Quotes of All Topics . Occasions . Authors
Clary smiled at him with a warmth she didn’t feel. “Sebastian says I can come with you.” Jace raised his eyebrows. “Matching haircuts for everyone?” “I hope not,” said Sebastian. “I look terrible with curls.
I really want to do a dark character. Not really a bad guy, but someone dark and mysterious. Where everyone says, 'Ooh, it has to be her!' and at the end you find out it isn't. Just someone who looks guilty.
Again I think my gift is bringing hope to everybody, and I don't want someone to look at me and say, "I would listen to him, I like what he's saying, but he's this or that politically and that turns me off."
Looks like my baby dont live here no more...thats alright, ive still got my guitar..I might as well go back over yonder, way back across the hills, if my baby dont love me no more....i know her...sister will
I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.
I used to tell your mother she looked like Sophia Lauren." He looks at me, frowning, and then it registers. "Oh God, some guy's using that line on you, isn't he?" "Not just 'some guy'." I tell him. "The guy.
God reminded me how beautiful we all are to Him, after all, we were created in His own image, and He looks at me, at you, in all our sweat and dirt and brokenness, and says, "I choose you. You are beautiful.
Believe me, you don't walk away from the kind of money you make with a daily television show. You might get awful tired of it sometimes, but take a second look at the check and you get less tired right away.
The women I like, no matter what nationality, all seem to have more or less the same qualities. Perhaps this is because one goes looking for them - that is, you like that type of woman and then look for her.
Auditioning is important, and I understand that. If there is somebody making a movie, if there is somebody manufacturing a movie, they want to look at the goods. I get it. I mean, I've been in that position.
When I get to a point in my book writing when I don't know what I'm going to do next, I'll come back look at underlined passages and see if the images I wrote still have a certain amount of resonance for me.
Expression, sentiment, truth to nature, are essential: but all those are not enough. I never care to look at a picture again, if it be ill composed; and if well composed I can hardly leave off looking at it.
I don’t have a philosophy. I have a camera. I look into the camera and take pictures. My photographs are the tiniest part of what I see that could be photographed. They are fragments of endless possibilities.
When a woman buys shoes, she takes them out of the box and looks at herself in the mirror. But she isn't really looking at her shoes - she's looking at herself. If she likes herself, then she likes the shoes.
The earliest movies that I loved were French movies and Italian movies. I grew up watching those kind of movies and often find the truest looks at human nature - you can find them in another country's movies.
You can never truly understand or help others, even in your own family, unless you first look thoroughly into your own life and deal with your own sins without compromise, excuses, or evasion (Matthew 7:1-5).
As someone who spends a lot of her time on the road, you have to look stylish but comfortable as I'm always in motion. Either traveling for my job, for pleasure, or managing the hectic pace of the modern day.
Being a hairdresser is really fun, especially if you don't work at a stupid rich-lady place. You basically just get paid to hang out and talk with a bunch of cool, weird ladies and help them with their looks.
Every single day the world seems like it is on the brink of falling apart. But then I look outside my window, and things look about the same as they did a week ago. It's almost a form of cognitive dissonance.
I used to look at composing music as problem solving. But as I get older, it's not about problem solving anymore. There are no solutions, because there are no problems. You just turn the tap and it flows out.
I look at a mentor of mine like Ryan Seacrest and the incredible amount of equity he's been able to bring to the broadcasting arena, and the branding and the world that he's been able to build around himself.
Seek the Path, do not seek attainment, Seek for the Path within yourself. Do not expect to hear the truth from others, nor to see it, or read it in books. Look for the truth in yourself, not without yourself.
If a person has ugly thoughts, it begins to show on the face. And when that person has ugly thoughts every day, every week, every year, the face gets uglier and uglier until you can hardly bear to look at it.
All the people throughout my life who were naysayers pissed me off. But they've all given me a fervor; an angry ambition that cannot be stopped - and I look forward to finding a therapist and working on that.
It is technically very hard to show positive manifestations. But I can look back at the way I thought and felt even as a little kid and there was a lot of wonder there, and openness to the many sides of life.
