France Quotes - Page 20

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I want to send a very strong signal to people who do think about making this journey - we will do everything we can to make sure it is not a success in the sense that I don't want people to think that if they leave a safe country like France that they can get to Britain and just get to stay.

Published in 1947, 'The Plague' has often been read as an allegory, a book that is really about the occupation of France, say, or the human condition. But it's also a very good book about plagues, and about how people react to them - a whole category of human behavior that we have forgotten.

I think I was interested in history without knowing it and that became very clear when I arrived in France. Everything that I was really interested in was there, but I knew nothing, no education, no art education, no education beyond high school. It was extremely overwhelming and it still is.

My father wanted me to go to France, U.S. or Japan to study. I told him I wouldn't go anywhere, I'd stay in Cameroon and do my music with my friends. He said that the devil was in me and called a priest to remove it. I was the only guy who didn't want to go to Europe - he thought I was crazy.

All the evils of France have been produced less by the perversity of the wicked and the violence of fools than by the hesitation of the weak, the compromises of conscience, and the tardiness of patriotism. Let every deputy, every Frenchman show what he feels, what he thinks, and we are saved!

The type of cuisine I do, especially after being on 'Iron Chef' for several years, is a lot of global cuisine. My strength has always been Mediterranean cuisine across the board from Morocco, Spain, Italy, Greece, France, but I think now I'm doing a lot of very different cuisines all the time.

The pomp, power, and military bombast of 'La Marseillaise' draws me into the history of France and my own. The surname I was born with was French: D'Orsay; perhaps an ancestor was amongst those troops that marched to this evocative anthem for the first time as they entered Paris 200 years ago!

When I was 16 I took the first opportunity I had to play basketball in a different country. I flew to Europe for the first time and found myself in the small town of Macon, in France. That was the first time I lived far away from my people, from my culture. I was young and had to adapt quickly.

After so many years, I feel more American than anything else, but I'm also Romanian and whatever other oddities of temperament I picked up elsewhere, in Transylvania or France, for instance. These days, everybody is both an exile and a resident - they don't call it the global village for nothing.

Germany's Angela Merkel exudes an atmosphere of elderly exhaustion and pooped-out pessimism. Britain's David Cameron, though by nature exuberant, feels he has to look and sound glum. And France's leader, Francois Hollande, seems determined to drive every successful businessman out of the country.

Between France and Senegal there's a history. There's a language that we both speak. There's a culture that we share and to which both of our peoples have contributed. But beyond our history, beyond our language, beyond the links that have united us for so long, what unites us today is the future.

Eventually I was saying to myself, maybe it would be better, instead of trying to become an American comedian in France, to mix those two styles and those two genres. Because of course it's good to be efficient and sharp, and to have a joke every twenty seconds, but it can be a little cold and dry.

In France, I guess there's something like a tyranny in mentalities - we accept success badly, beauty, money. People are certainly envious, and this creates negative energy. This is annoying. I suffered a great deal at one time. I had to fight harder than others. Add to that my marriage to Polanski.

Typically, highway bridges have about 50 years. But over in England, they have iron bridges approaching 250 years. In France, there are Roman aqueducts that are approaching 2,000 years old. So a bridge can last a very long time if it's built properly in the first place and then maintained properly.

Everyone says Francois Mitterrand had huge charisma. But before he was president they used to call him badly dressed, old, archaic and say he knew nothing about the economy until the day he was elected. It's called universal suffrage. When you're elected, you become the person that embodies France.

Quebec City is the most European of any city in North America; they speak French all the time. There is a part of town called Old Quebec which is really like being in France. The architecture is just gorgeous, food, shopping. I'd say Quebec City is the most beautiful city in North America I've seen.

In early 1798, the Directory, the oligarchy that was ruling revolutionary France, ordered its top general, Napoleon Bonaparte, to plan the invasion of England. Instead, Napoleon organized and carried out the invasion of Egypt, which became the first modern incursion by the West into the Middle East.

