Long Quotes - Page 355

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Over the long term, it's hard for a stock to earn a much better return that the business which underlies it earns. If the business earns six percent on capital over forty years and you hold it for that forty years, you're not going to make much different than a six percent return - even if you originally buy it at a huge discount. Conversely, if a business earns eighteen percent on capital over twenty or thirty years, even if you pay an expensive looking price, you'll end up with one hell of a result.

...You can have this whole entire life, with all your opinions, your loves, your fears. Eventually those parts of you disappear. And then the people who could remember those parts of you disappear, and before long, all that's left is your name in some ledger. This...person -- she had a favorite food. She had friends and people she disliked. We don't even know how she died...I guess that's why I like preservation better than history. In preservation I feel like I can keep some of it from slipping away.

Nobody wants to admit to this, but bad things will keep on happening. Maybe that's beause it's all a chain, and a long time ago someone did the first bad thing, and that led someone else to do another bad thing, and so on. You know, like that game where you whisper a sentence into someone's ear, and that person whispers it to someone else, and it all comes out wrong in the end. But then again, maybe bad things happen because it's the only way we can keep remembering what good is supposed to look like.

The best advice I've got was - "All you have is the process. All you have is the journey of making something. Once you're done you have absolutely no control on how it's received, or if people like it or hate it, or what is done with it. As long as you enjoy the process, then you'll always be happy." I really feel like that's important advice. Sometimes we get so focused on the results that we miss doing it - we miss the adventure of being in the midst of something because we're looking too far ahead.

The mountains are great stone bells; they clang together like nuns. Who shushed the stars? There are a thousand million galaxies easily seen in the Palomar reflector; collisions between and among them do, of course, occur. But these collisions are very long and silent slides. Billions of stars sift amont each other untouched, too distant even to be moved, heedless as always, hushed. The sea pronounces something, over and over, in a hoarse whisper; I cannot quite make it out. But God knows I have tried.

Every human being is tried this way in the active service of expectancy. Now comes the fulfillment and relieves him, but soon he is again placed on reconnaissance for expectancy; then he is again relieved, but as long as there is any future for him, he has not yet finished his service. And while human life goes on this way in very diverse expectancy, expecting very different things according to different times and occasions and in different frames of mind, all life is again one nightwatch of expectancy.

This is the kind of upbringing we had instead of sitting in front of a damn television set all day long and never answering to anybody else unless somebody spoke up from a television set. It's an altogether different way of living today that you wonder how it really affects the family? I know how it affects the family because I have my own son who has his children and also my daughter. It's one of those things. Everybody eats in their own way and off they go. You know? It's not family oriented anymore."

The great multinationals are unwilling to face the moral and economic contradictions of their own behavior - producing in low-wage dictatorships and selling to high-wage democracies. Indeed, the striking quality about global enterprises is how easily free-market capitalism puts aside its supposed values in order to do business. The conditions of human freedom do not matter to them so long as the market demand is robust. The absence of freedom, if anything, lends order and efficiency to their operations.

Improv is not something I had a lot of experience with, because for a long time, my only experience in front of a camera was all television, which is pretty rigid script-wise, except for the occasional scene where you toss in an ad-lib just to elongate something. Like, say, you're walking down a hall and you just don't have enough dialogue, and you throw in something. But you don't really have time to do other than what's written. It's very rigid. Shows have a certain rhythm that nobody wants disturbed.

It must be a good thing to die conscious of having performed some real good, and to know that by this work one will live, at least in the memory of some, and will have left a good example to those that come after. A work that is good-it may not be eternal, but the thought expressed in it is, and the work itself will certainly remain in existence for a long, long time; and if afterwards others arise, they can do no better than follow in the footsteps of such predecessors and do their work in the same way.

When we sit thoughtfully pondering in a quiet place and the Spirit speaks to us, there will come into our hearts and souls the things that are truly our greatest desires, those things that are more important in the long run than anything else. Away from the appeal of the world, that greatest desire usually relates to relationships with family and with the Lord. And when that priority is in place, then we begin to plan our lives with purpose. We begin to have goals that cause us to live with anticipation.

There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.

Corruption is subtle, just like the Bible said. Many young poets have come to me and asked, How am I gonna make it? They feel, and often with considerable justice, that they are being overlooked while others with less talent are out there making careers for themselves. I always give the same advice. I say, Do it the hard way, and you’ll always feel good about yourself. You write because you have to, and you get this unbelievable satisfaction from doing it well. Try to live on that as long as you’re able.

