Prague is not, strictly speaking, travel writing but it is, among other things, an excellent example of what travel writing is becoming, if indeed it hasn't already done so. . . . People are no longer so easily satisfied by the mere travel impressions of some outsider much like themselves. Instead they gravitate towards writers who actually have lived not simply in, but inside, a location for an extended period, as one lives inside one's clothes.

I've always thought of myself as an 80 percenter. I like to throw myself passionately into a sport or activity until I reach about an 80 percent proficiency level. To go beyond that requires an obsession that doesn't appeal to me. Once I reach 80 percent level I like to go off and do something totally different; that probably explains the diversity of the Patagonia product like - and why our versatile, multifaceted clothes are the most successful.

The word “art” is something the West has never understood. Art is supposed to be a part of a community. Like, scholars are supposed to be a part of a community... Art is to decorate people’s houses, their skin, their clothes, to make them expand their minds, and it’s supposed to be right in the community, where they can have it when they want it... It’s supposed to be as essential as a grocery store... that’s the only way art can function naturally.

The unwearable of high heels is self-evidently all around us, coming to a head at the average wedding reception, a uniformly high-heeled occasion. In our minds, we see it as a serene and elegant gathering of women in their finest, one of the big chances of the year to pretend you're at the Oscars, in your stilettos. In actuality of course, ... there are women staggering around in the unaccustomed vertical, foot-flesh spilling over tight, unkind satin.

I wanna feed 5,000 like Jesus, I wanna build a community center where the homeless and less fortunate can come take a shower, get a hot meal and a change of clothes. Maybe not new clothes but some clean clothes. Those are my goals, my raps and goals haven't changed. I'm about helping somebody, I use my celebrity status for the good of mankind. That's what I do, so for all the Hip-Hop people, if they just pull from me the gold, they're missing so much.

The trouble is, I can't find a part of myself where you're not important. I write in order to be worth your while and to finance the way I want to live with you. Not the way you want to live. The way I want to live with you. Without you I wouldn't care. I'd eat tinned spaghetti and put on yesterday's clothes. But as it is I change my socks, and make money, and tart up Brodie's unspeakable drivel into speakable drivel so he can be an author too, like me.

When I started Oracle, what I wanted to do was to create an environment where I would enjoy working. That was my primary goal. Sure, I wanted to make a living. I certainly never expected to become rich, certainly not this rich. I mean, rich does not even describe this. This is surreal. And it has nothing to do with money. I mean, you buy clothes with money, and cars. But I really wanted to work with people I enjoyed working with, who I admired and liked.

Jared had his back to the wall, which Kami thought was a reflex when he was uncomfortable. She wanted to shield him. “He was doing some—Zen jogging,” she claimed. Jared flicked her an incredulous glance. “Yes,” he said slowly. “Zen jogging. I wasn’t wearing that many clothes because—that’s part of the process. You’re meant to commune with the elements. Normally, I wouldn’t have worn my jeans, but I put them on because I know the English are a modest people.

If you ever get twenty-five years for nothing, if you find yourself wearing four number patches on your clothes, holding your hands permanently behind your back, submitting to searches morning and evening, working until you are utterly exhausted, dragged into the cooler whenever someone denounces you, trodden deeper and deeper into the ground-from the hole you're in, the fine words of the great humanists will sound like the chatter of the well-fed and free.

I have to take care of the house, and the dogs, and the Macondo Board meetings, all those e-mails, the letters that are going to fans. And you've got to pay bills. These things eat up your time. You have to prepare and pack to go on that trip. Then when you come back you have to file all that stuff, answer all that mail, and that's not even washing the clothes or any of that. So it takes as many days as I've been away to come back to normal and to get quiet.

The motion picture is like a picture of a lady in a half-piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.

There is one kind of charity common enough among us... It is that patchwork philanthropy which clothes the ragged, feeds the poor, and heals the sick. I am far from decrying the noble spirit which seeks to help a poor or suffering fellow being... [However] what advances a nation or a community is not so much to prop up its weakest and most helpless members, but to lift up the best and the most gifted, so as to make them of the greatest service to the country.

We live in a very special time right now. At no other time in history has there been such mass disillusionment in terms of reliance on governing functions. Most people don’t want to come to terms with that. It’s been proven over and over again that the emperor isn’t wearing any clothes, but most people don’t like to look at naked emperors. In the process of turning around to avert their eyes, they saw the discotheques and a few other things and latched onto them.

