Quotes of All Topics . Occasions . Authors
If you're a fan of auteur filmmaking, I'd say get yourself invested in some really good TV shows.
I'm a big fan of suspense and tension filmmaking, and that was my goal with 'The Conjuring.'
My filmmaking really began with technology. It began through technology, not through telling stories, because my 8mm movie camera was the way into whatever I decided to do.
Filmmaking is exploring. Why would I want to make a film about something I already understand?
Filmmaking for me is always aiming for the imaginary movie and never achieving it.
In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film.
There's a weird intellectual approach to filmmaking, where I pose a question to myself and use the film to try and answer it.
A big part of my filmmaking is that I can go somewhere new and, visually, be excited by it.
I'm Godless. I've had to make my God, and my God is narrative filmmaking.
At any filmmaking class, you learn the power of the visual medium and are always trying to minimise the words.
I've known Venkatesh Maha since 2015 and we often discuss several things related to cinema and filmmaking.
I think there are advantages to different scales of filmmaking. You wouldn't want to do just one thing.
I've learned a great deal about a certain type of filmmaking. But I have ambitions toward another type of filmmaking that I haven't been allowed to engage in yet.
It's amazing what you can do without in terms of filmmaking when a story is really important.
That's the great thing about filmmaking: Things happen you don't know are going to happen at the end.
I like how collaborative and cult-like filmmaking is. It's really family-oriented, tribe-oriented.
Stop-motion has limitations, any form of filmmaking does, but stop-motion has a lot of limitations.
I love just about every aspect of the filmmaking except acting. I would never be able to do that, but the rest I really enjoy.
I think, at the end of the day, filmmaking is a team, but eventually there's got to be a captain.
There's a level of sophistication of filmmaking that's mind-boggling. Anything you need for your movie, there's an establishment that can make it happen really fast.
Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying.
I'd come into filmmaking as a painter so, for me, making 'Good Will Hunting' was experimental because I didn't know how to do it.
Many people don't understand that in filmmaking, if you make a fundamental mistake, everything goes wrong - but you don't realise it till the film is made.
I mean, '8 ½' to me is such a great dissertation on the whole, you know, act of filmmaking and creativity.
I'm not good at anything else. I just don't have a talent for anything other than filmmaking. Luckily, it's worked out.
It is impossible to give a performance that makes you unaware of the fact that you're watching an actor and be really involved in all aspects of filmmaking.
It's incredible to see the creativity, beauty and hardships people capture when filmmaking is opened up and shared with the world.
Although filmmaking is collaborative and involves trust, ultimately it is the director who holds the whole picture together in their head.
Filmmaking is a thousand choices a day, and it's important to just let those choices potentially be informed by something deeper.
I think the worst that can happen in filmmaking is if you're working with a storyboard. That kills all intuition, all fantasy, all creativity.
It's only been a couple of times in my life that I've really locked horns with actors. It did not hurt the films, it just hurt the moment of the filmmaking.
I love the filmmaking process. It can be loud sometimes, and people love having conference calls, so working on a book is the polar opposite. It's very relaxing.
Film brings together framing and light and color and performance and music and all of that. To me, everything I've done in my life has been preparing me for filmmaking.
Aamir Khan in a sense, was my first teacher for filmmaking. He used to answer my doubts on the sets of 'Joh Jeeta Wahi Sikander.'
I think filmmaking is largely about preparation and taste and luck. If you have all of those three things, I think you will find you can work somehow.
The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.
I love 'Bringing Up Baby.' Anything that Katharine Hepburn's in. I'm committed to the Humphrey Bogart, Cary Grant, Katharine Hepburn era of filmmaking.
I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.
Rajini sir has always been a part of my life from childhood. And I entered into filmmaking because I was influenced by his films.
To me, any kind of filmmaking that's reactive is not going to be as good as something more inventive and original.
That's the beauty of filmmaking: it's extremely humbling because you do it all over again all the time.
Our ambition is to be the center of independent animation filmmaking; to be the bravest animation studio in the world.
I'm going in a really weird I-don't-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.
I came to filmmaking because it's my passion. I decided I can't have it distorted or marred by someone else deciding what it should be.
I want to put everything I think I've learned about filmmaking and storytelling and put it to the test in other areas.
I spent about a year and a half doing technical post work on 'The Fountain'. Although I do like the process, I think my favorite part of filmmaking is the actors.
Although technology has been playing a key role in filmmaking, I feel there are plenty of opportunities in other branches of filmdom.
I think it's really important that you don't get caught up in the way the filmmaking community isolates you and the way your life ends up being.
If you take a regular animated film, that's being done by animators on computers, so the filmmaking is a fairly technical process.
I'm Godless. And so I've had to make my God, and my God is narrative filmmaking, which is -- ultimately what my God becomes, which is what my mantra becomes, is the theme.