Religion in the West has a very wrong connotation. It has almost reached to a point where the very word 'religion' creates a repulsion, where the very word 'religion' reminds one of dead churches and dead priests. It reminds one of serious looking people, long faces. It has lost the capacity to dance, to sing, to celebrate. And when a religion has lost the capacity to dance, to celebrate, to sing, to love, just to be, then it is no more religion - it is a corpse, it is theology. Theology is dead religion.

I was at a loss suddenly; but conscious all the while of how Armand listened; that he listened in the way that we dream of others listening, his face seeming to reflect on every thing said. He did not start forward to seize on my slightest pause, to assert an understanding of something before the thought was finished, or to argue with a swift, irresistible impulse -- the things which often make dialogue impossible. And after a long interval he said, 'I want you. I want you more than anything in the world.

As much as I love acting and I hope to be doing it for a long time, it almost feels more natural for me to be a producer. I came into all of this because I'm a fan of movies and I wanted to find any way I could to be a part of it all. I happened to take the acting route but it could have been a million different ways in. Now that I'm producing it's just really fun for me to work with people that I really admire and put people together who I think will work well together. Just having a little more control.

The digestive canal is in its task a complete chemical factory. The raw material passes through a long series of institutions in which it is subjected to certain mechanical and, mainly, chemical processing, and then, through innumerable side-streets, it is brought into the depot of the body. Aside from this basic series of institutions, along which the raw material moves, there is a series of lateral chemical manufactories, which prepare certain reagents for the appropriate processing of the raw material.

Entranced by promises of a material paradise of limitless luxury, humanity has too long ignored the mismatch between the imperatives of our existence as living beings on a finite planet and the imperatives of the institutions of money that chart our path to the future. Created to build colonial empires in service to kings, global corporations are ill suited to the task of building just, sustainable, and compassionate civil societies that nurture sufficiency, partnership, and respect for the whole of life.

Meditation is basically the process of witnessing: looking from your centre all that is happening. Many things are happening on the outside - the noise of the train far away; something is happening in you body - your knees are hurting - right? Your mind is churning many thoughts, that 'What am I doing here?' Your heart is feeling many emotions, you have waited for this moment for so long. There is joy in the heart, a certain ecstasy, a mood, a receptivity. All those things have to be watched very minutely.

I'm about to turn 24, but I'm probably closer to the average 34-year-old in a lot of ways. I never had the problem of, "Who am I and who do I want to be?" I've known for so long, so I think that's why getting married made sense early. And then the biggest factor is just finding really incredible women. I think that's the part about being in a band with female fans: You get to meet so many women, and you figure out pretty quick which ones stand out in the crowd and which ones are really connecting with you.

NOT to my contemporaries, not to my compatriots but to mankind I commit my now completed work in the confidence that it will not be without value for them, even if this should be late recognised, as is commonly the lot of what is good. For it cannot have been for the passing generation, engrossed with the delusion of the moment, that my mind, almost against my will, has uninterruptedly stuck to its work through the course of a long life. preface to the second edition of "the world as will and representation

The essential is never to arrive anywhere, never to be anywhere. The essential is to go on squirming forever at the edge of the line, as long as there are waters and banks and ravening in heaven a sporting God to plague his creature, per pro his chosen shits. I've swallowed three hooks and am still hungry. Hence the howls. What a joy to know where one is, and where one will stay, without being there. Nothing to do but strech out comfortably on the rack, in the blissful knowledge you are nobody for eternity.

Deep attention, the cognitive style traditionally associated with the humanities, is characterized by concentrating on a single object for long periods (say, a novel by Dickens), ignoring outside stimuli while so engaged, preferring a single information stream, and having a high tolerance for long focus times. Hyper attention is characterized by switching focus rapidly among different tasks, preferring multiple information streams, seeking a high level of stimulation, and having a low tolerance for boredom.

I think that I'm pretty much who you see onscreen. Are there times when I ask questions of people and have a sense of what their answer may be? Sure. I think that you can't deny that. But you still want to hear from that person, even though you may anticipate what they may say. I am as natural right now as I am when I talk to somebody in the Middle East. It's just trying to be a real person to them. So long as I can be as honest with myself when I make a movie like that, I can continue to be honest with you.

There are going to be stories of very young kids that were brought to this country at a very young age who don't even speak Spanish that are going to be sent back to Nicaragua or some other place. And it's gonna feel weird and I understand that. The goal here is to have an immigration policy that works. And if you provide a path for people to enter this country illegally and if they stay here long enough and pay enough in taxes, well let them stay legally...why would anyone come in through the legal process?

