Quotes of All Topics . Occasions . Authors
Being a girl didn't really affect me until I entered junior high and had to wear skirts, curl my hair, and even get used to panty hose. However, my hatred of panty hose helped make me a writer who only wears comfortable clothes. I've successfully avoided panty hose for most of my life.
Revolution? Unscrew the flag-staff, wrap the bunting in the oil covers, and put the thing in the clothes-chest. Let the old lady bring you your house-slippers and untie your fiery red necktie. You always make revolutions with your mugs, your republic--nothing but an industrial accident.
Woman for whom Botox and fillers are the norm don't feel dressed without it. It's like going to the hairdresser's for them. Also, famously, lipstick sales go up in a recession: you may not be able to afford the shoes and the dress but you are sure going to keep your lips pillow perfect.
The corporations have taken over. Even in the recording studio. Actually, the corporate companies have taken over American life most everywhere. Go coast to coast and you will see people wearing the same clothes, thinking the same thoughts, eating the same food. Everything is processed.
I don't at all want to resemble some of these young designers who ask hallucinating prices for rags that are so in fashion now, that six months later, they are old-fashioned! I love vintage boutiques, I love to customize my clothes. And then, with my friends, we regularly exchange togs.
Michael Eisner contacted me once and asked me if he could change the name of Disneyland to 'Braffland.' I said no, because whenever I go to Disneyland there's always fat people everywhere wearing tight clothes. Disneyland, frankly, has a lot of improving to do before it gets my namesake.
Makeup is no different than clothes and accessories - it's embellishments for your face. And it also gives you creative freedom. You get to have that moment in front the mirror every morning and give yourself self-love. You're making yourself up beautiful, which is essentially self-love.
Imagine now a man who is deprived of everyone he loves, and at the same time of his house, his habits, his clothes, in short, of everything he possesses: he will be a hollow man, reduced to suffering and needs, forgetful of dignity and restraint, for he who loses all often loses himself.
There is a time when it is necessary to abandon the used clothes, which already have the shape of our body and to forget our paths, which takes us always to the same places. This is the time to cross the river: and if we don't dare to do it, we will have stayed, forever beneath ourselves
I don't get sick of being naked, but the added pressure is staying in really good shape, because naked shape is a different kind of shape than just regular TV shape. Regular, having-your-clothes-on TV shape is intense, but naked TV shape is, I mean, you really have to watch what you eat.
We built our fashion around three fundamental concepts: Sicily, tailoring, and tradition. Our dream is to create a style which is timeless, and to create clothes with such a strong personality that whoever sees them can instantly say without a shadow of a doubt: this is a Dolce & Gabbana.
My school was pretty much all African Americans, but it was still a little tough to be in because I didn't have a lot of money. And when I came back to my neighborhood, it was tough to fit in there, too, because I was wearing Catholic school clothes, and I had two parents, which was rare.
That was an organic relationship. He reached out to me, and I was like, 'Oh my God, I cannot believe somebody like Laquan Smith wants to put his clothes on me.' He comes from a small place, and he has big dreams, and what I like about him the most is that his clothes curve with your body.
When I went for my medical school interview, I had an old paperback of 'Henderson the Rain King' in the pocket of my coat. I was wearing the best clothes I had - a pair of cords and a sport coat - but when I got to the office, all the other interviewees were lined up in their black suits.
Even before I was discovered in 1966, I used to make my own clothes. I learned how to sew early on, and it's still my passion now. I constantly have ideas in my head about clothes so jumped at the chance to do my own collection and am very hands-on. Everything I design, I wear and I love.
For years, I've been painting black men as a way to respond to the reality of the streets. I've asked black men to show up in my studio in the clothes that they want to be wearing. And often times, those clothes would be the same trappings people would see on television and find menacing.
Depending on your figure, you may use clothes and colours to highlight your assets or otherwise. Darker shades always make you look slimmer while bright colours or prints can highlight your figure. Using colours to enhance your look is the easiest and smartest way to play with your figure.
I've spent a lot on clothes. I'm not kidding when I say I could have bought several country homes with the money. I've also given a lot away over time. I had a lovely Yves Saint Laurent jacket that I'd only worn once or twice, but I'm one for spring cleaning rather than storing my clothes.
I don't know... I've been doing it for 17 years now, so of course I've seen pictures and thought, "Oh my god, I wish I would've never worn that." Yeah, but I did! And it was probably because it was my favorite thing at the time - my clothes always have some kind of emotion attached to them.
Prayer should be short, without giving God Almighty reasons why He should grant this or that; He knows best wheat is good for us. If your boy should ask you for a suit of clothes and give you reasons, would you endure it? You know his needs better than he; let him ask for a suit of clothes.
As a child I often wondered whether I would be allowed to live such moments- to inhabit the slow, majestic ballet of the snowflakes, to be released at last from the dreary frenzy of time. Is that what it feels to be naked? All one's clothes are gone, yet one's mind is overladen with finery.
I didn't know anything about fashion. You would see me in the biggest sweater with jeans or the tightest elastic pants. Not nice clothes. My mom took me a lot to consignment stores when I was younger, and I never really got to go to fancy high-class stores, so... vintage was like a step up.
I think fashion is a lot of fun. I love clothes. More than fashion or brand labels, I love design. I love the thought that people put into clothes. I love when clothes make cultural statements and I think personal style is really cool. I also freely recognize that fashion should be a hobby.
I was undervalued so I stopped stripping. I was 18 years old and I worked three jobs. This was just one of them, and I really enjoyed performing. It was probably my first performing job ever. I really like to dance, obviously, but then I didn't really love taking the clothes off at the end.
