Quotes of All Topics . Occasions . Authors
My mother always wanted to play an instrument. Her parents never gave her that. Then it got to a point where I'd been playing for 18 years, and to give it up would make me feel guilty. But my parents also knew that realistically, I wasn't going to become a concert pianist.
The cello is such a versatile instrument. It can rock like the hardest rock guitar, and it can sing like the human voice. We couldn't do what we do without the classical training. It's a hard instrument to play. There are no frets, and it takes finesse and technique to play.
It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.
I think body-image issues are not just a dancer thing. I think we're much more in tune and aware because the body is our instrument and art, and we stare at ourselves in a mirror all day, but I feel like it's something that every woman experiences and every girl experiences.
As for reputation, though it be a glorious instrument of advancing our Master's service, yet there is a better than that: a clean heart, a single eye, and a soul full of God. A fair exchange if, by the loss of reputation, we can purchase the lowest degree of purity of heart.
The main thing is the ability to control your instrument, which, in the actor, is yourself. Look the way you want the character to look. Sound the way you want the character to sound. Once you've trained the instrument to do what you want, you're in control, and you're free.
When I was about 9, my brother, who's six years older than me, started getting guitar lessons, and I wouldn't say that it inspired me to pick up an instrument: it was more me being like, 'Well, if he's getting guitar lessons, then so am I. I'm not missing out,' type of thing.
I conceived of an instrument that would create sound without using any mechanical energy, like the conductor of an orchestra. The orchestra plays mechanically, using mechanical energy; the conductor just moves his hands, and his movements have an effect on the music artistry.
I'm not a virtuoso on an instrument. You know, I'm not always singing in pitch. I laugh sometimes my way through the shows, but I'm an honest songwriter who's always tried to bring the audience with me on my journey in hopes that they see their own lives reflected in the work.
What's great about acting is that there's never a moment when you're like, 'OK, I got this, I understand this.' You're portraying life, and it's a craft that only gets better with time - kind of like playing a musical instrument: the more you get to play it, the better you are.
When you're acting on camera, you don't really think of your voice. You think of the whole instrument - your body, your look, and whatever you have to do. But when you're doing the voiceover, you're thinking only of your voice. You really can't compare the two different mediums.
My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.
When I go back to seek inspiration - whether it be from Chuck Berry, Howlin' Wolf, the Beatles, Hank Williams, Ray Charles or Bob Dylan - it's from the performance. Those artists are in the studio playing their instrument and singing. There's no going back and redoing the vocals.
Basically, if you work hard and practice an instrument every day, you'll learn how to play like a professional. You'll get better and better each day. And that's how it works for me. I wasn't magically inclined to play. I had to keep practicing and practicing to train my fingers.
The thing that drives me crazy is when comics say 'I have low self-esteem.' No you don't. You're standing on stage asking people to pay. You don't play an instrument. You want people to pay to hear what's in your mind. You don't have low self-esteem. You might have other problems.
When I work with actors, we try to tune the instrument so that you can feel things and allow those emotions to wash through you. You allow the fear to happen, and then you react and you listen without trying to get too absorbed into the actual end mark that you're supposed to hit.
Finding a 'sacrificial lamb' on whom to tag blame for complicated problems is an important instrument in the toolkit of politicians, because it deflects blame for the nation's economic woes away from their own regulatory lapses, economic mismanagement and coddling to labor unions.
I had this instrument that I built in high school. It was a huge, six-foot-long stringed instrument, and I started playing with that amplified and singing through power electronic stuff. I played those shows, and it would blow the lid off of everybody, and everybody would flip out.
The police force has repeatedly demonstrated an inability and unwillingness to carry out its fundamental mandate: to serve and protect the people of Hong Kong. It has been reduced to a mere instrument of repression subservient to the political agenda of Beijing's regime in Hong Kong.
Harmonics are vibrations a fraction of the length of the vibrating string, which add higher-pitched and more complex content to the notes. With a dull instrument, the harmonics die out, but with a sustaining instrument, the harmonics continue to sound along with the fundamental note.
Growing up, I didn't come from a musical family. Neither of my parents played an instrument, sang out loud, or listened to the radio with frequency. The record collection in the living room was only about 2 feet long - and that included 4 solid inches of Neil Diamond and Herb Alpert.
Isn't the purpose of bitcoin mining simply to get rich - or not, as the case may be? Well, at 21, we are less concerned with bitcoin as a financial instrument and more interested in bitcoin as a protocol - and particularly in the industrial uses of bitcoin enabled by embedded mining.
