Quotes of All Topics . Occasions . Authors
You must, to get through life well, practice industry with economy, never create a debt for anything that is not absolutely necessary, and if you make a promise to pay money at a day certain, be sure to comply with it. If you do not, you lay yourself liable to have your feelings injured and your reputation destroyed with the just imputation of violating your word.
So as I think back on it now, I think it is safe to say that music is something you both hear and feel. I also realize that feelings change frequently and that for the most part, they are not a constant. They change from high to low, happy to sad, content to ecstatic and back down again. Not all music has the same purpose, but most music makes you feel "something.
It might be added that corporations have no consciences, no beliefs, no feelings, no thoughts, no desires. Corporations help structure and facilitate the activities of human beings, to be sure, and their ‘personhood’ often serves as a useful legal fiction. But they are not themselves members of ‘We the People’ by whom and for whom our Constitution was established.
Every person in the world, including yourself, will encounter various trials throughout life. Satan seeks to defeat you by tempting you to trust your own wisdom, to live according to your self-centered feelings, and to gratify the desires of your flesh. In contrast, God's will is for you to be an overwhelming conqueror in all of these tests for His honor and glory.
I like large sounds and very complex sonorities, and I also tend to opt for creating a feeling of vast space. I could achieve this effect either by using a symphony orchestra, which for a dance piece is pretty much impossible these days, or by using a synthesizer on multi-channel tape and a superb sound system, to get that same sensation of expansiveness and depth.
'What about stress? Are you using your stress-management techniques when things seem to be getting on top of you?' 'Nothing is getting on top of me.' As I said it, a totally inappropriate picture popped into my mind. 'What are you feeling?' Jake's breath warm against my face, my bruised lips tingling from his kisses. 'Tell me what it feels like with me inside you.'
What is needed is a spirit of boundary dissolution, between individuals, between classes, sexual orientations, rich and poor, man and woman, intellectual and feeling toned types. If this can happen, then we will make a new world. And if this doesn't happen, nature is fairly pitiless and has a place for us in the shale of this planet, where so many have preceded us.
Expectancy speeds progress. Therefore, live in a continual state of expectancy. No matter how much good you are experiencing today, expect greater good tomorrow. Expect to meet new friends. Expect to meet new and wonderful experiences. Try this magic of expectancy and you will soon discover a dramatic side to your work which gives full vent to constructive feeling.
I love feeling loved. I don't love knowing that I will always come in second place. I love the fact that at least sometimes when I am in my home, I'm not alone. I don't love the fact that it's not always. I love not having to answer to him. I don't love that he doesn't answer to me. I love the way I feel when I am with him. I don't love the way I feel when I'm not.
But suppose your dæmon settles in a shape you don't like? Well, then, you're discontented, en't you? There's plenty of folk as'd like to have a lion as a dæmon and they end up with a poodle. And till they learn to be satisfied with what they are, they're going to be fretful about it. Waste of feeling, that is. But it didn't seem to Lyra that she would ever grow up.
If we rely on anything else besides faith to maintain the practice of the presence of God, we will certainly fail, whether this is our feelings, or experiences, or sincerity, or good intentions, or reasonings, or plans. The reason these things will fail while faith will not fail is that all these things depend on us, while faith depends on God. It is a gift of God.
What's the coolest thing in the world is when you have fans that know the lyrics to your songs. That's amazing! Such a great feeling! When I go out there and am playing "Grinnin' In Your Face" and people are singing the lyrics to it, that's amazing to me. I'm actually taking a song where people wouldn't know it, and I'm bringing it back. It's a really cool feeling.
The catalyst that converts any physical location - any environment if you will - into a place, is the process of experiencing deeply. A place is a piece of the whole environment that has been claimed by feelings. Viewed simply as a life-support system, the earth is an environment. Viewed as a resource that sustains our humanity, the earth is a collection of places.
If I seem detached or distant, it's because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, 'Well, at least this never happens to me.' I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.
Anytime you have a negative feeling toward anyone, you're living in an illusion. There's something seriously wrong with you. You're not seeing reality. Something inside of you has to change. But what do we generally do when we have a negative feeling? "He is to blame, she is to blame. She's got to change." No! The world's all right. The one who has to change is you.
Isn't it great to know that you cannot control your world from the outside? To try and control things on the outside feels impossible because it would take so much work, and in fact it is impossible according to the law of attraction. To change your world all you have to do is manage your thoughts and feelings on the inside of you, and then your whole world changes.
Because we remember pain and the menace of death more vividly than pleasure, and because our feelings toward the beneficent aspects of the unknown have from the first been captured and formalised by conventional religious rituals, it has fallen to the lot of the darker and more maleficent side of cosmic mystery to figure chiefly in our popular supernatural folklore.
