Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.

The nations of Europe constitute a federative league, a commonwealth of nations which, though it has no central head, is so intimate and elaborate as to subject the action, and sometimes even the internal affairs, of each to surveillance and intervention on the part of all the others.

That was one of the amazing things about Doctor Who. Considering it is such an enormous charabanc, a centerpiece of international TV, it feels incredibly small when you are actually involved in it. It is very intimate, very small; it feels like a few people messing about with a camera.

For me personally, I was just worried that transitioning from a podcast, which is a very intimate sort of experience - people tell me they listen to my podcast while they're at the gym or on road trips, so you're in someone's ear - to being on television - that's a lot of space to fill.

When you're on stage singing, you're naked. Your voice is something very intimate, and that's why I'm scared every time before I perform. It doesn't matter if I'm singing for a king or a queen or the Pope, it's enough to be in front of anybody. I suffer, but I can't do anything about it.

I have done a lot of short dramas that are three, four or five episodes and so that makes the filming process similar to the independent film process; it is very intimate, and it is a small cast and a small crew and everyone is there with a common goal and want the best for that project.

To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives, so that I am essentially telling an entire story and not just a single one.

To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives so that I am essentially telling an entire story and not just a single image.

The live events are more interactive for the fans. With TV, you have the cameras there, commercial breaks where the fans can tell there's a down moment. At the live events, it's non-stop. We get to play with the audience; the crowd gets to get involved a little more. It's a very intimate feel.

I do have my own personal convictions and values, and I live by those. But as an artist, as a portrait photographer, my job is to tell the truth and to capture someone's spirit on a certain day. And it's never the whole truth; it's the truth I experience in a very intense and intimate fashion.

I'm not this big Hollywood mainstream actress, but who cares? I think I just have a certain sensibility for smaller projects. I like intimate things. I think I do well in that kind of environment. That doesn't mean that I wouldn't love to do bigger projects. I feel everyone has their own journey.

I loathe my name because it is mine and also because it is not mine; it is at once too intimate and seems to have no connection with me. Perhaps because the name is quite common, it never seems to fit me, or fit me alone. Nevertheless, when I see the name, I always feel a peculiar sense of shame.

E-mail is a whole new way of being friends with people: intimate but not, chatty but not, communicative but not; in short, friends but not. What a breakthrough. How did we ever live without it? I have more to say on this subject, but I have to answer an instant message from someone I almost know.

For us, it is all about breaking the boundaries between different genres of music and combining different styles of music and performing what we are passionate about. We are so lucky that we can experience both worlds: the more intimate classical world and the wild and crazy world of rock n' roll.

Marriage is all about knowing the ins and outs and the intimate details, and your wife is supposed to be the person you know best. But my brother and I think alike, know everything about one another, and when we get together, we block everything else out. Nothing exists in our world except for us.

White, older showrunners told me, 'Why do you want to hire an all-Latinx writers room? Hire who's best for the show - don't get caught up in that.' And I was like, 'No.' For such an intimate show about the details of a culture? You can't fake that. The room needs to reflect the makeup of the show.

To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.

To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.

I'm fascinated by adult women who don't have close friends and how that could come to be. I think when you're a kid, the relationships are so intimate, and you're so connected to your girls, so what becomes of them? What could possibly happen to have you become an adult woman and no longer have that?

Traveling as much as I do, I get lonely sometimes. I have friends now in cities all over the world, so I get to be social, but it's hard to have the deep meaningful relationships, especially an intimate one. With my guy friends, I can show up once a month and go to dinner with them and they're happy.

My interest in Princess Margaret comes through Vanessa Kirby's brilliant portrayal of her in 'The Crown.' Rather than do the classic story from beginning to end, this book gives you many different glimpses. You get a much more intimate sense of the person through little incidents, stories, and gossip.

Most of us yearn for really intimate, healthy, in-person relationships. People have a deep desire to be understood, to be told that it's OK, that you're not isolated and broken, that this is part of the human challenge, and that there is hope. The capacity for online interactions to do that is powerful.

I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.

My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters.

I think of myself as living so much outside borders or old categories that I choose as my leaders U2, the Dalai Lama, Vaclav Havel, Sigur Ros, Desmond Tutu, Barack Obama, and the girl next door. By definition, in short, my leaders are the ones who think in terms larger, and more intimate, than any country.

Because I've been so blessed with a background in nursing and spent so much time with patients at a really intimate, vulnerable time in their lives, the one lesson I've learned is that you never turn down a challenge where you can keep your creative integrity and your heart and soul and your sense of self.

Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.

