Quotes of All Topics . Occasions . Authors
Harmonies are nice.
My harmonies on 'Me & My Dog' are a little extra.
Destiny's Child's harmonies remind me of Earth, Wind & Fire.
I don't dictate the solos and I don't dictate the vocal harmonies.
A jazz musician is a juggler who uses harmonies instead of oranges.
Coming from bluegrass background, I totally understand family harmonies.
I like to be surrounded by harmonies and fullness and richness and vitality.
Putting beauty in your life can be an amazing therapy. I love harmonies and a good melody.
I would listen to something on the radio and try to tap out the melody, then the harmonies.
I often use the same harmonies as pop music because the complexity of what I do is elsewhere.
I think I have a sound or a certain feel in certain harmonies in the way I construct melodies.
You can't understand the words of Cocteau Twins songs, but their harmonies put you in a dreamlike state.
We've recorded over our voices once and double the harmonies, make them thick. The Four Freshmen do that.
For some reason, my voice doesn't age. I can still hit those high harmonies just like I did back in the day.
I love a band that has a banjo, that does group harmonies and yells out the word 'Hey' or 'Woo.' I live for it.
I was in a church choir early on and that really helped me musically in terms of chops, learning how to sing harmonies.
I do some three-part harmonies on 'Throes of Rejection' and 'Hard Lines, Sunken Cheeks,' but I didn't go overboard with it.
Growing up, it was just me and my mom, so we would play games where we'd listen to the radio and sing harmonies to each other.
I was obsessed with harmonies and how to put songs together in lush soundscapes. But I don't know what it was all about, really.
If it's a heartbreak-related stress, I like to listen to Lauryn Hill's 'Forgive Them Father' the most, especially the harmonies.
My brother Carl taught me how to play bass. I'm a self-taught keyboard player, though - I figured out our harmonies at the piano.
My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
Something we're really known for is our signature harmonies, our great melodies - stuff that just makes you feel something and moves you.
I like The Four Freshmen, anything with good harmonies, some Beach Boys. I like the girl groups as well, like The Dixie Cups and all that.
I tend to like the traditional sound: three-part harmonies, guitar, and piano. I mean, a well-played guitar is a joy forever... or something.
I love power. But it is as an artist that I love it. I love it as a musician loves his violin, to draw out its sounds and chords and harmonies.
I have been a harmony enthusiast since I was a child, singing in choir and with friends growing up. I always put a ton of harmonies on my demos.
I had this big thing about guitar harmonies. I wanted to be the first to put proper three-part harmonies onto a record. That was an achievement.
The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
I've always thought it was easier for girls to sing harmonies because their voices can go to that higher plane so much more easy than a male voice.
I have a fascination for well-produced '70s and '80s rock with a lot of harmonies. AOR bands like Journey, Jefferson Starship, Toto, Kansas, Boston.
Our music is an answer to the early Seventies when artsy people with big egos would do vocal harmonies and play long guitar solos and get called geniuses.
Sometimes, after I finish the lyrics and have all the melodies and harmonies and the pop and vocal, I'll be like, 'I have to keep it. I love it too much.'
Fear is one of those really primal emotions which you don't want to have incredibly exciting modulations and complex harmonies and all that kind of stuff.
The track 'Open Eye Signal,' when you hear that choir sound come in, that's actually me singing but sped up and with huge reverb and overlayered harmonies.
My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come.
I've been singing since I could talk, pretty much. My dad was really musical and taught me how to sing harmonies and got me a karaoke machine with tape decks.
I always layer my vocals a lot. I sing a minimum of three layers of the same line every time, and then it's always one or two or sometimes even more harmonies.
I consider myself a jazz singer. I think I stick to the roots of improvisation, singing in front of the beat, behind the beat, playing with notes and harmonies.
The Raspberries was formed as kind of a reaction to prog rock, which we didn't like. 'Let's bring some songwriting and harmonies back to music' And we did that.
I'm trying to play tunes in a new way, using all the same scales, harmonies, structures, but twist everything a little bit so that it comes out sounding different.
When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies.
I have an understanding of Queen and the way Freddie Mercury did his harmonies. I know what tablas sound like, because my father played a lot of Ustad Ali Akbar Khan.
There's music to dance to and make love to, music to cry to. I'm starting from scratch, coming fresh. But my sound still embodies the same soulful, intricate harmonies.
Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies and a disciplined but intense rhythmic concept, and interesting harmonies.
A song like 'Loyal To Me,' for example, I originally wrote that for a girl band in mind, that's why it has so many harmonies and it's got that sort of '90s/R&B feel to it.
I was a fan of the group. I thought they were great - loved The Eagles - but I thought that their beautiful harmonies would sound amazing with some rock guitar behind them.
That's one of the things I like best about folk music is the beautiful melodies - and the harmonies - that exist in it. And of course, some of the stories, the story songs.
I was three or four, and my mother would have a Bing Crosby record playing through the house. It was my introduction to jazz, harmonies, melodies, musicianship, and emotion.