Quotes of All Topics . Occasions . Authors
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
There was a reason these boys were still alive, though. Something made them stronger than the other kids, the ones who had died in the early days, who had simply lain down and given up, unable to cope with the terrible things that were happening in the world. These boys were survivors. The will to live was stronger than any other feelings.
A lot of native culture has been destroyed. So you already feel lost inside your culture. And then you add up feeling lost and insignificant inside the larger culture. So you end up feeling lost squared. And to never be recognized, to never have any power, you know, other minority communities actually have a lot of economic, cultural power.
No one enjoys feeling weak, whether it is emotionally, spiritually or physically. There is something within the human spirit that wants to resist the thought of weakness. Many times this is nothing more than our human pride at work. Just as weakness carries a great potential for strength, pride carries an equally great potential for defeat.
I have very rarely written autobiographical stuff. "Greasy Lake" and some other works have some autobiographical elements, as does "Birnam Wood," the one I chose to end [this collection] with. I lived in that house and some of my feelings are expressed in it, but it's not autobiography. It was not me and that didn't happen exactly that way.
To tempt, and to be tempted, are things very nearly allied, and, in spite of the finest maxims of morality impressed upon the mind, whenever feeling has anything to do in the matter, no sooner is it excited than we have already gone vastly farther than we are aware of, and I have yet to learn how it is possible to prevent its being excited.
Usually, when you're talking about work with other writers it's because something seriously bad is going on with your work and you've absolutely thrown out a lifeline and you're hoping that someone will help you with something. Either there's some bad feeling you have about the work, or sometimes it's not specific - just kind of solidarity.
Faith is the commitment of one's consciousness to beliefs for which one has no sensory evidence or rational proof. When man rejects reason as his standard of judgement, only one alternative standard remains to him: his feelings. A mystic is a man who treats his feelings as tools of cognition. Faith is the equation of feelings with knowledge
But he found that a traveller's life is one that includes much pain amidst its enjoyments. His feelings are for ever on the stretch; and when he begins to sink into repose, he finds himself obliged to quit that on which he rests in pleasure for something new, which again engages his attention, and which also he forsakes for other novelties.
Obviously, you've spent some time in New York. I moved there and it was a bit much. It was a bit overwhelming for me. I didn't want to go out. I just felt a little homesick. I was just waiting to feel excited about something. I went through a phase of feeling kind of dull. It's really easy to shut off in New York and stay in your apartment.
But no value has been put on human life; it is given to us free and taken without being paid for. What is it worth? If you look around, at times the value may seem to be little or nothing at all. Often after you have sweated and tried and things are not better for you, there comes a feeling deep down in the soul that you are not worth much.
I just couldn't believe that it [Into the Forest script] had fallen into my lap, because I felt so incredibly connected to my character, and I understood her, and I really...I haven't had that feeling about a script since I had read Thirteen or The Wrestler when I was just like, "No one else can do this." I just feel so passionate about it.
I was always waiting for the secret to be handed down to me. Ron Howard asked me what I was waiting for and I went, "Ron, I'm waiting to know the secret. I keep feeling there's some sort of secret that's going to passed on from a director." He went, "Oh no. There is none. You've just got to on and do it and make mistakes and figure it out."
My favorite actor on the planet is Gena Rowlands and she plays women who, to me, somehow defy gender. They are women, they are feminine, they are masculine, they are everything. There's something exciting about that. I don't know how to articulate it exactly. I guess it's busting out of the archetypes a little bit and not feeling restricted.
Rather than feeling lost and unimportant and meaningless, set against galaxies which go beyond the reach of the furthest telescopes, I feel that my life has meaning. Perhaps I should feel insignificant, but instead I feel a soaring in my heart that the God who could create all this — and out of nothing — can still count the hairs of my head.
The feeling of an unbridgeable gulf between consciousness and brain-process:When does this feeling occur in the present case?It is when I (for example) turn my attention in a particular way on to my own consciousness, and, astonished, say to myself: THIS is supposed to be produced by a process in the brain!--as it were clutching my forehead.
I think that's an important part of art in general. Especially in literature, in stories, we play with eventualities that may put us through a lot of intense negative feelings - say, in horror films or tragedies as intense as King Lear - but we come out feeling richer. We've lived to the fullest, we've tested ourselves in these environments.
