If I had a Salvador Dali painting, I would cuddle it to sleep.

I never thought I'd be up against Salvador Dali and Roy Disney.

Dali was the great painter then and surrealism was a way of life.

All of my heroes, like Dali, are people who pioneered various forms of cinema.

I like Dali and Magritte. I also like the Scottish artist John Byrne, another surrealist.

Dali had a good sense of humor - obviously you could tell just looking at him; he was funny.

Each morning when I awake, I experience again a supreme pleasure - that of being Salvador Dali.

Last year I went fishing with Salvador Dali. He was using a dotted line. He caught every other fish.

I probably have 15 to 20 Dalis in the store. The secret to buying Dali - never buy one made after 1970.

Surrealism - in particular with Salvador Dali - was all about ego. It was all about extreme individualism.

Dali is like a man who hesitates between talent and genius, or, as one might once have said, between vice and virtue.

I did this movie about Salvador Dali a few years ago and had hair extensions and a little bob. That was incredibly bizarre.

Salvador Dali, lying on his deathbed in a stupor, is said to have been fed thousands of sheets of blank paper to sign for fake lithographs.

I will be brief. Not nearly so brief as Salvador Dali, who gave the world's shortest speech. He said I will be so brief I have already finished, and he sat down.

I used to hang out with Salvador Dali a lot. He was such a nice man. I really liked his wife Gala, too. People say that she was tricky, but she was never difficult with me.

Art was a huge passion of Jeff's from a very early age. He took a few lessons one summer. He always had a huge passion for art. Loved Dali. Jeff drew and sketched constantly.

Art is about imagination. When you look at a picture from Salvador Dali, that's about imagination. When you look at Picasso, that's about imagination. Doing stuff from your heart.

From 17 to 21, I was obsessed by sport and art. In art, I loved the pre-Raphaelites and Rembrandt first. Then I discovered Salvador Dali, and it was like finding something I already knew.

It's Frank's painting on the cover. We were originally going to use a Salvador Dali painting that we got permission from Salvador Dali to use, and Frank found this one, and it really did fit the music much more.

But Walt and him shared the same kind of optimism. Walt believed in himself, and he was optimistic about what he wanted to do. He just knew it will be okay, and Dali was the same way. They had a great deal in common that way.

I taught principally German language and literature at Eton. But any master with private pupils must be prepared to teach anything they ask for. That can be as diverse as the early paintings of Salvador Dali or how bumblebees manage to fly.

If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white.

I have always been a fan of Salvador Dali, but Amrita Sher-Gil, who was an Indian-Hungarian painter, is another favourite. She was painting Indian women, and, growing up here, I'd never seen anyone paint Indian women, so that was really incredible to see a painting of someone who looks like you. I think that has a lot of impact on you.

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