When I was a child and they burned me out of my home, I was frightened and I ran away. Eventually I ran far away. It was to a place called France. Many of you have been there, and many have not. But I must tell you, ladies and gentlemen, in that country I never feared. It was like a fairyland place.

Everyone says Francois Mitterrand had huge charisma. But before he was president they used to call him badly dressed, old, archaic and say he knew nothing about the economy... until the day he was elected. It's called universal suffrage. When you're elected, you become the person that embodies France.

How rich our German life is compared to France or England: what an abundance of social types and customs with completely different origins... Germany is a world, whereas England and France, with their stereotypically divided three social classes, are but enlarged villages... what a stage for a Balzac.

When I think of Camelot, I think of the castle in France where we film, but I think it's wrong to lock it down to one place because it's all part of our imagination. They are legends for a reason. Their stories have endured for hundreds of years and, hopefully, they will for hundreds of years to come.

I wanted to play piano in restaurants in the south of France. I went there on holiday once and I saw this guy playing in an old tuxedo. He was all disheveled, with a whisky glass on the piano. I thought that was the coolest thing. So what's happened to me with 'Twilight' isn't really what I'd planned.

'Chocolat' was a sort of statement of my own childhood, recognizing I experienced something from the end of the colonial era and the beginning of independence as I was a child that really made me aware of things I never forgot - a sort of childhood that made me different when I was a student in France.

So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.

The first play I did was a funny one called 'The School for Wives', by Moliere. We were wearing the ugliest wigs and the worst costumes you can ever imagine to try to recreate 17th-century France in Singapore. But I got my first real pay cheque from that. I was very happy taking that cheque to the bank.

How curious that such an outsize man, in physique as well as personality, should be remembered today mainly for giving his name to a small fish. For the 19th century, Bismarck was no herring but a leviathan. Between 1862 and 1890, he created Germany, seeing off first the Austrian empire and then France.

When I was first writing, I was writing mostly about sporting events, which was really what my assignments were. I was working on the Tour de France bike race and the Barcelona Olympic Games, and those songs tend to be very big, very bombastic-type music, which is the type of music that I love to write.

As CEO of Accenture, I am not French anymore. When I'm in India, I am Indian. We are a company with no physical headquarters. We operate on a virtual level. Our leadership meetings are teleconferences, which is why the Board asked me to stay on in France. And I tell others to stay in their own countries.

There is a Western world. There is America. There is Great Britain and Germany and France and Russia and China and other nations. I doubt that there is one country amongst those I mentioned which has a desire to see Iran, with its fundamentalist, Islamic, extremist government, possessing nuclear weapons.

Oceans are a family heritage, because of my great-great-grandfather, but also my father, who spearheaded different initiatives to better protect the Mediterranean. He was very instrumental in setting up the Pelagos Marine Sanctuary, which is a sanctuary for marine mammals between Italy, France and Monaco.

Every country in the world protects its economy except the E.U. We would restore economic sovereignty and decision-making to France. We would protect strategic industries, and we would protect vital areas such as the energy sector. But we would not cut ourselves from the world. There could still be trade.

I was born on September 30, 1939, in Rosheim, a small medieval city of Alsace in France. My father, Pierre Lehn, then a baker, was very interested in music, played the piano and the organ, and became, later, having given up the bakery, the organist of the city. My mother Marie kept the house and the shop.

There is no reason why the Louvre should be your favourite gallery just because it has the grandest collections in France, any more than Kew should necessarily be a favourite garden because it has the largest assemblage of plants, or Tesco your chosen shop because it has the widest variety of canned beans.

In recent years, I've begun the year by driving across France to the Alps, abandoning the January gloom for Alpine winter sun, even if the ski-goggles do give you panda marks when you get a tan. As a child, I was always a bit of a billygoat when I'd go camping with my mates in North Wales, around Snowdonia.

