I was doing this really wacky sketch comedy but at the same time writing these dark, cerebral plays about characters coming to grips with their loneliness and heartbreak. My dream job has always been a way to combine the two. I would say 'BoJack Horseman' is the culmination of all of that.

There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.

Many immigrants do not talk about what they endured back home. They were fleeing that world, and when they left they didn't want to talk about it because there had been pain and heartbreak under the caste system of the South. They didn't want to burden their children with what they had endured.

We recognise that, like us, other humans have insecurities and ambitions; we fall in love and have relationships that end in heartbreak; we worry about our children's wellbeing; we say things we regret; we're occasionally kept awake by fears or worries; and we try to impress people we look up to.

I've never been interested in diarising my life through song. So much stuff has been done before. So many people have brilliantly articulated the pain of heartbreak or the joy of love or whatever. Those elements exist in our music, but I guess I strive to write about unconventional things instead.

Don't get me wrong: I wouldn't wish it on anyone. Even the word 'cancer' brings back the nausea and pain, the fear I felt, and the heartbreak I saw in my parents' faces. The smells that fill hospitals and the constant tired feeling that comes with treatment are also permanently stuck in my memory.

There are more than 300,000 families in the Gulf region that lost their homes and are waiting for peace of mind. The hurricane exposed the sad reality of poverty in America. We saw, in all its horrific detail, the vulnerabilities of living in inadequate housing and the heartbreak of losing one's home.

I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together.

I'm really good at making teen angst romantic. I'm really good at dealing with heartbreak and things like that and making it into this whole experience. But there's no way to make someone-on-the-Internet-said-something-mean-about-me into romantic angst where you can listen to music and cry or whatever.

Lesley Gore's part-time field was pop singer, and in her brief but urgent prime, she was the Queen of Teen Angst. She endured heartbreak as a birthday girl betrayed by her beau in 'It's My Party,' savored revenge in the sequel 'Judy's Turn to Cry' and belted the proto-feminist anthem 'You Don't Own Me.'

Do you think, because I am poor, obscure, plain and little, I am soulless and heartless? You think wrong! - I have as much soul as you, - and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you!

One day I am at home, watching dramatic images of Iraqi Yazidis fleeing for their lives being aired nonstop on 24-hour news channels. Days later, I am there, staring at tens of thousands of displaced Iraqis and feeling a 35-millimeter frame cannot capture the scope of devastation and heartbreak before me.

What ultimately makes 'The Wire' uplifting amid the heartbreak it conveys is its embodiment of a spirit that Barack Obama calls 'the audacity of hope.' It is filled with characters who should quit but don't, not only the boys themselves but teachers, cops, ex-cops, and ex-cons who lose their hearts to them.

When you're in the middle of it, when you're a kid growing up, you don't think, 'This is my first heartbreak.' You just think, 'My heart is broken.' But then as a parent, you look back, and you see your child go through his or her first heartbreak, and you're realizing, 'Oh my God, this is her first heartbreak.'

every healthy marriage is composed of walls and windows. The windows are the aspects of your relationship that are open to the world—that is, the necessary gaps through which you interact with family and friends; the walls are the barriers of trust behind which you guard the most intimatesecrets of your marriage.

I actually don't pay a lot of attention to the movie 'industry'... I just do the work when I get it. I never considered anything I was in, or did, as a possible breakthrough for me. I have advised other actors not to expect anything. Expecting a 'breakthrough' is almost an automatic for sure 'let down' or heartbreak.

The feeling of loving her and being loved by her welled up in him, and he could taste the adrenaline in the back of his throat, and maybe it wasn't over, and maybe he could feel her hand in his again and hear her loud, brash voice contort itself into a whisper to say I-love-you as if it were a secret, and an immense one.

Gentle reader, may you never feel what I then felt! May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers so hopeless and so agised as in that hour left my lips: for never may you, like me, dread to be the instrument of evil to what you wholly love.

Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craining their necks. Everybody has marks on their bodies from years of living- a trail of life left on them. Evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they are.

Most people in the Western world grow up with the received wisdom that Mozart was a genius. But few people necessarily know why. More than anyone else, he captured this something which is the human condition, the fine line that we all constantly dance between joy and pain, between absolute happiness and absolute heartbreak.

As a young woman, I experienced high school and heartbreak, and the music I started to write was a little bit more poetic, and more inspired by spoken word. The real raw emotional things that sit in the back of our minds, that you were afraid to say? That's how I started to write my music. And that's how 'H.E.R. Volume One' came about.

I call myself the hardware shelf. There's a lot of awards and honors there. And I have earned that. I didn't ask for it, I didn't beg for it, I didn't pay for it. I earned that. People see the accomplishments - but it's good to remind people that so much strife and labor and tears and heartbreak came before that, that it really is earned.

I definitely shut down sometimes. I always just go into my own little cocoon and write, and I surround myself with as much music as possible. The last girlfriend I had, when we broke up, I remember being in a room for days on days on days with my music cranked up, playing songs like Kanye's '808's & Heartbreak.' That playlist just was long!

Deep grief sometimes is almost like a specific location, a coordinate on a map of time. When you are standing in that forest of sorrow, you cannot imagine that you could ever find your way to a better place. But if someone can assure you that they themselves have stood in that same place, and now have moved on, sometimes this will bring hope

You loved me-then what right had you to leave me? What right-answer me-for the poor fancy you felt for Linton? Because misery and degradation, and death, and nothing that God or Satan could inflict would have parted us, you, of your own will, did it. I have not broken your heart- you have broken it; and in breaking it, you have broken mine." ~Heathcliff

This was something she would keep hidden within herself, maybe in place of the knot of pain and anger she had been carrying under her breastbone...a security blanket, an ace up her sleeve. She might never use it, but she would always feel its presence like a swelling secret stone, and that way when she let go of the rage, she would not feel nearly as empty.

I think the thing that I have learned is that a bad love experience is no reason to fear a new love experience, but you have to be very honest at every single stage with the person about how you've been hurt, and hopefully they will be supportive about whatever it is that you have to go through. Everybody has bad relationships and, at the end of the day, they are just a great way to set yourself up for a good relationship.

No one who has ever known what it is to lose faith in a fellow-man whom he has profoundly loved and reverenced, will lightly say that the shock can leave the faith in the Invisible Goodness unshaken. With the sinking of high human trust, the dignity of life sinks too; we cease to believe in our own better self, since that also is part of the common nature which is degraded in our thought; and all the finer impulses of the soul are dulled.

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