The Les Paul was more challenging because of the weight of it, but the tone was there that the Fender will never have and vice versa. So you have to make a decision as to what you're going to have as your main instrument. After seeing Hendrix, I thought, 'I'll stick with the 'Strat.'
I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
Interreligious dialogue is extremely important for religious people as well as secular people or non-believers. They should participate, and they should be encouraged to have interreligious dialogue, because dialogue is a channel or an instrument to promote intimacy between individual.
Our dad was always like, 'Look, if you're musical, if you live and breathe music and want to play an instrument, that's not something that's on me to put on you. If you're passionate, you will come to my studio every day after school and watch me work because you can't live without it.
I took vocal lessons for the first time and actually learned a lot about using my voice as an instrument as opposed to just doing what I've always done and going by feeling. I'm still doing that, but I've learned a lot of tricks and how to manipulate and play with my voice a little bit.
I was put through piano lessons when I was a kid. I say 'put through' because it was fun and I loved it, and it's been beneficial now, but it was difficult because, although I can read music, I much prefer just playing and improvising and at least finding my own way to play an instrument.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
You don't know what inspires you. You like to think you know what inspires you, but in the final analysis I don't think you really do. It's great to look at a blank sheet of paper, you know, and walk up to an instrument and not know what's gonna happen. It's the most challenging thing I do.
My father was an amateur oil painter, so some of his oil paintings were on our walls. There was one above the piano of a famous Ukrainian poet, Taras Shevchenko, playing an instrument known as a bandura. I remember that one kind of resonated with me; it was always central in the living room.
In the years leading up to the wars in Afghanistan and Iraq, thinking about defense was driven by ideas that regarded successful military operations as ends in themselves rather than just one instrument of power that must be coordinated with others to achieve - and sustain - political goals.
I've been musically inclined since I picked up an instrument in the fourth grade. I just really appreciate music. I love to listen to it; I love to sing. I wouldn't consider myself, like, a natural singer. I just developed it over time, honestly, just listening. I'm a great listener to music.
I think about everything first. I think about the scenario: the story and the characters, what I'm trying to say and I'll think about that for a couple of days until it's all locked in and then when I get to an instrument it'll just fall out. But the song's kind of all ready there in my head.
Well, you know, the original banjos were all handmade instruments. Gourd - it would be made with gourds and whatever, you know, materials would have been around. And, you know, first hundred years of its existence, the banjo's known as a plantation instrument, as a black instrument, you know?
I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.
We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.
Since its founding, Brooks Instrument has been producing devices that measure and control the flow rate of fluids used in manufacturing processes. And for all those years, the company has relied on the standard marketing package for its sector: earnest, information-crammed manuals and brochures.
One of the reasons why I went to the Yale School of Drama is because I felt that I was acting off of instinct, but sometimes that is not reliable. When you're not feeling it, what do you do? So, going to grad school was about getting the tools to just use my instrument to the best of my ability.
What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
After my second-to-last record, 'The Greatest', I had gone on tour for a while, and I didn't play an instrument for about five years. And I got kind of - it's not self-esteem or whatever, or anger toward myself - but disappointed in myself that I hadn't been challenging myself to learn musically.
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
I got my first instrument for Christmas when I was three or four years old. My parents got me a mandolin because it was the only instrument that would fit me because I was so small. I went straight from that into the drums when I was six, and then I started playing guitar when I was seven or eight.
There are only so many letters in the alphabet. When I talk to young musicians or authors and they ask for advice, I say, 'You gotta learn all the letters of your own personal alphabet. With music, you need to know all the different kinds of music and everything in and around your given instrument.'
If there's any object in human experience that's a precedent for what a computer should be like, it's a musical instrument: a device where you can explore a huge range of possibilities through an interface that connects your mind and your body, allowing you to be emotionally authentic and expressive.
I never really trained to be a musician, but I've been playing guitar since I was around, like, 13 years old. For me, the guitar has always been the instrument that I've played. I play a little piano. I taught myself everything by ear. I don't read music at all, which has not really been a hindrance.
Before Liszt, a conductor was someone who just facilitated the performance, who would keep people together or beat the time, indicate the entries. After Liszt, that was no longer the case; a conductor was someone who shaped the music in an intense musical way, who played the orchestra as an instrument.
For my Ph.D. thesis, I was measuring the electrical activity that triggers light emission from a bioluminescent dinoflagellate. As I was nearing the completion of my degree, my major professor wrote a grant for an instrument for measuring the color of very dim light flashes from bioluminescent animals.
The Internet was supposed to be the greatest tool of global communications and means of sharing knowledge in human history. And it is. But it has also become the most effective instrument of mass surveillance and potentially one of the greatest instruments of totalitarianism in the history of the world.