Shaped a little like a loaf of French country bread, our brain is a crowded chemistry lab, bustling with nonstop neural conversations.Imagine the brain, that shiny mound of being, that mouse-gray parliament of cells, that dream factory, that petit tyrant inside a ball of bone, that huddle of neurons calling all the plays, that little everywhere, that fickle pleasuredome, that wrinkled wardrobe of selves stuffed into the skull like too many clothes into a gym bag.

The thought that, insignificant as she was, she yet might do some good, made her very careful of her acts and words, and so anxious to keep head contented and face happy, that she forgot her clothes, and made others do the same. She did not know it, but that good old fashion of simplicity made the plain gowns pretty, and the grace of unconsciousness beautified their little wearer with the charm that makes girlhood sweetest to those who truly love and reverence it.

Women are in bondage; their clothes are a great hindrance to their engaging in any business which will make them pecuniarily independent, and since the soul of womanhood never can be queenly and noble so long as it must beg bread for its body, is it not better, even at the expense of a vast deal of annoyance, that they whose lives deserve respect and are greater than their garments should give an example by which woman may more easily work out her own emancipation?

He who has talent in him must be purer in soul than anyone else. Another will be forgiven much, but to him it will not be forgiven. A man who leaves the house in bright, festive clothes needs only one drop of mud splashed from under a wheel, and people all surround him, point their fingers at him, and talk about his slovenliness, while the same people ignore many spots on other passers-by who are wearing everyday clothes. For on everyday clothes the spots do not show.

Remember - the fault is in the garment, certainly not the girl. There is nothing whatsoever wrong with the shape of her. Some designers cut their clothes for certain body types and others for others. Occasionally the pattern will make her ass look strangely square or the fabric will cling in an unflattering way, but Not Cut Well is always the answer, and it has the extremely delightful quality of saving your ass and being completely true at the same time. Use it wisely.

The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.

Why is Dave Chappelle going to Africa? Why does Mariah Carey make a hundred-million dollar deal and take her clothes off on TRL? A weak person can not get here and talk to you. Ain't no weak people talking to you. So what is happening in Hollywood? Nobody knows! The worst thing to call somebody is crazy. It's dismissive. I don't understand this person, so they're crazy. That's bullshit. These people are not crazy, they're strong people. Maybe the environment is a little sick.

It's a fact of life that how you dress affects how you are perceived and whether your contribution to a meeting is registered as worth listening to. It was most alarming the way people's attitudes changed when I started wearing my designer suits to committee meetings. Obviously, it's not just the clothes that count; you have got to have something worth saying. But it si true that some people's views are dismissed before they speak because others perceive them as just a secretary!

I kinda came into my manhood, or what I thought was my adulthood, early. I had to show up, and I had to make sure I had gas money, food money, rent money, clothes money - everything was on me, startin' at that age, so that's what led me to start hustlin', that's what led me to start to try to find ways to fend for myself. And once I did that, I was full-time, bein' in the street, and, bein' in the street, it's cold. It's the way the streets operate, and you have to adapt to that.

Take it off first, soldier." He looked at her suspiciously. "Take what off?" "Your clothes. Entertain the troops." "My clothes?" He frowned. "I was sort of thinking you might want to do that for me." She shook her head and leaned back on one elbow, giving him her witchiest, bitchiest smile. "Strip." "Now, listen here, Francie--" Lifting a languid hand, she once again pointed toward the center of the room. "Do it real slow, good-looking," she purred. "I want to enjoy every minute.

The Miraculous Journey of Edward Tulane began with a friend giving me a rabbit doll - forgive me, Edward, for using that word; he doesn't like "doll" - for Christmas. I said, "Oh, he's lovely, what's his name?" And she said, "Edward." And a few days after I received the rabbit, who was dressed very handsomely in Edwardian kind of clothes, I saw him stripped of his finery and face down on the bottom of the ocean floor. Why? I don't know. But that's where his story began in my head.

But as I stood there dressed in a cute black pants suit and white button-up shirt and heels, I felt completely out of place. Not necessarily because of the clothes, but…I just don’t belong there. I can’t put my finger on it, but that Monday and the rest of that week when I woke up, got dressed and walked into that store, something was itching the back part of my consciousness. I couldn’t hear the actual words, but it felt like: This is your life, Camryn Bennett. This is your life.

North Korean defectors often find it hard to settle down. It is not easy for somebody who’s escaped a totalitarian country to live in the free world. Defectors have to rediscover who they are in a world that offers endless possibilities. Choosing where to live, what to do, even which clothes to put on in the morning is tough enough for those of us accustomed to making choices; it can be utterly paralyzing for people who’ve had decisions made for them by the state their entire lives.

