As I've gotten older, I can look at myself more clearly and own the things that I'm good at and work on the things that I'm not. Like, I am not skinny. I know that if I were to lose a little weight I'd literally have more time in the morning because I know clothes would fit better. And now I can look at those things more practically. Instead of being like, "What does that say about me?," now I'm just like, "That would be great to sleep in an extra fifteen minutes because I wasn't trying on everything in my closet."

Our entire society is based on discontent. People wanting more and more and more. Being constantly dissatisfied with their homes, their bodies, their décor, their clothes, everything – taking it for granted that that’s the whole point of life. Never to be satisfied. If you are perfectly happy with what you got, especially if what you got isn’t even all the spectacular then you’re dangerous. You’re breaking all the rules. You’re undermining the sacred economy. You’re challenging every assumption that society is built on.

Days pass when I forget the mystery. Problems insoluble and problems offering their own ignored solutions jostle for my attention, they crowd its antechamber along with a host of diversions, my courtiers, wearing their colored clothes; caps and bells. And then once more the quiet mystery is present to me, the throng's clamor recedes: the mystery that there is anything, anything at all, let alone cosmos, joy, memory, everything, rather than void: and that, 0 Lord, Creator, Hallowed one, You still, hour by hour sustain it.

Come, don't be in a fright, but put on your clothes, and I'll let you into a secret. You must know that I am Captain of this ship now, and this is my cabin, therefore you must walk out. I am bound to Madagascar, with a design of making my own fortune, and that of all the brave fellows joined with me...if you have a mind to make one of us, we will receive you, and if you'll turn sober, and mind your business, perhaps in time I may make you one of my Lieutenants, if not, here's a boat alongside and you shall be set ashore.

So much wanting and longing, clutching, desiring, passion and hatred and terrible need. Here, death was suitable, there was room for it, the grip of life's relentless urges slackened, replaced by this icy simplicity. This wasnt her death. It was his. That was the sad and honest truth. Though it would stay with her, it would be more like a black onyx heart on a silver chain, worn privately, under her clothes, close to her body, all her life. The guilt, the beauty, everything. It wasnt over, it had only begun. Well ok then, Okay.

I had a period in my life, maybe a decade or so, in which I was involved in that kind of thing, associating with the elite of various segments of society. It always made me extremely uncomfortable. I couldn't wait to get out of there and change my clothes. The good part about that was getting home and changing into my regular clothes. Taking off the suit and the tie, taking off the tight shoes, and just relaxing. Being away from that stuff. It was stimulating, but I never liked it. I always felt it was a terrible, terrible burden.

It is not my behavior to either wear minimum clothes, to band or to even be comfortable with a sex-symbol label. I just want to do fine work instead of sporting such meaningless tags. Sex sells, but to a small extent, not always. And this is what filmmakers have to accept. The exposure has to be significant to the film and its characters and not forced for the sake of titillation. On the contrary, some of the greatest Indian films have been devoid of all these sexual trappings. I know my comfort zone in today's Indian culture and society.

You shouldn't be pressured into trying to be thin by the fashion industry, because they only want models that are like human mannequins. They know that if we see an outfit on a mannequin in a shop window we will love it and want to buy it whatever size we are. That's why they have size zero models - they want to sell clothes. But you have to remember that it's not practical or possible for an everyday woman to look like that. Being size zero is a career in itself so we shouldn't try and be like them. It's not realistic and it's not healthy.

You should look at certain walls stained with damp, or at stones of uneven color. If you have to invent some backgrounds you will be able to see in these the likeness of divine landscapes, adorned with mountains, ruins, rocks, woods, great plains, hills and valleys in great variety; and expressions of faces and clothes and an infinity of things which you will be able to reduce to their complete and proper forms. In such walls the same thing happens as in the sound of bells, in whose stroke you may find every named word which you can imagine.

I like it that they [disciples] feed me and pay for my clothes and protect me. And in return I will do for them what I can, but no more than that. Just as I cannot breathe the breath of another or help the heart of someone else to beat or their bones not to weaken or their flesh not to shrivel, I cannot say more than I can say. And I know how deeply this disturbs them, and it would make me smile, this earnest need for foolish anecdote or sharp simple patterns in the story of what happened to us all, except that I have forgotten how to smile.

