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.
More-radical scholars insist that an inherent clash exists between science and our long-held conceptions about consciousness and moral agency: if you accept that our brains are a myriad of smaller components, you must reject such notions as character, praise, blame, and free will.
We were big Clash fans, you know, big Who fans and I think we would listen to this music and talk about music and do nothing but music night and day, and when it came time to actually making our own music, you feel compelled to sort of tuck all those influences away, not show them.
Many people in Europe and the U.S. dispute the thesis that we are living through a clash of civilisations between Islam and the west. But a radical minority of Muslims firmly believes that Islam is under siege, and is committed to winning the holy war it has declared against the West.
Partners from the Islamic world are of particular importance. Indeed, they have huge incentives to be involved, as the ongoing struggles are generally not clashes between civilizations. Rather, what we are seeing is more accurately a clash within a civilization: that of the Islamic world.
When I was younger, I was able to write with music playing in the background, but these days, I can't. I find it distracting. Even when the music is just instrumental or has lyrics in a language I don't understand, the clash between the voices in my head and the song can be very disorienting.
My fear in converting it to 3-D is that people will say, 'Oh, it's the 3-D 'Clash of the Titans.' No, it's 'Clash of the Titans,' the movie, and then, on top of that, you have the 3-D conversion. The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version.
When Bill Clinton chose Al Gore in 1992 - from the same generational, ideological, and geographical background as his - it underscored his campaign's central argument that this was a clash between the past and the future, that 'Don't Stop Thinking About Tomorrow' was indeed the campaign's anthem.
My favorite band of all time is The Clash. The thing I love about The Clash is they started out as guys who could barely play three chords. They dabbled in reggae, punk, rap, jazz. They came to a sound that could only be defined as The Clash. It was impossible to say what it was. I admire them for that.
I think that there are artists of different genres whose calling is to use their art to hope to affect and better the human condition - whether it's System of a Down, or Rage Against the Machine, or Public Enemy, or the Clash, Bruce Springsteen, or Pete Seeger. It's a group that I'm proud to be counted among.
A smart, intellectual magazine is a difficult thing to run because of the need to manage conflicting personalities and opinionated writers who clash constantly, whose clashes make the publication better. It is exhausting and draining, and honestly, the only thing that's harder is probably running a university.
The 1950s felt so safe and smug, the '60s so raw and raucous, the revolutions stacked one on top of another, in race relations, gender roles, generational conflict, the clash of church and state - so many values and vanities tossed on the bonfire, and no one had a concordance to explain why it was all happening at once.
Conflict, of course, comes about because of the misuse of power and the clash of ideals, not to mention the inflammatory activities of unscrupulous and bigoted leaders. But it also arises, tragically, from an inability to understand and from the powerful emotions which, out of misunderstanding, lead to distrust and fear.
Fulla is the Arab world's answer to Barbie. Now, according to proponents of the clash of civilizations, Barbie and Fulla occupy these completely separate spheres. They have different interests. They have divergent values. And should they ever come in contact... well, I've got to tell you, it's just not going to be pretty.
Yeah... I like films, I like movies, I like playing different characters and working with different actors and filming in different places. I like movies because it's kind of a combination of every art: it's like, it's picture, it's story, it's music, it's kind of like a clash and a collide of every art. It's really neat.
On many key global economic issues, Russia's loyalty is divided between the West and the South. As an energy exporter, it stands opposite energy importing China and India. As a commodity trader resisting the influx of cheap Chinese manufactures, its interests in the WTO clash with those of many of the developing economies.
I've started movies without screenplays both on 'Clash' and on 'Hulk,' and that is tremendously stressful because you have a tendency to overcompensate with effects. You haven't tested it in your head. You didn't run it over and over again and covered all of the plot holes and figure it out. It's a marathon that you sprint.
To speak specifically of our problem with the Muslim world, we are meandering into a genuine clash of civilizations, and we're deluding ourselves with euphemisms. We're talking about Islam being a religion of peace that's been hijacked by extremists. If ever there were a religion that's not a religion of peace, it is Islam.
For me, growing up in New York, it started with Elvis Costello and the Clash and then got into louder things like Bad Brains and Stimulators, because those were, like, the local bands. Then I started getting into bands from England like the Slits. I remember seeing Gang of Four at Irving Plaza; that was a really big show for me.
My first plays were amazingly bad, but I had a teacher who thought I had promise, and he kept working with me. I finally went to a summer workshop before my senior year with people like Sam Shepard and Maria Irene Fornes who encouraged me to write from my subconscious, and suddenly all this material about culture clash came out.
Setting aside moral considerations, those who flirt with hate speech against Muslims should realize they are playing directly into the hands of al-Qaeda and the Islamic State. The terrorists' explicit hope has been to try to provoke a clash of civilizations - telling Muslims that the United States is at war with them and their religion.
It's incredible how London-centric the theatre world is. Certain actors won't travel away from London anymore for work; practitioners often aren't taken seriously enough unless their work is seen in London; and it's sometimes very difficult to get national critics to review shows - especially if there's a clash with a London press night.
It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.
What's great about 'The Avengers' is that it's the next step. It's not just superhero fights super-villain and superhero wins. It's about superheroes that come together and interact. It's a clash of the egos. You could do 'Avengers 1' without a villain, just with all these guys coming together. They could sit down and just have a discussion.