Guileless and without vanity, we were still in love with ourselves then. We felt comfortable in our skins, enjoyed the news that our senses released to us, admired our dirt, cultivated our scars, and could not comprehend this unworthiness. Jealousy we understood and thought natural--a desire to have what somebody else had; but envy was a strange, new feeling for us.
You get a kind of surreal feeling and also it allows you to focus on the things we want you to focus on in a new way - the stuff that's very small and mundane that happens in a person's life when they're in a hotel room. There's more interest because you're seeing a puppet do things that you're very familiar with that you might not notice if it was a human doing it.
He is spent. His mind is mercury again, its brief surge of humanity melting into an oily residue on its surface, and he no longer understands the feelings he felt in that strange moment on the overpass. But he did feel them. They did happen. They rest on the murky seabed of his mind, buried under sand and silt and miles of grey waves. Patient seeds waiting for light.
A book coming out into the world can be a harsh, harsh time. And your feelings are on the line. Everything that publication is about is really not what your writing is about. Your writing is coming out of something else, and publication and being in the public are something else. And those of us who have published, in whatever way we're published, are very fortunate.
I began by asking myself, “What do I want out of life?” And the answer was happiness. Investigating further, I went into the moment when I was feeling happiest. I discovered something which to me was startling at the time. It was when I was loving that I was happiest. That happiness equated to my capacity to love rather than to being loved. That was a starting point.
I greet every new day with the words, 'Thank you, thank you, thank you.' That's the state of mind that directs me, fulfills me, and sends me out into the world with a gift to share. It's a blessing that I have learned over a lifetime - to experience the presence of Spirit in most of my waking moments. It's a feeling of contentment and satisfaction, of peace and love.
Sentir mon Cœur is a privilege only granted to the exceptional man - the one who has the ability to find words that exactly (or, to himself, convincingly) express his feelings... The value of words help to define the feeling itself... The common failure is to allow habitual words and phrases, flowing spontaneously from the memory, to determine and deform the feelings.
In an age of enormities, the emotions are naturally weakened. We are continually called upon to have feelings - about genocide, for instance, or about famine or the blowing up of passenger planes - and we are all aware that we are incapable of reacting appropriately. A guilty consciousness of emotional inadequacy or impotence makes people doubt their own human weight.
Our conversations are never easy, but as I-we-get older, we are finding that our conversations must bespoken. A need burns inside us to share with others what we are feeling Beyond a certain age, sincerity ceases to feel pornographic. It is as though the coolness that marked out youth is itself a type of retrovirus that can only leave you feeling empty. Full of holes.
I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.You could claim that it's due to my military experience. But it came before that. I love their freedom of behavior. They're not constrained by penal attitudes, puritanical attitudes about behavior, both socially and morally. They have a freedom that I admire. An unquestioned freedom.
Nixon identified himself as a crisis-laden man. He'd reach levels of victory and then he'd plunge into defeat. He was vice president, then he lost to Kennedy, then he lost the California governorship. Then came a great comeback and then he blew it again - and the next comeback, after he lost the presidency. He was a man who needed the feeling of walking the precipice.
I never have been a musician; I'm not actually capable. Because I can't even pretend to acquire the gift, all of my first feelings about art are still attached to music. I look at it yearningly, I look at it wonderingly. I behold it from afar, as something unattainable, something outside of myself, from which I can take nourishment, but I can't domesticate and master.
It may seem paradoxical to say that we have been expelled from the present, but it is a feeling we have all had at some moment. Some of us experienced it first as a condemnation, later transformed into consciousness and action. The search for the present is neither the pursuit of an earthly paradise nor that of a timeless eternity: it is the search for a real reality.
It is something more fleeting than what you normally see. People might somehow take it into their own dreams, into their own life, in a way. I hear it more recently; people are telling me that when they leave the theater and see one of my films, they are not alone anymore. It's probably more that kind of feeling. If I managed to do a film like that, everything is fine.
God leads us step by step, from event to event. Only afterward, as we look back over the way we have come and reconsider certain important moments in our lives in the light of all that has followed them, or when we survey the whole progress of our lives, do we experience the feeling of having been led without knowing it, the feeling that God has mysteriously guided us.
Around every corner is another gift waiting to surprise us, and it will surprise us if we can achieve control over our natural tendencies to make comparisons [to things that are better rather than things that are worse], to take things for granted [rather than imagining how much worse things would be if they weren't there and so feeling grateful], and to feel entitled!
I think that music is still a mystery to most people. It kind of goes through most people without a specific thought. They feel the music, which is what's supposed to happen. They're not supposed to be curious about who wrote the music; they're supposed to feel what the show is trying to get them to feel. So if I help get that feeling across, that's good enough for me.