Your perceptions are derived from your feelings and your ability to be yourself, to own and trust yourself, and to say what you feel, even when it may be diametrically opposed to everyone eles's opinion. You may be called the Devil Incarnate. You may feel like cow pies are being thrown at you. Sometimes that is part of being true to yourself.
The major lesson Tiggers need to learn is that if they don't control their impulses, their impulses will control them. No matter how much they do, Tiggers are never satisfied because they don't know the feeling of accomplishment that eventually comes when one persistently applies one's will to the attaining of non-immediately-reachable goals.
Remember, science fiction's always been the kind of first level alert to think about things to come. It's easier for an audience to take warnings from sci-fi without feeling that we're preaching to them. Every science fiction movie I have ever seen, any one that's worth its weight in celluloid, warns us about things that ultimately come true.
I’ve never cheated on a lover. I’m faithful, always. But the war comes before anyone’s feelings. Every time.” Wow. Battle before love. Without a doubt, he was the most unromantic male she’d ever met. Even more so than her great-grandfather, who had laughingly burned her great-grandmother to death after she’d given birth to Gwen’s grandmother.
A girl must allow others to share the responsibility for care, thus enabling others to care for her. She must learn how to care inways appropriate to her age, her desires, and her needs; she then acts with authenticity. She must be allowed the freedom not to care; she then has access to a wide range of feelings and is able to care more fully.
I remember one morning getting up at dawn, there was such a sense of possibility. You know, that feeling? And I remember thinking to myself: So, this is the beginning of happiness. This is where it starts. And of course there will always be more. It never occurred to me it wasn't the beginning. It was happiness. It was the moment. Right then.
Knowing Lissa missed me hurt almost more than if she'd completely written me off. I'd never wanted to hurt her. Even when I'd resented her for feeling like she was controlling my life, I'd never hated her. I loved her like a sister and couldn't stand the thought of her suffering now on my behalf. How had things gotten so screwed up between us?
Destructive Failure: Reveals limitations and weakness, highlights your shortcomings and when not processed correctly, keeps you feeling inadequate and defective. Productive failure: Reveals limitations and weakness, highlights your erroneous thinking and when processed correctly, leads you to better options and keeps you dependent on the Lord.
We're all products of our environment, and I suspect that strength of will - the feeling, "I'm going to be able to do whatever you put in front of me" - is honed in an environment where not everything is easy. Ironically, growing up in that environment, you don't have a sense of aggrievement or entitlement. You just have a sense of overcoming.
I say further that for this great legislative body to ignore the Constitution and the fundamental concepts of our governmental system is to act in a manner which could ultimately destroy the freedom of all American citizens, including the freedoms of the very persons whose feelings and whose liberties are the major subject of this legislation.
It's the feeling that really creates the attraction, not just the picture or the thought. A lot of people think, “If I think the positive thoughts, or if I visualize having what I want, that will be enough.” But if you're doing that and still not feeling abundant, or feeling loving or joyful, then it doesn't create the power of the attraction.
When I contemplate the natural dignity of man; when I feel (for Nature has not been kind enough to me to blunt my feelings) for the honor and happiness of its character, I become irritated at the attempt to govern mankind by force and fraud, as if they were all knaves and fools, and can scarcely avoid disgust at those who are thus imposed upon.
One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.
Confession: When I went to see The Empire Strikes Back I found myself glancing at my watch. The Force is with us, indeed, and a lot of it is hot air. It's a measure of my mixed feelings about The Empire Strikes Back that I'm not at all sure that I understand the plot. The Empire Strikes Back is about as personal as a Christmas card from a bank.
You may call a jay a bird. Well, so he is, in a measure--because he's got feathers on him, and don't belong to no church, perhaps;but otherwise he is just as much a human as you be. And I'll tell you for why. A jay's gifts and instincts, and feelings, and interests, cover the whole ground. A jay hasn't got any more principle than a Congressman.
It's the same thing that happens when I turn off a really good movie - one that I've lost myself to - which is that I'll be thrown back to my own reality and something hollow will settle in my chest. Sometimes, I'll watch a movie all over again just to recapture that feeling of being inside something real. Which, I know, doesn't make any sense.