If you have made the good profession, if you claimed to have passed through the gate, if you have received baptism in a public declaration of your faith, and you begin to walk-it doesn't matter how long it appears you're walking in that path-if you step off that path and there's no discipline and you continue on that path, you can have no assurance whatsoever of your salvation. And it is not that you lost your salvation, it's that you're showing now that you never had it. If we would only preach these truths

Lukewarm people give money to charity and to the church...so long as it doesn't impinge on their standard of living. Lukewarm people tend to choose what is popular over what is right. Lukewarm people don't really want to be saved from their sin; they want to be saved from the penalty of their sin. Lukewarm people rarely share their faith with their neighbors, coworkers, or friends. Lukewarm people are thankful for their luxuries and comforts, and rarely consider trying to give as much as possible to the poor.

The dog [in Pavlov's experiments] does not continue to salivate whenever it hears a bell unless sometimes at least an edible offering accompanies the bell. But there are innumerable instances in human life where a single association, never reinforced, results in the establishment of a life-long dynamic system. An experience associated only once with a bereavement, an accident, or a battle, may become the center of a permanent phobia or complex, not in the least dependent on a recurrence of the original shock.

I believe we all have lists of shame. Long lists. We live with our constellation of shames quite privately. But they weigh us down. I wish I could abracadabra away shame. This is such a waste of our small time on earth. Our bodies are often the focus of shame. The shame of the body changing. Of the sexual body. Of the aging body. Not being able to do what you once could do. Even just looking at your skin as you age, the texture, the wrinkle, the sag, and somehow feeling ashamed and responsible for its changes.

For Russians in the '90s, there was that sense of not knowing what the future held at all. And coming off a long period of when people actually were robbed of the ability to plan their future - that's very much a part of totalitarian control - that exacerbated it. In this country, we are not coming off a long period like that. But I think that for a lot of Americans, as a result of globalization, as a result of the housing crisis, the future is just too uncertain. And their place in the world is too uncertain.

In the Latino community, the Trump campaign, even when it seemed it was a long shot he would be elected president, his campaign itself just caused lots of consternation and nervousness and anger. Famously, piñata makers started making piñatas of Donald Trump, even before he won the Republican nomination. There was this sense that, here's a person who's rising in the polls because he's insulting us, because he's created this scapegoated image of us as the people responsible for the decline of the United States.

We need a federal government commission to study the way our financial services system is working - I believe it is working badly - and we also need more educated investors. There are good long term low-priced mutual funds - my favorite is a total stock market index fund - and bad short term highly priced mutual funds. If investors would get themselves educated, and invest in the former - taking their money out of the latter - we would see some automatic improvements in the system, and see them fairly quickly.

Many writers write across difference of one kind or another. Sometimes the difference is large and recognizable: gender, or race, or religion, or sexuality. And sometimes the differences are smaller. ... Where authors get into trouble is in trying to make those different characters stand in for whole groups of people, or for creating characters only to fetishize or explore their supposed otherness. Your character can be wildly different from you, as long as he's written with respect and, moreover, specificity.

Time interval is a strange and contradictory matter in the mind. It would be reasonable to suppose that a routine time or an eventless time would seem interminable. It should be so, but it is not. It is the dull eventless times that have no duration whatever. A time splashed with interest, wounded with tragedy, crevassed with joy - that's the time that seems long in the memory. And this is right when you think about it. Eventlessness has no posts to drape duration on. From nothing to nothing is no time at all.

Material possessions, in themselves, are good. We would not survive for long without money, clothing and shelter. We must eat in order to stay alive. Yet if we are greedy, if we refuse to share what we have with the hungry and the poor, then we make our possessions into a false god. How many voices in our materialist society tell us that happiness is to be found by acquiring as many possessions and luxuries as we can! But this is to make possessions into a false god. Instead of bringing life, they bring death.

It is hard to communicate understanding because that is something you get by living with a problem for a long time. You study it, perhaps for years, you get the feel of it and it is in your bones. You can't convey that to anyone else. Having studied the problem for five years you may be able to present it in such a way that it would take somebody else less time to get to that point than it took you. But if they haven't struggled with the problem and seen all the pitfalls, then they haven't really understood it.

I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.

It has been the resolution of mankind in all ages of the world. No people, no age, ever threw away the fruits of past wisdom, or the enjoyment of present blessings, for visionary schemes of ideal perfection. It is the knowledge of the past, the actual infliction of the present, that has produced all changes, all innovations, and all improvements - not (as is pretended) the chimerical anticipation of possible advantages, but the intolerable pressure of long-established, notorious, aggravated, and growing abuses.

