I have fond memories of growing up in beautiful England. It is very much a part of the fabric of me, even though I left when I was quite young. It's just a very different culture over there, filled with a profound depth of history.

Memory is a form of time travel. That's something we do during the course of the day, every single day. The idea of actually being able to physically adjust that and change it instead of being haunted by it is a really human thing.

I'll go to the south of Sicily in the winter, and paint memories of Arles – I'll buy a piano and Mozart me that – I'll write long sad tales about people in the legend of my life – This part is my part of the movie, let's hear yours

[The Polaroid camera is] a system that will be a partner in perception, enabling us to see the objects in the world around us more vividly than we can see them without it, a system to be an aid to memory and a tool for exploration.

Both of my books, 'Love Is a Mix Tape' and 'Talking to Girls About Duran Duran,' are about how music gets tangled up with all our other emotional memories. Since I'm an obsessive music fan, I'm always seeking out new sonic thrills.

I love New York. It is an amazing city, and the U.S. Open is a lot about the show. There are tens of thousands of spectators; these are some of the best courts in the world, and there is nothing like being here and making memories.

That is what deconstruction is made of: not the mixture but the tension between memory, fidelity, the preservation of something that has been given to us, and, at the same time, heterogeneity, something absolutely new, and a break.

In my defence I can only say that her past, too, like mine, like everyone's in fact, was a locked box. Occasionally we allow people a peep, but generally only at the top level. The darker streams of our memories we negotiate alone.

I remember the time an older man asked me when I was young, "Do you know what you are doing now?" I thought it was some kind of trick question. Tell me," I said. You are building your memories," he replied, "so make them good ones.

Good librarians are natural intelligence operatives. They possess all of the skills and characteristics required for that work: curiosity, wide-ranging knowledge, good memories, organization and analytical aptitude, and discretion.

Never drink more than one cocktail before giving a talk. True, the drinks may relax you, but they may also slur your speech and blur your memory, making you wonder who are all those people out there and why are they staring at you?

Books can not be killed by fire. People die, but books never die. No man and no force can abolish memory... In this war, we know, books are weapons. And it is a part of your dedication always to make them weapons for man's freedom.

Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.

Every day my love for you grows higher, deeper, wider, stronger... It grows and grows until it touches the tip of where you are and comes back to me in the loving memory of you, and my heart melts with that love and grows even more.

... her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars' worth of rap CDs but, as expected, I'm at a loss: [...] voices uttering ugly words like digit, pudding, chunk.

that pathetic short-cut suggested by Nature the supreme joker as a remedy for our loneliness, that ephemeral communion which we persuade ourselves to be of the spirit when it is in fact only of the body - durable not even in memory!

One of my earliest memories is seeing the bright blue, Epic 45 of Jackie Wilson singing 'Higher and Higher,' and I'd say, 'That one!' and my parents would play it every Sunday afternoon and we'd all get up and leap around the house.

I think you just assume that your memory is just sort of a video playback of your experience, but it's nothing like that at all. It's a complete refabrication of an event and a lot of it is made up, because you're filling in spaces.

No - Kajol can never go anywhere. Kajol is absolutely hearts and minds and memories and silloys for ever and ever. I think if I was to, I wouldn't be exaggerating I if say in our times of film-making she's a beautiful living legend.

Our absolutes should always be hypothesis. They should never be confirmed as fact because everything that we construct through our perceptions, through our memories, is so corruptible. The skills that I have can really display that.

You see heaven isn't some place that we go to when we die. It's that split second in life where you actually feel alive, and until the end of time, we chase the memory of that, hoping the future holds something better than the past.

I’ll still be missing you as much as ever. I’l still smile at the memory of you. I’ll still be - Okay, I’ll say it again - loving you, but I won’t abandon myseld for you. I cannot be faithful to you without being faithful to myself.

Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.

To us who remain behind is left this day of memories. Every year--in the full tide of spring, at the height of the symphony of flowers and love and life--there comes a pause, and through the silence we hear the lonely pipe of death.

Emotionally, I have no picture-book illustrated with memories of my first five years, but externally, I have impressions that possess a haunting vividness comparable only to the texture of dreams, when dreams are tumultuously alive.

Music can minister to minds diseased, pluck from the memory a rooted sorrow, raze out the written troubles of the brain, and with its sweet oblivious antidote, cleanse the full bosom of all perilous stuff that weighs upon the heart.