Buddha says: Life should be simple, not complex. Life should be based on needs, not on desires. Needs are perfectly okay: you need food, you need clothes, you need a shelter, you need love, you need relationship. Perfectly good, nothing wrong in it. Needs can be fulfilled; desires are basically unfulfillable. Desires create complexity. They create complexity because they can never be fulfilled. You go on and on working hard for them, and they remain unfulfilled, and you remain empty.

People ask why I do monochromatic clothes; the reason is because I'm thinking in proportion to the world. In this room, your head is going to look so much more interesting if it's on a monochromatic column. Whereas I think people think of outfits and gets a little too fussy, a little too detailed. I'm always thinking of the line of a person standing with their head in a room and I always feel like a stalk, or a stem, or a pillar is nicer. I always think of everything architecturally.

Animals struggle with each other for food or for leadership, but they do not, like human beings, struggle with each other for thatthat stands for food or leadership: such things as our paper symbols of wealth (money, bonds, titles), badges of rank to wear on our clothes, or low-number license plates, supposed by some people to stand for social precedence. For animals the relationship in which one thing stands for something else does not appear to exist except in very rudimentary form.

On Monday they went out for a private picnic. On Tuesday they went for a carriage drive. On Wednesday they went to pick bluebells. On Thursday they fished at the lake, returning with damp clothes and sun-glazed complexions, laughing together at a joke they didn't share with anyone else. On Friday they danced together at an impromptu musical evening, looking so well matched one of the guests remarked it was a pleasure to watch them. On Saturday Matthew woke up wanting to murder someone.

Therefore, when I look for a church, I look for the music that best fits me and the programs that best cater to me and my family. When I make plans for my life and career, it is about what works best for me and my family. When I consider the house I will live in, the car I will drive, the clothes I will wear, the way I will live, I will choose according to what is best for me. This is the version of Christianity that largely prevails in our culture. But it is not biblical Christianity.

My advice is you've got to make sure you wear the clothes and not [let] the clothes wear you. It's quite simple in a way. Don't wear something you totally feel uncomfortable with, but take some chances. Play around a bit. I felt very uncomfortable in suits when I was younger, so what I just started doing was wearing suits when I was going to dinner. I used to overdress a little bit so I got used to wearing suits. Now wearing a suit is like wearing a track suit for me. So it's all good.

I think there’s a lot of threshold weeping. Like, am I doing this? Am I really wearing this out in the world? My daughter is very much like that. She will put clothes on and her clothes just make her beside herself. They make her so sad sometimes. And you do realize you feel betrayed sometimes by your own clothing. You put something on that usually protects you and makes you OK, and sometimes you’re just not fit for the world and even your best pants can’t overcome that feeling for you.

When you set about your composing, it may be necessary for your ease, and better distillation of wit, to put on your worst clothes, and the worse the better; for an author, like a limbeck, will yield the better for having a rag about him: besides that, I have observed a gardener cut the outward rind of a tree (which is the surtout of it) to make it bear well; and this is a natural account of the usual poverty of poets, and is an argument why wits, of all men living, ought to be ill clad.

Fashions fade, style is eternal. - Yves Saint-LaurentThe most important thing to remember is that you can wear all the greatest clothes and all the greatest shoes, but you've got to have a good spirit on the inside. That's what's really going to make you look like you're ready to rock the world. - Alicia KeysIt's a new era in fashion - there are no rules. It's all about the individual and personal style, wearing high-end, low-end, classic labels, and up-and-coming designers all together.

What they don't realize is that I'm not in the business to make clothes. I'm not in the business to make more money for myself, for Christ's sake. This is the reason Patagonia exists - to put into action the recommendations I read about in books to avoid environmental collapse. That's the reason I'm in business - to try to clean up our own act, and try to influence other companies to do the right thing, and try to influence our customers to do the right thing. So we're not going to change.

Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles...In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma...The number of diet-related articles rose 70 percent from 1968 to 1972...The lucrative 'transfer of guilt' was resurrected just in time.

Interesting thing that is happening in American society is that people are starting to talk about money. I don't know how you feel about this, but for a long time, nobody was talking about money. It was a secret. And it's kind of very interesting because we do lots of stuff to portray to people about how much money we have, the clothes we wear and the cars we have and the house - they all kind of depict to other people, signal how much money we make, but we don't talk about it specifically.