If you have a problem at that level where there is hatred, prejudice, and anger, that has nothing to do with the other person. What is wrong with you that you are feeling that way? Look at yourself. Quite often it is their upbringing or their parent's problems. You got to get free. At some point you have to take responsibility for your actions.
DESTINY is a feeling you have that you know something about yourself nobody else does. The picture you have in your own mind of what you're about WILL COME TRUE. It's a kind of a thing you kind of have to keep to your own self, because it's a fragile feeling, and you put it out there, then someone will kill it. It's best to keep that all inside.
This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl out onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
Man treats woman as his own property and not as being capable of feelings, like himself. The way man treats women is much worse than the way landlords treat servants and the high-caste treat the low-caste. These treat them so demeaningly only in situations mutually affecting them; but men treat cruelly and as slaves, from their birth till death.
The thing about 50 is that you've clearly reached a point where you have more of your life behind you than ahead of you, and that's a very different place to be in. You're thinking, 'I've done most of it.' I don't like that feeling. But it makes you evaluate your life and go, 'Am I doing what I want to do? Am I spending my time the way I want?'
It is not the feeling sure of a doctrine (be it what it may) which I call an assumption of infallibility. It is the undertaking to decide that question for others, without allowing them to hear what can be said on the contrary side. And I denounce and reprobate this pretension not the less, if put forth on the side of my most solemn convictions.
Americans and British respondents don't want to let the German people off the hook. They make the case that if you get rid of Hitler, some other leader apart from Hitler would have emerged and, because of the structural constant of German nationalism, would have exploited German national feeling and produce the same kind of events no matter what.
I just can't see either a man or a woman in a dependency position, because from this sort of relationship flows a feeling of superiority on one side and inferiority on the other, and that's a form of slow poison. As I see it, men wouldn't want somebody inferior to them unless they felt inadequate themselves. They're intimidated by a mature woman.
Why do you dream? - because there are so many desires unfulfilled, and to live with unfulfilled desires is painful. In dream you try to fulfill them; in dream you create a false feeling of fulfillment. Hence your dreams show much about you: what your desires are, what you want to become. But if you want to become anything in life, you are asleep.
A good education ought to help people to become both more receptive to and more discriminating about the world: seeing, feeling, and understanding more, yet sorting the pertinent from the irrelevant with an ever finer touch, increasingly able to integrate what they see and to make meaning of it in ways that enhance their ability to go on growing.
Even to survive and have everyone in good health now is really precious. Bands half our age don't even get that lucky sometimes. It's good to practice gratitude, as they say. I used to be so ungracious, I wasn't even aware that I should be feeling grateful! Now I actually try and put it into my daily thought: Be grateful. It's not always so easy.
You must assume the feeling of the wish fulfilled until your assumption has all the sensory vividness of reality. You must imagine that you are already experiencing what you desire. That is, you must assume the feeling of the fulfillment of your desire until you are possessed by it and this feeling crowds all other ideas out of your consciousness.
The striving for significance, this sense of yearning, always points out to us that all psychological phenomena contain a movement that starts from a feeling of inferiority and reach upward. The theory of Individual Psychology of psychological compensation states that the stronger the feeling of inferiority, the higher the goal for personal power.
I won't say he [Shakespeare] 'invented' us, because journalists perpetually misunderstand me on that. I'll put it more simply: he contains us. Our ways of thinking and feeling-about ourselves, those we love, those we hate, those we realize are hopelessly 'other' to us-are more shaped by Shakespeare than they are by the experience of our own lives.
For me, Corsica is a place that I visited with my friends, maybe five or six times over the years, and I'm so happy there that I wanted to make a painting about it almost just to share with my friends, but it's so difficult when all your feelings are one way, and they're very sort of happy and pleasant. It's impossible to make a painting about it.
When we actively relate to people as rivals or enemies, we foster the false belief that we and they stand independent of one another. The truth is that we bind ourselves to them as if by an invisible tether, and we do so by our negative thoughts and feelings." "Who we are is who we are with others. How they seem to us is a revelation of ourselves.