Quotes of All Topics . Occasions . Authors
When I started 'Game of Thrones,' the first three seasons, I still DJ'd every night before I went on set. I'd finish DJing at 3 A.M. and have to be on set at 5 A.M.
Google is the enemy. I would tell that to anyone who enjoys any TV show like 'Game of Thrones' to avoid it; it spoils so many storylines.
People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
When I was first told about 'Game of Thrones,' I didn't know the books, anything. So I read the pilot, and when I got the first script, it was clear the story was about these people and families and a constant battle for power.
I certainly relate to Ygritte in the fact that she is so strong and also ruthless as well and I feel that especially within 'Game of Thrones,' I think that as a show, it is one of the frontrunners for showing dominant female characters and making sure that men answer to women rather than the other way around.
With 'Game of Thrones,' the most dominant instrument would definitely be the cello. That's something I just felt really captured the mood of the show very well.
Zack Snyder is a huge fan of 'Game of Thrones,' and I met him in the training stunt facility that I train at, and I guess he really liked me because he later called me into his office, and we talked about playing Aquaman.
The hardest part of 'Game of Thrones' is there is so much incredible talent bouncing off the walls that you'll actually miss some of them, and not getting it is very intimidating.
The thing about 'Game of Thrones' is it doesn't pin too much of a focus on magic. It kind of paints it in the same way that mystical things are portrayed in our world, because you don't walk about Westeros and see wizards with staffs or magical wands. All the characters don't really believe in it. It's this mysterious hidden vein to Westeros.
Everyone likes fantasy to get away from everyday life, but I think 'Game of Thrones' is not like fairies and unicorns. It's very relatable to everyday life. It's not too fantastic - just a little bit.
I thought 'Game of Thrones' had this challenge in filming, and it's one of those things you think, 'It can't get worse than this,' because it's really cold, and you're in pain, and it's miserable.
I'm used to being part of 'Game of Thrones' and going into something where you're a small part of something else. You don't want to hold anything up because they've got such a well-oiled machine going.
What's great about 'Game of Thrones' is they change the perspective, the POV, all the time. So you will have one story told by one character and you'll go, 'Oh my God, horrible', and then maybe the season after you have the same story told but from the person you thought was just the most horrible, vile creature.
You could argue that 'Game of Thrones' has been around longer than 'Westworld,' but honestly, either one - I don't have a side or anything - I love them both equally.
No director directs 'Game of Thrones' without reading all the episodes and knowing what's going on. All the episodes are written in advance, so you can do that, which is an important point.
I had actually sent an audition tape for Simon Pegg's movie 'Hot Fuzz,' which came to nothing. Four years after the film released, out of nowhere, I got a call saying the producers of 'Game of Thrones' wanted me to play Hodor after they had seen that particular tape.
One of the most beautiful things about 'Game of Thrones' is it's told from so many different points of view, and these characters can convince you that what they're doing is right. But they're only showing you a bit of the picture, and when you see it from another character's point of view you may switch allegiances.
What's amazing about 'Game of Thrones' is that it's set in a fantasy world; it's a fantasy story. So I always say that with the score, we're open to do whatever we want.
'Game of Thrones' is the broadest of narratives. I don't know if anyone in the U.S. has done a story on such a large scale before, both in terms of what George R.R. Martin wrote and what's on the show.
What I love about 'Game of Thrones' is that the positioning of the music is so well done, because it's not overdone. When the music cuts in, it really has something to say.
I was really, really stagnating and getting bored in the steady work of television and didn't really know what movies I would be making that Hollywood would be making, and then I went on to 'Game of Thrones,' and it was just like, everything I've been waiting to do was handed to me by really nice people.
'Game of Thrones' is one of the most groundbreaking series on TV. The fact that I get to make music every day is such a privilege, and I'm incredibly grateful to be doing so with an amazing show such as this.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
In the case of 'Game Of Thrones,' I've been to set a couple of times, and it's really exciting and inspiring for me to see the set and the actors in action, meet them and talk to them, so it definitely helps. If I can go to set, I will.
I'll say, 'I really like Daenerys,' and then I go, 'Wait, but I like the Stark theme, too, and I like the Lannister theme.' I keep jumping around. But I think that's kind of the beauty of 'Game of Thrones,' that there's so many different ones, and they're all kind of different, and they do different things.
We knew we wanted to have our own tone for the show. And then the big instrument that actually we came up with was the cello. It has a big range. It can play really low. It can play high. And it has a dark sound, and 'Game Of Thrones' is obviously - it's a dark show, and the cello became the featured instrument.