I know friends who have this sort of incredibly intimate relationship with their sibling. And I don't get it: it wasn't like that in my family. In some ways, I'm envious, because they have someone that's so completely in their corner. And at the same time, I imagine it may at times feel like it's stunting.

Designing is a matter of concentration. You go deep into what you want to do. It's about intensive research, really. The concentration is warm and intimate and like the fire inside the earth - intense but not distorted. You can go to a place, really feel it in your heart. It's actually a beautiful feeling.

I really like people who have the gift of the gab. I like characters that are very eloquent, articulate and confident in what they're saying. Especially coming off 'Captain America,' who's very internal and intimate, I'd love to play someone who wears their emotions on their sleeves, potentially to a fault.

A man and a woman may become quite intimate in a quarter of an hour. Almost certainly will they endeavour to explain themselves to each other before many minutes have elapsed; but a man and a man will not do this, and even less so will a woman and a woman, for these are parallel lines which will never meet.

I'm not sure of what the potential power of the Web is, but it is something that is here to stay, so it needs to be dealt with...It's kinda cool, though, for the fans ... because it makes what is basically a huge worldwide venue into an intimate one-on-one. I don't know of many concert halls that can do that.

So you can have your program, but you also have to be ready to change it immediately because there are certain kinds of people who like certain kinds of songs and they like - some people want to dance when you come out, some people just want to be intimate with you. So you kind of feel your way through a show.

I include myself in the posters because I feel like it forms a more intimate relationship between the artist and the person passing by. And it's important to include some vulnerability and use fears and rejections and various aspects from my own life so people look at my work as more than greeting card fodder.

In my deepest, darkest moments, what really got me through was a prayer. Sometimes my prayer was 'Help me.' Sometimes a prayer was 'Thank you.' What I've discovered is that intimate connection and communication with my creator will always get me through because I know my support, my help, is just a prayer away.

From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.

The Gospel of Judas really has been a surprise in many ways. For one thing, there's no other text that suggests that Judas Iscariot was an intimate, trusted disciple, one to whom Jesus revealed the secrets of the kingdom, and that conversely, the other disciples were misunderstanding what he meant by the gospel.

If I hear about a tsunami that hit Asia, hundreds of people have lost their lives, and you see it and you hear about it, but you still brush your teeth, still have to go on with your day. But let you get information about one person who you're close to or you're intimate with, it has an almost paralyzing effect.

Karaoke was my family's happy secret. In those early years in America, like many immigrants, my parents struggled with poverty and loneliness, but they also built provisional families, and inside our bubble there was joy, understanding, an intimate language I could never translate - and above all there was song.

I really, really liked shooting and doing the scene with Emilia Clarke and Peter Dinklage at the end of 'Winds of Winter,' when she gives him the Hand of the Queen. Because we shot it very simply. We felt like we had managed to do something that was visual but really was a very intimate scene between two people.

We are surrounded by people with accents because America is a nation of immigrants. Beyond that, the people who made your iPhone and the shirt on your back are probably Asians, and we're really not that disconnected from each other; we have very intimate relationships with the world, whether or not we realize it.

I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.

A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations. As you become more famous, people come and expect to hear something extraordinary, so you don't want to disappoint them. I feel this sense of responsibility.

Being on film is forever. Television, as well, just lives on and on and on, which is really exciting. But then with theater, it's like an experience. You have to be there that one special night that was like that to see that one performance that was really remarkable. It's more intimate as well. So I like them both.

I think one of the things that started to hinder Baldwin as an artist later on was that he became really aware of power, so he wanted it, too. But if you look at the work before that, before 'The Fire Next Time' put him on the cover of 'Time Magazine,' it was much more intimate and a much more internal conversation.

Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.

Reviewers try to square the antics of a writer's life with the antics in the fiction. Even satirical verbal play is too often read and admired as autobiographical expression. And thanks to the democratic exposures of the web, it's easier than ever to document private experiences and divulge the most intimate secrets.

The grief of losing my father has come in waves over the years, as it does with most people. His love and devotion as a father provided my closest, most intimate relationship. Dad, and our time together, is in my bones. While reflecting on him, the memories themselves seem to boil down into certain 'essences of Dad.'

My writing flows out of my doctorhood. They are not separate things. They are one. I think the foremost connection between being a doctor and being a writer is the great privilege of having an intimate view of one's fellow humans, the privilege of being there and helping other people at their most vulnerable moments.

I love to direct! I get really jazzed by directing, but directing is not the same kind of personal expression, the same kind of personal intimate expression that writing is. Because when you're directing, you're basically managing, basically getting out of people doing their job, except when you see them going astray.

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