If I am acting out in any particular way that is harmful to myself - without a shadow of doubt, there is a feeling suppressed under wanting that second candy bar. Often, it is that little voice I haven't paid attention to. It's generally not the adult voice. If I take a moment to address that and figure out what that is, the desire for the candy bar seems to dissipate.
At that time in my life I implicitly understood something that adults seem to have forgotton: that we do have control over our own bodies. I forgot that many times as an adult, too; but sometimes when I was in the flow and running with complete confidence, I would remember that feeling and know that I could will my body to do my bidding. On those days I was unbeatable.
We are a people that let the small things just go by because it's a little uncomfortable and nobody wants to ruffle a feather. If you're quiet and you're watching it, you're just as much at fault as the person there. You're watching a victim be berated and you're standing by, knowing that feeling in your gut that it's wrong. Now you have a tool in order to change that.
Just as a child, before I ever knew what ballet was, there was something in me where I was always searching for something structured, something that was bigger than me, and something so historical that I could be a part of. I didn't find that until I stepped into the ballet world, and it was overwhelming, the feeling of being a part of something that's bigger than you.
I sometimes find, and I am sure you know the feeling, that I simply have too many thoughts and memories crammed into my mind. “At these times, I use the Pensieve. One simply siphons the excess thoughts from one’s mind, pours them into the basin, and examines them at one’s leisure. It becomes easier to spot patterns and links, you understand, when they are in this form.
I'm just going to keep going. For me, the most important thing is that I have fun. I've reached nearly everything already with Accept and U.D.O., so the most important thing is that I have fun touring and making albums. I'm still nervous when a new album comes out. I'm still nervous when we start touring. So as long as I have this feeling, I can't say when I will stop.
My feeling about all films and all television is that it's an adventure. That's the way I have to look at it. Because you don't know what the climate of the circumstance is going to be. It could be very good. It could be very mediocre. It could be very bad. You don't know. But I've been doing it long enough now to know that it's an adventure. That's what it's all about.
Tears are tears, but I don't want to draw tears that aren't proactive. The feeling "Ahh, it's so sad" when people die and it's all over, it doesn't feel quite right. Even though a lot of people died in Gintama. Even if people die, it's not the end. I don't want to draw tears that fall and stay at the same place, but droplets that sprinkle along the road to one's future.
You gotta chill and relax, and release, meditate, and breathe and walk, and ski and surf, and bask and sunbathe and relax and sing and love and laugh and nurture yourself, and eat good stuff. And find better and better feeling thoughts and practice them until they become the norm. And then everything that life has caused you to become must manifest into your experience.
Actually when I was wounded and recovering in Japan. I went to church there and I remember on the air base where their hospital was, I remember coming out of that church and feeling like I had been - at that point I just felt very, very close to God and that I'd done the right thing with my life. And I knew I wasn't going back to Vietnam. I just knew I wasn't going back.
I've found a bit of success in my career, and I'm very relieved by it, but the success that comes after a book is published is never as happy as the feeling of writing, of knowing you've written something good, of feeling like you've had a worthwhile day in the chair. That's the best feeling I know, and as soon as writing stops making me feel that way, I'll stop doing it.
I'm a civilized person who obeys the law and is pretty easy to get along with, but I'm more complicated than that. I use my work as a way to get all that other stuff out and experiment with feelings and ideas, and the forbidden. That's just part of my process, I think, to identify something forbidden. That's what lures me into wanting to do the work, write the story down.
The smile that illumines the features of beauty, When kindled by virtue, alluring appears; But smiles, tho' alluring, no magic can borrow, To vie with the softness of beauty in tears. The smiles that are sweetest are often deceiving; Too often a mask which the cold-hearted wears; But a tear is the holiest offspring of feeling, And monarchs are weak before beauty in tears.
Another big moment in terms of that feeling was David Petraeus: if the director of the CIA can't get away with having a secret relationship, then what hope do you have? It's not really an original idea, but there's something that goes along with power and celebrity that starts to make you feel like you're impervious to certain forces that the rest of us have to live with.
Look at what's happening on campuses for free speech. They're literally, literally limiting what people can say, under the guise of preventing people from getting hurt feelings. They are limiting constitutionally protected speech to save people from being offended or hurt. And so, denying people freedom is portrayed as a wonderful thing. That's how the left seduce people.
In fiction you can make up everything to create the feeling. You can manufacture a story with whatever tools you want. With nonfiction you have to rely on what actually happened to describe what you're feeling. That's hard. You have to know what will feed into the emotion you're trying to convey. And that's hard because you don't necessarily know what causes your emotions.