Raisa felt relieved, yet oddly disappointed. She was the blooded princess heir, yet in servants' clothes she was apparently unrecognizable. In the stories, rulers had a natural presence about them that identified them as such, even dressed in rags. What's the nature of royalty, she wondered. Is it like a gown you put on that disappears when you take it off? Does anyone look beyond the finery? Could anyone in the queendom take her place, given the right accessories? If so, it was contrary to everything she'd ever been taught about bloodlines.

After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's.

Sir Thomas More was a victim of injustice and irony. Generously and meekly, just as he was about to be martyred, he said: Paul . . . was present, and consented to the death of St. Stephen, and kept their clothes that stoned him to death, and yet be they [Stephen and Paul] now both twain Holy Saints in heaven, and shall continue there friends for ever, so I verily trust and . . . pray, that though your lordships have now here in earth been judges to my condemnation, we may yet hereafter in heaven merrily all meet together, to our everlasting salvation.

While the fashion industry may, at least at the top end, be thriving, the notion of fashion itself is becoming more and more meaningless. Any discipline in fashion has long since evaporated; the idea of a single fashionable skirt length, or heel height, is incomprehensible. The definition of the fashionable has become so skimpy that it refers not to the mode of dress of everyday people--the clothes that have sufficiently caught the popular imagination to be worn in a widespread manner--but only to the styles that momentarily excite members of the fashion caravan.

Do me a favor?” he whispered. Beth's hold tightened on his hand. ”Anything, what do you need?” ”Hum the Jeopardy theme.” There was a pause.Then Beth burst out laughing and swatted his shoulder. ”Wrath-” ”Actually,take your clothes off and hum it while doing some belly grooves.” As his shellan bent down and kissed his forehead, he looked up at her through his wraparounds. ”You think I'm kidding? Come on, we both need the distraction. And I promise I'll tip well” "You never carry cash." He extended his tongue and swept it over his upper lip. "I plan on working it off.

But the trouble with sainthood these days is the robe-and-halo imagery that gets stuck onto it." Carl got that brooding look again. "People forget that robes were street clothes once... and still are, in a lot of places. And halos are to that fierce air of innocence what speech balloons in comics are to the sound of the voice itself. Shorthand. But most people just see an old symbol and don't bother looking behind it for the meaning. Sainthood starts to look old-fashioned, unattainable... even repellent. Actually, you can see it all around, once you learn to spot it.

O, the mulberry-tree is of trees the queen! Bare long after the rest are green; But as the time steals onwards, while none perceives Slowly she clothes herself with leaves-- Hides her fruit under them, hard to find. . . . . But by and by, when the flowers grow few And the fruits are dwindling and small to view-- Out she comes in her matron grace With the purple myriads of her race; Full of plenty from root to crown, Showering plenty her feet adown. While far over head hang gorgeously Large luscious berries of sanguine dye, For the best grows highest, always highest, Upon the mulberry-tree.

Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.

I definitely feel like it took me a while to learn the baseline things you have to do if you want people to hear you. That's why I've had the same haircut for the entire time that I've been on television and that's why I wear literally the same jacket every day. I keep all the clothes I wear on TV in my office on a little hanging rack. My girlfriend calls it all the colors of the German rainbow. Grays, blacks, a slightly greenish gray for the days that I'm feeling particularly festive. I'm not trying to accomplish anything in the way I look other than to be boring enough for people to hear me.

When evening comes, I return home and go into my study. On the threshold I strip off my muddy, sweaty clothes of everyday, and put on the robes of court and palace, and in this graver dress I enter the antique courts of the ancients and am welcomed by them, and there I taste the food that alone is mine, and for which I was born. And there I make bold to speak to them and ask the motives of their actions, and they, in their humanity, reply to me. And for the space of four hours I forget the world, remember no vexation, fear poverty no more, tremble no more at death; I pass indeed into their world.

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