I beg the reader not to go in search of messages. It is a term that I detest because it distresses me greatly, for it forces on me clothes that are not mine, which in fact belong to a human type that I distrust; the prophet, the soothsayer, the seer. I am none of these; I'm a normal man with a good memory who fell into a maelstrom and got out of it more by luck than by virtue, and who from that time on has preserved a certain curiosity about maelstroms large and small, metaphorical and actual.

We don’t go further than what Marx called the exchange value of the actual object - we don’t think about the relations that that object embodies - and were important to the production of that object whether it’s our food or our clothes or our I-pads or all the materials we use to acquire an education at an institution like this. That would really be revolutionary to develop a habit of imagining the human relations and non human relations behind all of the objects that constitute our environment.

There were plenty of women around who dressed smartly, and plenty more who dressed to impress, but this girl was different. Totally different. She wore her clothing with such utter naturalness and grace that she could have been a bird that had wrapped itself in a special wind as it made ready to fly off to another world. He had never seen a woman who wore her clothes with such apparent joy. And the clothes themselves looked as if, in being draped on her body, they had won new life for themselves.

Observe immigrants not as they come travel-wan up the gang-plank, nor as they issue toil-begrimed from the pit's mouth or mill-gate, but in their gatherings, washed, combed, and in their Sunday best.... They are hirsute, low-browed, big-faced persons of obviously low mentality... They simply look out of place in black clothes and stiff collar, since clearly they belong in skins, in wattled huts at the close of the Great Ice Age. These ox-like men are descendants of those who always stayed behind.

Horror need not always be a long-fanged gentleman in evening clothes or a dismembered corpse or a doctor who keeps a brain in his gold fish bowl. It may be a warm sunny day, the innocence of girlhood and hints of unexplored sexuality that combine to produce a euphoria so intense it becomes transporting, a state beyond life or death. Such horror is unspeakable not because it is gruesome but because it remains outside the realm of things that can be easily defined or explained in conventional ways.

Vous eprouves trop d'emotion, Hastings, It affects your hands and your wits. Is that a way to fold a coat? And regard what you have done to my pyjamas. If the hairwash breaks what will befall them?' 'Good heavens, Poirot,' I cried, 'this is a matter of life and death. What does it matter what happens to our clothes?' 'You have no sense of proportion Hastings. We cannot catch a train earlier than the time that it leaves, and to ruin one's clothes will not be the least helpful in preventing a murder.

Often I feel I go to some distant region of the world to be reminded of who I really am. There is no mystery about why this should be so. Stripped of your ordinary surroundings, your friends, your daily routines, your refrigerator full of your food, your closet full of your clothes -- with all this taken away, you are forced into direct experience. Such direct experience inevitably makes you aware of who it is that is having the experience. That's not always comfortable, but it is always invigorating.

I wouldn’t want you to get in the shower and then pass out or some such. How about if I help you get out of your clothes? I’m an expert in platonic undressings.” He gave me that wicked smile. “Give it a rest. I’m not going to strip naked in front of you, and I’d rather pee in private.” “Half the injuries in a home happen in the bathroom. What kind of friend would I be to let you face that kind of danger alone? I mean, sure, you walked out of death, but this is a shower.” “Shame. Get out of my bathroom.

Clothes, when abstracted from the flow of present time and their transmogrifying function on the human body, and seen as forms in themselves, are strange tubes and excrescences worthy of being classed with such facial decorations as the ring through the nose or the lip-stretching disk. But how enchanting they become when seen togetherwith the qualities they bestow on their wearer! What happens then is no less than the infusion, into some tangled lines on a piece of paper, of the meaning of a great word.

Many strange-looking people obviously dress according to deep convictions that are not shared by on-lookers - they clearly do not know how they actually look, but are satisfied with what their clothes make them feel and believe about their looks. These people may be the true originals, even though they are certainly not the best appreciated. The famous messages of dress, the well-known language of clothes, is very often not doing any communicating at all; a good deal of it is a form of private muttering.

Each of us can be a leader. We need to remember that the mantle of leadership is not the cloak of comfort, but the robe of responsibility. Perhaps our service is to youth. If so, I caution: 'Youth needs fewer critics and more models.' One hundred years from now it will not matter what kind of a car we drove, what kind of a house we lived in, how much we had in the bank account, nor what our clothes looked like. But the world may be a little better because we were important in the life of a boy or a girl.

You've got the people you know, which are problematic. Always. They're rich but they're also real people living their lives alongside you. Then you've got the people that you make-up completely, who are often missing a dimension if they don't have some reference to real people. So strangers exist in this in-between space, where in not knowing them, you are creating a fiction for them, even in passing, but at the same time, there they are, with their actual bodies and their actual clothes. It's totally enticing.

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