Here, as in so many other cases, however, it turns out that a very commonsensical idea looks far less attractive when one examines some of the experimental work which is not available to us from the armchair.
You know, I look like a woman but I think like a man. And in this world of business, that has helped me a lot. Because by the time they think that I don't know what's goin' on, I then got the money, and gone.
When you look at yourself in the mirror, don't pinpoint the things that you aren't happy with. Appreciate what you were born with and acknowledge the fact that you are you, and that is something to celebrate.
There's a lot of violence in Beethoven not explicitly suggested by the notes or in his markings, necessarily. There's just a way that it looks on the page that encourages it to be played in a certain fashion.
You have to look at what you have right in front of you, at what it could be, and stop measuring it against what you've lost. I know this to be wise and true, just as I know that pretty much no one can do it.
You can look at the cost structure of an incumbent company and discover: where are they not going to be able to drop their prices... because that business model is fundamental to the existence of the company.
No one would have the courage to walk up to a writer and ask to look at the last few pages of his manuscript, but they feel perfectly comfortable staring over an artist's shoulder while he is trying to paint.
When you're doing stand-up, you achieve an intimacy with the audience you can't get on TV. There's not a better feeling in the entire world then when you look out and see the audience is identifying with you.
Sometimes, like we all do, I look at myself in the mirror. Sometimes I cry. Like a really hard cry like you just watch yourself cry but then you're done and you're just glowing and you're staring at yourself.
I always look forward to going for a walk in Rushcutters Bay Park, right down to the bottom where you can look in the clear water of the harbour. I use that time to clear my head and really focus my thoughts.
Obviously, throughout my career, I've always felt like certain things come to me at the right time. When I look at the work that I've done, it's always very indicative of where I was in my life at the moment.
You know, there's a thing about the woman across the room. You see the woman across the room, you think, She's so poised; she's so together. But she looks at you and you are the woman across the room for her.
You can use the internet in a way that's actually really great. It doesn't have to be about how amazing you are, or "Come watch my show!," or "Look what I'm wearing today." It doesn't have to be narcissistic.
The trouble with Jim was he looked at the world and could not look away. And when you never look away all your life, by the time you are thirteen you have done twenty years taking in the laundry of the world.
...its a rather pleasant change when all your life you've had people looking after you, to have someone to look after yourself. Only of course it has to be someone pretty hopeless to need looking after by me.
When you get into any kind of period work, or any kind of prosthetic work, or anything that alters what your 8×10 looks like, it's the joy of escaping and becoming somebody else. And it is definitely freeing.
I don't look at myself on the outside. Sometimes you feel like you're not really there and need one more [take], because I feel like something is coming out. I don't really know what but I need to get it out.
We have researchers involved with the show [Spartacus] and they pointed me in a pretty great direction, in terms of what to read, and what to look at or look for, and they also provided me with some material.
When one looks at Nature through the glass walls of the Farnsworth House, it takes on a deeper significance than when one stands outside. More of Nature is thus expressed - it becomes part of a greater whole.
Honestly, I expected to get a cold reception because of my subject matter. But when editors took a look at the story I had to tell, and saw that this was not a parochial story at all, they really warmed to it
Why don't I like crowds? I suppose the worst possible thing I could say is that I don't like people, and that crowds are just collections of people. That seems like a very nihilistic way to look at the world.
I don't like getting up in the morning, getting in a car, driving on a freeway, and stopping at a gate where two guards are standing there, then walk into a studio that looks like a bunch of airplane hangars.
You have to follow where the poem leads. And it will surprise you. It will say things you didn't expect to say. And you look at the poem and you realize, 'That is truly what I felt.' That is truly what I saw.
There is good and evil within all of us, and I enjoy searching to bring that out through my music. I like it that there are questions brought out by my music. People must look inside themselves for the answers
A poet or prose narrator usually looks back on what he has achieved against a backdrop of the years that have passed, generally finding that some of these achievements are acceptable, while others are less so.