Rap is something you can just throw on the skillet and fry up real quick. That's how it comes to me, my train of thought. It's like getting dressed - I don't have to sit down and stare at clothes, I just pick what I like and put it on. But rock, you gotta put it in the oven and let it bake.
Tawny," I barked. My voice held the authority of a drill sergeant. She jumped. "I am NOT making out with you until the end of time. You want to do this, then you've got to work for it. Now, TAKE OFF YOUR CLOTHES." "Oh," said Hugh. "I've waited ten years to hear you say that to another woman.
Like in great painting and architecture, in couture, to make clothes you must eliminate, eliminate, eliminate to obtain the true sense of a line. You see, the more you add, the more you load on, the more it's mad. You must try to have just the silhouette, which is an intelligence in clothes.
[Adolf Hitler] would wear whatever what was put in front of him. He didn't match his ties or his shoes with his clothes, it was as if he deliberately dressed in such a way as to get Eva to get upset. It was his form of teasing or perhaps of controlling [Eva Braun], manipulating her emotions.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
When I was a child, I lived in Morocco, and I would always buy a lot of beads from the markets and to make jewellery for friends. Later, at 18, I would do my own clothes and make my own patterns. When I first came to New York, people just assumed I was a stylist because I was so into fashion.
Our underclothes were woolen vests and knickers and an extraordinary, but apparently necessary, concoction called a liberty bodice, which had no freedom about it, so how it got its name I cannot imagine. It was made of some harsh stuff, with here and there straps and buttons that did nothing.
Everything I've been thinking, every vision, even down to every shot I throw, it just ends up here in reality. Whether it was in a fight and how to react or whether it was in a stadium with screaming fans or whether I was in a fancy car or the best clothes ever, I always put myself somewhere.
I never wanted to design clothes. I never wanted to work for the fashion industry. Shoes sort of belong to the fashion industry, which is why I'm part of the fashion industry. But that's never been my thought. My thought since I was a child was really to design those shoes for girls on stage.
Here the whole world (stars, water, air, And field, and forest, as they were Reflected in a single mind) Like cast off clothes was left behind In ashes, yet with hopes that she, Re-born from holy poverty, In lenten lands, hereafter may Resume them on her Easter Day." (Epitaph for Joy Gresham)
I had a stroll like this in the park with somebody, and I saw the ice and I thought, 'what would happen if I go in there?' I was really attracted to it. I went in, got rid of my clothes. Thirty seconds I was in. Tremendous good feeling when I came out, and since then, I repeated it every day.
In the first weeks I had occasionally worn clothes in the morning before the sun began its ascent, but very soon I abandoned this habit, and the only bit of material I ever wore was the strip of sari cloth around my hips, which was so useful for making into a bag to collect coconuts on walks.
It is not because food, clothes and property are inherently evil that Christians today must lower their standard of living. It is because others are starving. Creation is good. But the one who gave us this gorgeous token of his affection has asked us to share it with our sisters and brothers.
If you look at it, the corset is a very beautiful item, but when I put one on, I realized how little you could actually move. And I'm a very physical person: I talk with my hands. And I felt how the clothes took that away from me. And that was the idea, I think. It was a way of limiting women.
Although a life-long fashion dropout, I have absorbed enough by reading Harper's Bazaar while waiting at the dentist's to have grasped that the purpose of fashion is to make A Statement. My own modest Statement, discerned by true cognoscenti, is, "Woman Who Wears Clothes So She Won't Be Naked.
When I entered high school I was an A-student, but not for long. I wanted the fancy clothes. I wanted to hang out with the guys. I went from being an A-student to a B-student to a C-student, but I didn't care. I was getting the high fives and the low fives and the pats on the back. I was cool.
I appreciate art in any form. So it applies to clothes as well. On stage, I think people prefer me in Indian outfits... in fact, it goes with the kind of songs I sing as well. Indianness in the form of a sari, or a chaniya choli or jeans with something interesting, matches my style of singing.
To go to the synagogue with one's father on the Passover eve - is there in the world a greater pleasure than that? What is it worth to be dressed in new clothes from head to foot, and to show off before one's friends? Then the prayers themselves - the first Festival evening prayer and blessing.
When the OutKast sound changed and I started producing my own records, I would mirror what I thought that character doing that music would look like. As the sound got a little wilder, freakier and funkier, so did the clothes. Then when the sound got more sophisticated, the clothes changed again.
During the Olympics they're really strict about what you're allowed to wear. You get a lot of clothes, but everything is pre-ordered. We had a fitting over the summer. You're not allowed to wear your own clothes. No logos, nothing. You get fined if you wear something you're not supposed to wear.
Poverty always looks the same, no matter where you come across it. The rich can always express their opulence by varying their lives. Different houses, clothes, cars. Or thoughts, dreams. But for the poor there is nothing but compulsory grayness, the only form of expression available to poverty.
Since [Rousseau's] time, and largely thanks to him, the Ego has steadily tended to efface itself, and, for purposes of model, to become a manikin on which the toilet of education is to be draped in order to show the fit or misfit of the clothes. The object of study is the garment, not the figure.
My grandad was the most wonderful man. He was a bit like me. He was basically a country bumpkin but he did well; he became managing director of quite a successful company but all he really wanted to do was to come home, put his disgusting old trampy clothes on and go for walks across the country.
... that gender is a choice, or that gender is a role, or that gender is a construction that one puts on, as one puts on clothes in the morning, that there is a 'one' who is prior to this gender, a one who goes to the wardrobe of gender and decides with deliberation which gender it will be today.
I was really sensitive because people would say they thought I was a boy or call me a boy and stuff like that. I always had my hair back and, like I said, baggy clothes. So it was kind of sad. I didn't know what to do about it, and I didn't know what I was doing wrong because I was just being me.