I make hit records. I make hit records to motivate the people.

I don't believe in the philosophy of stumbling across hit records.

In the beginning, I wanted to be successful. I wanted to make and have hit records.

It's a pleasure playing your big hit records and it's a real joy to see the audience.

I just want to keep saturating the market and radio with as many hit records as I can.

Hit records create slang, and if you create slang, you get into a broader conversation level.

Every country I've had different hit records, so we have to change the set to fit the country.

I want to be an artist, not be in the business of making hit records. Once I figured that out, everything became clear.

In the beginning, I wanted to be successful. I wanted to make and have hit records. And I wanted everything that went along with it.

I wanted to travel. I wanted hit records. I wanted success. I wanted respect, but not credibility - that's one thing Boyzone never looked for.

People didn't know I played guitar on all the hit records I had. I've never been in an acoustic guitar magazine and I'd put myself up against anybody.

I want to have hit records, but I'm not searching to say, 'All right, I need this to be in the club. I need this, that.' I'm just making quality music.

I've just been fortunate to havehad a lot of hit records, though Human Wheels doesn't qualify as a hit record-but it's really the best single I've ever had.

You see so many musicians come and go. For me, it's really about the longevity in the music industry. It's not all about having a lot of hit records at one time.

Fame came quickly. I was only 19 when I secured my initial recording contract and my first two hit records - 'Are 'Friends' Electric?' and 'Cars' - were number ones.

As long as you're giving up quality records and you're makin' hit records, people are always gonna want to hear a hit, and they'll always want to be attached to something that's doin' great.

A lot of people do records, and they get hit records, but we were blessed with a lot of monsters. 'Oh Carolina' was a very monstrous record in 1993; so was 'Boombastic,' 'Angel' and 'It Wasn't Me.'

The music industry is a strange combination of having real and intangible assets: pop bands are brand names in themselves, and at a given stage in their careers their name alone can practically gaurantee hit records.

People are always coming up to me, thinking I've got some magic wand that can make them a star and I want to tell them that no one can do that. Making hit records is not that easy. But it took me time to realize that myself.

The great thing was that both K-Ci and JoJo told me to not make an R&B track that was reminiscent of radio hit records. 'Make a Gang Starr track and we'll write our lyrics to that,' they told me. They couldn't stress it enough.

If you're an artist, and you put out a record - most artists only have one or two hit records - that has 100 million streams, on certain services you only get paid on 75% of those streams. How's an artist going to live like that?

Man, we were so opposite. One guy sang high, the other low. One guy tall, one short. We were like a quartet without the two guys in the middle. If you were putting two guys together to make hit records, you wouldn't have picked Bobby and me.

Even though there's no forum for me on the radio for the kind of music I sing anymore, I am still excited about having a career where I can sing the best music in the world, and people will come and hear me because of the hit records I've had in the past.

The Righteous Brothers got so heavy because of the dramatic hit records like 'Lovin' Feelin.' Bobby and I just felt like we were a couple of Orange County guys who were just having a great time singing rock n' roll, and then, boy, it became something else.

In pop music, the public usually see the results - the hit records, the Grammy Awards performances, the concert tours - but not all the work that goes into getting into the spotlight. And not everyone realizes that, even if you have a lot of talent, chances are you won't make it.

In the '80s, it was difficult and frustrating to appear in the theater and TV again, even though I had some successful shows and hit records. Now, I have to say, the '90s are the best decade of my life. I've done the best work and, in a funny way, I'm enjoying the most success... more than in the '70s.

I always say this to people: 'If Shaq can be in the NBA for 19 years and dominate for 19 years using his body, why can't I be in the music industry for 50 years using my brain when my brain is way stronger than anyone's body?' I have to have a successful record company, more hit records. I want to dominate the game.

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