I've filled my whole life trying to preserve the memory of living, in the fight against dying. Perhaps the only thing I've done, since stopping death is impossible, is to show this fight. The fight itself does not satisfy us either.

I think the show has so many wonderful memories connected to it for lots of people. When fans come to see me at the Andy Griffith Museum they get so emotional. Some of them cry, lots of them hug me and some want a kiss on the cheek.

If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.

Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?

Your memory is a monster; you forget - it doesn't. It simply files things away. It keeps things for you, or hides things from you - and summons them to your recall with a will of its own. You think you have a memory; but it has you!

But in Republics there is a stronger vitality, a fiercer hatred, a keener thirst for revenge. The memory of their former freedom will not let them rest; so that the safest course is either to destroy them, or to go and live in them.

Fear presides over these memories, a perpetual fear.Of course no childhood is without its terrors, yet I wonder if I would have been a less frightened boy if Lindbergh hadn't been president or if I hadn't been the offspring of Jews.

In every species of fish I've angled for, it is the ones that have got away that thrill me the most, the ones that keep fresh in my memory. So I say it is good to lose fish. If we didn't, much of the thrill of angling would be gone.

I've always seen myself as one of those 'show people.' My earliest memories are wanting and needing to entertain people, like a gypsy traveler who goes from place to place, city to city, performing for audiences and reaching people.

Escape the safety of the small by taking the risks to become part of something bigger. Your true self demands it. Listen for the timer on the oven to sound-that's when the memory curtain parts, flashing moments that really mattered.

The game against the Vikings back in my second year stands out. It was kind of a turnaround for us. It allowed us to make a run at the playoffs for the first time in quite a while. The memories are so many it's hard to pin one down.

I found one remaining box of comics which I had saved. When I opened it up and that smell came pouring out, that old paper smell, I was struck by a rush of memories, a sense of my childhood self that seemed to be contained in there.

To ensure that the self doesn't shrink, to see that it holds on to its volume, memories have to be watered like potted flowers, and the watering calls for regular contact with the witnesses of the past, that is to say, with friends.

The wisest man I ever knew taught me something I never forgot. And although I never forgot it, I never quite memorized it either. So what I’m left with is the memory of having learned something very wise that I can’t quite remember.

Unless we change our ways and our direction, our greatness as a nation will soon be a footnote in the history books, a distant memory of an offshore island, lost in the mist of time like Camelot, remembered kindly for its noble past.

I have memories of the time when I was younger and when I believed in Santa Claus, which was the best part of Christmas. Back then, I wrote to Santa every year, hoping that my mom would post the letter with a stamp to the North Pole!

Let us drink together, fellows, as we did in days of yore. And still enjoy the golden hours that Fortune has in store; The absent friends remembered be, in all that’s sung or said, And Love immortal consecrate the memory of the dead.

When something in a sequence is edited, if you repeat an image, but in a different place, the effect is different. Because the brain is remembering, and the different juxtaposition triggers other memories, thoughts, ideas, and so on.

We are the women of daylight; of clocks and steel foundries, of drugstores and streetlights, of superhighways that slice our days in two. Our dreams are pale memories of themselves, and nagging doubt is the false measure of our days.

[in the sleeve notes for The Beach Boys 1964 album, "All Summer Long"] They say I live a fast life. Maybe I just like a fast life. I wouldn't give it up for anything in the world. It won't last forever, either. But the memories will.

We can never fully repay the debt of our proud nation to those who have laid down their lives for our country. The best we can do is honor their memory, ensure that their sacrifice is not in vain, and help provide for their families.

Conflict is the gadfly of thought. It stirs us to observation and memory. It instigates invention. It shocks us out of sheep-like passivity, and sets us at noting and contriving…conflict is a sine qua non of reflection and ingenuity.

We had a dog who was named Pushinka, who was given to my father by a Soviet official. And we trained that dog to slide down the slide we had in the back of the White House. Sliding the dog down that slide is probably my first memory.

Chevy Stevens is in top form. ALWAYS WATCHING is a tense and twisty exploration of dark memories, hidden pasts, and a place that seems like heaven but might be hell. This is a deep and exciting novel, as unsettling as it is gripping.

Share This Page