Les Miserables is one of my favorite stories.

'Bloodless' reminded me a bit of 'Les Miserables' when it first came out.

I sing; I started my career at 9 years old in 'Les Miserables' on Broadway.

There have been lots of attempts to make a movie of 'Les Miserables' over the years.

I auditioned for the part of Cosette in 'Les Miserables' on Broadway. It didn't work out.

It's fantastic to see 'Les Miserables' become the top-grossing film at the U.K. box office.

I remember seeing 'Les Miserables' with the original cast - this was in '87 - and I was blown away by it.

My mum bought discounted tickets for shows like 'Cats' and 'Les Miserables'; I became completely enamoured.

When I was little, I saw the play 'Les Miserables' on Broadway, I thought it was the most amazing thing I have ever seen.

I didn't know I could sing until I auditioned for 'Les Miserables.' My friend was auditioning, and I wanted to audition too.

Lots of people are astounded that I was in the first cast of 'Les Miserables.' Possibly because I look so incredibly youthful.

'Les Miserables', the book, 'Les Miserables', the musical - it's about giving; it's about goodness. It's about compassion and love.

In college, I was a huge fan of 'Les Miserables.' I seem to remember that people who were into French literature preferred Hugo's poetry.

When I was a 7-year-old girl, in my bedroom, on my karaoke machine, I would sing 'On My Own' or do a one-woman version of 'Les Miserables.'

The movie has called it closed. I'm not saying I won't ever listen to 'Les Miserables' again. But it closed the door for me. It's gone its own way.

Every year I go to Broadway to see a musical - I like the music. I saw 'Mamma Mia;' I saw 'Les Miserables;' I saw 'Phantom of the Opera' like six, seven times.

With my family as my audience, I used to sing, dance, and reenact every scene from 'Grease,' 'Newsies' and 'Les Miserables' as many times as they would let me.

I've heard everyone do 'Bring Him Home' from 'Les Miserables.' When Colm Wilkinson did it, I truly never thought I would hear anyone as good, never mind better.

I can't comprehend that I'm in the film of 'Les Miserables.' It's one of those dreams I thought would be unattainable for someone like me, who came from nowhere.

I spent summers in my room listening to cast albums, like 'Les Miserables,' every night. I knew it backwards and forwards. I want to be the first black Jean Valjean.

My first reaction when I watched Les Miserables was, 'Wow, my hair looks good!' They put half a wig in, and I was always kinda worried it was gonna make my head look twice as big!

I just wanted to see every single musical I could. The very first one I saw was 'Beauty and the Beast,' the only one I could get tickets for, and then 'Les Miserables' and then 'Chicago.'

The last thing the theatre owners wanted was for people who spent $200 to see 'Les Miserables' to come out again and see the real miserable children of America, right there on the sidewalk.

I listened to John Denver and Simon & Garfunkel. Edith Piaf was a huge favourite. Then I discovered musicals - I loved 'Les Miserables' - and, at about 14, I started listening to David Gray.

This sounds geeky, but when I run, I like to listen to musicals like 'Les Miserables.' The soundtracks are 75 minutes or longer, and I keep going until the story ends, so it feels like a good workout.

My first trip abroad was to do a TV version of 'Les Miserables' in France with Anthony Perkins. There I was at 12 acting with the guy from 'Psycho.' My parents were teachers, and it was hard for them to relate to that world.

I went to a performing arts school. I went to an audition for a musical, 'Les Miserables,' in the West End, and I got in, and my parents were like, 'Oh, you can sing?' So I kind of started singing properly when I was, like, seven.

I'm doing 'Les Miserables,' the movie. I've done a lot of musicals and a lot of movies, and I know there are not a lot of people in Hollywood who have been down those two paths so I've been like, 'Come on, let's do a movie/musical.'

During one performance of 'Les Miserables,' the barricade didn't leave the stage, so we had to actually end up finishing the second act with the barricades on the stage, which was very strange... doing the love scene on the barricade.

I started off when I was seven years old doing musicals. I was in 'Les Miserables' and 'The Sound of Music,' and my mum's an actress. My parents divorced when I was young, and when she couldn't find a babysitter, I was in the wings, sleeping.

There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.

Sure, 'Les Miserables' can be melodramatic. And seeing the musical instead of reading the novel will save you some time and spare you the long part where Hugo goes on and on about the Parisian sewer system. But I would hate for the novel to lose that.

Les Mis' was an amazing experience, to be in the original cast of 'Les Miserables,' and 'Chitty Chitty Bang Bang' God bless it that was fantastic, at the London Palladium the biggest theatre in London the most successful show that has ever been at the London Palladium, that was fantastic.

My reading and drawing drew me away from the ordinary interests, and I lived a great deal in the world of imagination, feeding upon any book that fell into my hands. When I had got hold of a really thick book like Hugo's 'Les Miserables,' I was happy and would go off into a corner to devour it.

My idol is Emile Zola. He was a man of the left, so people expected of him a kind of 'Les Miserables,' in which the underdogs are always noble people. But he went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not - and was not interested in - telling a lie.

Books guided my life from high school, and the greatest, most interesting, most provocative, funniest, smartest people who ever lived in the last 200 or 300 years wrote those books. I would fall in love with Victor Hugo and read not just 'Les Miserables,' but 'Bug-Jargal' and 'The Toilers of the Sea' and so forth.

I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.

My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'

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