Quotes of All Topics . Occasions . Authors
I'd rather be with Dracula than the Wolfman.
The first show I was in was 'Dracula' in 1975.
To win a woman, take her with you to see Dracula.
I feel like I'm Dracula, dude, like, um... Nosferatu, you know.
I read 'Dracula' in high school. I've been around vampires forever.
As a child, I was more afraid of tetanus shots than, for example, Dracula.
I certainly didn't want to make another movie that's 'just another Dracula film.'
For me, Dracula has always been associated with travel and beautiful historical places.
'Baltimore' the series is inspired by all kinds of things, from 'Moby Dick' to 'Dracula.'
I find inspiration in the movies I've loved, especially all films ever made about Dracula.
When I was younger, I used to watch all the black-and-white 'Dracula's and 'Frankenstein's.
Vampires used to be like Dracula, and now they're young teenage kids, so yeah, I like that.
The first film I can remember seeing on TV was 'The Brides of Dracula.' I was instantly hooked.
People called me sharktooth, Dracula. I got made fun of so much cause I couldn't afford braces.
Each of us needs something - food, liquor, pot, whatever - to help us survive. Dracula needs blood.
I did a film called Dracula and it was very nice because I had lots of trips to New York on Concorde.
Bram Stoker's 'Dracula,' in my reading, is really obviously about disease and our relation to disease.
I definitely fell in love with 'Dracula' when I was 13. I found it so fascinating and so dark and romantic.
'Zolten' is a common Hungarian name, it's my wife's maiden name and most importantly, it's the name of Dracula's dog.
It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.
When people ask me if Dean Martin drank, let me put it this way. If Dracula bit Dean in the neck, he'd get a Bloody Mary.
Dracula appeared at a time of great technological revolution, utilizing telegraphs, typing machines, and blood transfusions.
Most vampires I have discovered are men for some reason. I guess it's because of Dracula; people are kind of feeding off that.
When I started writing about vampires, I swore that I wouldn't touch the 'Dracula' legend because it's been done too many times.
When I was old enough to go to movies alone, I got to see 'Frankenstein' and 'Dracula' on the big screen. I just fell in love with them.
The role seemed to demand that I keep myself worked up to fever pitch, so I took on the actual attributes of the horrible vampire, Dracula.
I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.
I wanted to play Dracula because I wanted to say: 'I've crossed oceans of time to find you.' It was worth playing the role just to say that line.
I'd seen 'Interview with A Vampire' and saw Dracula movies growing up, but I never thought, 'I love vampires; I have to do a show about vampires.'
Villains used to always die in the end. Even the monsters. Frankenstein, Dracula - you'd kill them with a stake. Now the nightmare guy comes back.
I've likened Mignolet to worse than Dracula because at least Dracula comes out of his coffin now and then. He seems to stay on his line and that's it.
Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality hadn't come out we'd have been very disappointed.
My parents were dismayed by my love of horror movies as a young girl, then even more dismayed when I kept rooting for Dracula to win instead of Van Helsing.
I'd been a Bond girl and in Dracula films and 'Coronation Street,' but I was always hunting for work. After 'The New Avengers,' I never had to wait for work again.
So many people of my generation all grew up with that shock theater package on television of 'Frankenstein,' 'Wolfman,' 'Dracula,' 'Mummy,' all the Universal stuff.
Bram Stoker's 'Dracula' was a story about the fear of immigration; the bad old bloodsucker swooping in from Eastern Europe and also preying upon 'our' vulnerable women.
There was a gap of seven years between the first and second Dracula movies. In the second one as everybody knows, I didn't speak, because I said I couldn't say the lines.
Frankenstein' was more programmed, but 'Dracula' we did as it came along because at the beginning we weren't sure how it was going to end - it wasn't written in the script.
Me and my parents would watch old 'Frankenstein' and 'Dracula' and all those old black and white movies - as a kid, I'd lie in bed thinking that they would come out at night.
Dracula, if he could see modern corporations, wouldn't like them much. He took care of his people, at least as he saw it. They had very little freedom, but they had a protector.
More immediately, I'm currently working on another Dracula in which there will be connections with ancient Egypt. That's about as far as I want to go in commenting on current work.
I was a mess-up in school, a big mess-up. I was into history and English, because there were always stories, like 'Dracula' and World War II. I've never read a book, though. Never.
I've often described my book 'Anno Dracula' as 'literally, a vampire novel' - in that it battens on to other novels and sucks their lifeblood, transforming as well as feeding off them.
To be in something as iconic as a Dracula film, and to be playing Jessica van Helsing, who would have been Dracula's choice for a bride, through history and beyond the grave, was a thrill.
I had always liked, well, who didn't love Lestat and fall in love with 'Interview with the Vampire,' and 'Nosferatu,' and Coppola's 'Dracula' with the awesome costumes? So I loved all that.
I became a horror fan during the early 1960s, back when Hammer was putting out their groundbreaking 'Dracula' series with Christopher Lee and Peter Cushing, and grew up watching 'Dark Shadows.'
This is an area you always need to address when you're dealing with Dracula is the fact that there is something kind of attractive in his darkness - which there isn't in other horror characters.
Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country.
For my part, if the audience wanted to see Dracula again, I would be happy to reprise the role. It is an immortal character that can appear anywhere because it lies beyond time. Possibilities are endless.
It's logical when you become known to the industry with 'Dracula' and 'Frankenstein' that they typecast you and want you in their horror movies. That's how I got 'Blade,' of course, because they were fans.