There's a big difference between France and the U.S. In the U.S., immigrants must work to live. In France, they're taken care of by public finances. In France, there are millions of unemployed people already. We cannot house them, give them health care, education... finance people who keep coming and coming.

For the jihadists, Muslim women who embrace Western mores, and wear tight jeans or mini skirts, are hated symbols of corruption that need to be eradicated. For the ideological mentors of Breivik, a similar disturbance comes from the burqa, which is banned in France and Belgium, partly thanks to their efforts.

I'm much better known in France and Germany and Spain than I am in the U.S. When I go to Russia, I get mobbed; I have groups of fans waiting for me out in the hotel lobby, waiting for me to come down off the elevator. In China, I almost got beat up because people were trying to get me to do a drawing for them.

People have a good image of me. It's not these tramps who are going to tarnish my image. They should stop lying to the French people. It annoys me that people talk about 'your image'. My image is great in France. When I'm abroad, I don't even talk about it. But in France it's just these people, these parasites.

For city dwellers like me who don't get to vacation in the summer, no filmmaker can so effectively make you feel like you went to France for August, fell in love, got hurt, broke up, grew up, and figured some things out - all in 90 minutes or so. My favorite of Rohmer's cinematic escapes is 'La Collectionneuse.'

A question has to be asked: if you are a genuine asylum seeker, why have you not sought asylum in the first safe country that you arrived in? Because France is not a country where anyone would argue it is not safe in any way whatsoever, and if you are genuine, then why not seek asylum in your first safe country?

Marie Curie is my hero. Few people have accomplished something so rare - changing science. And as hard as that is, she had to do it against the tide of the culture at the time - the prejudice against her as a foreigner, because she was born in Poland and worked in France. And the prejudice against her as a woman.

Even in Haiti, I saw John Wayne movies. American cinema has always been the dominant cinema throughout the world, and people tend to forget that. People aren't just seeing these films in California or Florida. They're seeing them in Haiti, in Congo, in France, in Italy and in Asia. That is the power of Hollywood.

I grew up in a little bubble of Brooklyn in France! In Stains, I was learning to speak English; I was listening to Biggie Smalls and KRS-One, and so I basically lived the life by proxy. At the same time, I had the same problems and issues they were singing about right next to me, so it was easy to identify with it.

When I was a kid, my mum had a lot of Dumas books in the house, and she's from France originally. My mother had one particular Dumas book that was a family heirloom - this old, beat-up 1938 edition of 'The Count of Monte Cristo' in French. She came to America after losing her parents in World War II as a little kid.

In France, in Europe, the young artists of any generation always act as grandsons of some great man - Poussin, for example, or Victor Hugo. They can't help it. Even if they don't believe in that, it gets in their system. And so when they come to produce something of their own, the tradition is nearly indestructible.

Everybody is going to die, so people are enthralled by the possibility that they don't have to completely die, that there is something that comes afterward. It's like if you're going to France for the summer, you're going to read up on it. Everyone just wants to know where they're going, or if they're going anywhere.

Although it is hard to see why any sensible authority would feel threatened by the peaceful expression of one's point of view, there is a long history of trying to repress subversive depictions of political figures - back in the 19th century, for example, France's King Louis Philippe was depicted as a piece of fruit.

The American movie, in part because America's a melting pot, the cultural hodgepodge that America makes, generates movies that have appeal across all international boundaries. And that's really not true for most domestic film industries. It's no longer true of France and Italy, less true than it used to be of the U.K.

WhatsApp provides phone-number-based messaging, and people asked, 'Isn't that what SMS is?' Yes, but SMS is expensive, antiquated, and what WhatsApp did was modernize and level that playing field. For example, in Europe, if France wants to talk to Belgium, it's extraordinary costly because of border and telecom charges.

Perhaps the biggest boost to the LePenization of French politics came from Nicolas Sarkozy. As president of France between 2007 and 2012, he actively courted FN voters and helped dismantle the 'Republican pact,' under which the two main parties had pledged to work together to defeat the FN at a national and local level.

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