I was a great admirer of George Lucas' work.

'The Clone Wars' was rooted in George Lucas and his characters.

I didn't see 'Star Wars' in theaters until George Lucas re-tweaked it.

My agent set up a meeting with George Lucas. They were casting in England.

I think I signed my left kidney to Disney and my right kidney to George Lucas.

George Lucas puts those types of characters in for the kids. Same with Jar Jar.

I'm not a big fan of the George Lucas school of meddling and tinkering. That's a slippery slope.

I've always dreamed that George Lucas would call me one day and ask me to be in one of the 'Star Wars' films.

I have a sneaking suspicion that if there were a way to make movies without actors, George Lucas would do it.

I'm like George Lucas, bringing together a creative team that will come up with a unique, well-crafted product.

Working on the franchise and getting direction from George Lucas - it's something that I never thought would take place.

George Lucas doesn't have the most physical stamina. He was so unhappy making Star Wars that he just vowed he'd never do it again.

Just getting to meet George Lucas was pretty amazing, and then working with him and getting to be part of this process... it's a great responsibility.

You're in a profession in which absolutely everybody is telling you their opinion, which is different. That's one of the reasons George Lucas never directed again.

George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that.

If you got the DVD you can see that George Lucas has taken that person out, as well as the voice, and we shot this scene when we arrived in Australia during the actual filming of Episode 3.

Pressure, to me, was creating a 'Star Wars' film, then sitting alone in a theater with George Lucas and showing it to him, the guy that created the word 'Wookiee' and R2-D2. That was pressure.

George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!

I guess I feel like it's a gift to meet those talented artists like George Lucas and Oliver Stone, Spike Lee and Richard Kelly. Even if it's a small role, it's a gift to be working that closely with them.

Perhaps the most significant thing George Lucas did in creating 'Star Wars' was to fictionalize the Tao - to spark a universe where we can talk about the Force in objective terms and show it in direct action.

I think why people relate to 'Star Wars' is George Lucas is so brilliant at telling these stories that we relate to, but in such a fantastic environment with fantastic characters and things you want to believe in this story.

I got a call saying that George Lucas wanted to meet me. Of all the phone calls I've received - Oliver Stone wants to meet you; Spike Lee wants to meet you - that was the one call I never in a million years thought was going to happen.

I think that George Lucas' 'Star Wars' films are fantastic. What he's done, which I admire, is he has taken all the money and profit from those films and poured it into developing digital sound and surround sound, which we are using today.

I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.

That aesthetic of the Star Wars universe: the do-it-yourself, hotrod ethic that George Lucas exported from his childhood, is exactly the same kind of soul behind what we do and build for the show. It may not look pretty, but it gets the job done.

I'm no actor. And I wasn't like George Lucas or Spielberg, making home movies as a teenager, either. But I would go back and watch certain movies again and again. By the time I saw 'The Graduate' I was aware of how these amazing stories could be told.

I mean listen, ultimately I'm positive George Lucas was inspired by 'Dune' when he made 'Star Wars.' I don't know if that's sacrilegious to talk about, but there are a lot of similarities in some areas, so you could tell he was definitely influenced by that.

Way back at the beginning, I went to see George Lucas when he first came to London for 'Star Wars.' I met him months before they started, and he didn't ask me to do the picture at all. But the actor whom he had employed to play Wedge didn't work out for some reason.

The movie I've seen a million times - wait, that's not possible - my favorite movie of all times is 'The Empire Strikes Back,' directed by Irvin Kershner, executive-produced by the great George Lucas and stars Harrison Ford, Mark Hamill, Carrie Fisher, Billy Dee Williams, James Earl Jones.

My best advice came by examples. A supportive environment at home, school, and grad school. Support at the New York Institute of Technology, then George Lucas, Steve Jobs, and Bob Iger. The examples meant that I should support other people, even when things aren't going well. It will pay off.

I forget who said it, but there's that saying: 'Films are never finished, they're abandoned.' There's always something you think you can improve on, but I don't think you should try. George Lucas started doing it, and didn't stop. You can tinker indefinitely, and it doesn't necessarily make it better.

Jim Henson once allowed me to visit the Muppets on set and spent an entire day showing me how he and the other puppeteers performed Kermit and all the characters! After that, I was lucky enough to work with both George Lucas and Steven Spielberg on many fun animation projects and learned so much from them.

At the time that George Lucas made the first 'Star Wars,' space was always presented as pristine. And he wanted to show that they may be fabulous vehicles, but they've been driven some miles. And, without anyone thinking about it or thinking that was going to help make it a pop hit, everybody believed in that world, because it looked inhabited.

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