All I wanted was to say honestly to people: 'Have a look at yourselves and see how bad and dreary your lives are!' The important thing is that people should realize that, for when they do, they will most certainly create another and better life for themselves. I will not live to see it, but I know that it will be quite different, quite unlike our present life. And so long as this different life does not exist, I shall go on saying to people again and again: 'Please, understand that your life is bad and dreary!'

[Trey Parker and Matt Stone]called me one Saturday morning and said, "Can you do an impression of Conan O'Brien?" And I said, "I don't know." Because that was really... He hadn't been on the air that long, and to be honest, I hadn't watched much of him at that point. So I went to Santa Monica to their studio and said, "Well, what does he sound like?" They said, "Well, just try it one time. Read the copy." And I read the copy one time, and they went, "Okay, that's fine. Thanks a lot, that'll do. That's perfect."

The whole point of what -Jesus was up to was that he was doing close up, in the present, what he was promising long-term in the future. And what he was promising for that future and doing in the present was not saving souls for a disembodied eternity but rescuing -people from the corruption and decay of the way the world presently is so they could enjoy, already in the present, that renewal of creation which is God’s ultimate purpose — ​and so they could thus become colleagues and partners in that large project.

One percent of people will always be honest and never steal," the locksmith said. "Another one percent will always be dishonest and always try to pick your lock and steal your television. And the rest will be honest as long as the conditions are right - but if they are tempted enough, they'll be dishonest too. Locks won't protect you from the thieves, who can get in your house if they really want to. They will only protect you from the mostly honest people who might be tempted to try your door if it had no lock".

While greenies and their media flunkies continue to savage the gasoline-powered internal-combustion engine and rhapsodize about hybrids, hydrogen, electrics, natural gas, propane, nuclear, and God-knows-what-other panaceas, perhaps including bovine urine, there are no realistic, economically viable alternatives. None. Zero. Like it or not, as long as we remain dependent on the private automobile for transportation (roughly 80 percent of all movement in the nation is by car), we are harnessed to the IC gas engine.

But then, Cap'n Crunch in a flake form would be suicidal madness; it would last about as long, when immersed in milk, as snowflakes sifting down into a deep fryer. No, the cereal engineers at General Mills had to find a shape that would minimize surface area, and, as some sort of compromise between the sphere that is dictated by Euclidean geometry and whatever sunken treasure related shapes that the cereal aestheticians were probably clamoring for, they came up with this hard-to-pin-down striated pillow formation.

Nothing is so convenient as a decisive argument ... which must at least silence the most arrogant bigotry and superstition, and free us from their impertinent solicitations. I flatter myself, that I have discovered an argument ... which, if just, will, with the wise and learned, be an everlasting check to all kinds of superstitious delusion, and consequently, will be useful as long as the world endures. For so long, I presume, will the accounts of miracles and prodigies be found in all history, sacred and profane.

In some ways I spend longer at non-fiction because there are a lot of different threads to bring together. But non-fiction is more reflective than immersive. The problem with fiction sometimes is that you have to leave the real world to enter the fictional one. And that takes so much, goes into your head for so long . . . I don't know, I just feel less inclined toward that these days, and more inclined to remain in my own life. I do like really good fiction, but it's getting harder to hold my attention in a novel.

I didn’t tell him. He found out. Basically, he caught me coming in after the last time you and I saw each other. But he won’t give us away, Lucas. He’s even willing to help us see each other, as long as we help him with Charity.” “What, like, a fund-raiser or something?” I’d forgotten he didn’t know her name. “The vampire girl in Amherst.” “Wait—Charity? That’s her name? You were able to figure out who she is.” He smiled so proudly that all the tension of the moment instantly melted. “I fell in love with a genius.

As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.

When a man acts in ways that annoy us we wish to think him wicked, and we refuse to face the fact that his annoying behavior is the result of antecedent causes which, if you follow them long enough, will take you beyond the moment of his birth, and therefore to events for which he cannot be held responsible by any stretch of imagination... When a motorcar fails to start, we do not attribute its annoying behavior to sin, we do not say, you are a wicked motorcar, and you shall not have any more gasoline until you go.

You have to get rid of borders, limits, and classifications; then light comes. We see everything on the screen of our ideas. We must get rid of that screen to be able to see what is behind. X's ideas are limited, that is why he remains on the surface. Y got rid of the limits, so she always goes to the depths. We should always meet people and new subjects with no set frame of mind. We have to live like that even after long acquaintance. We must get rid of every set idea to approach everything and everyone with love.

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