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Italian prime minister Silvio Berlusconi looks in the mirror and sees a playboy of the old school. And men such as Dominique Strauss-Kahn, Arnold Schwarzenegger, and Charlie Sheen no doubt look at Berlusconi and think, 'Role model!' Women, of course, know otherwise. They see him as an aging, pathetic buffoon.
We are afraid of ourselves and our own unconscious minds. When we are building something that reflects us, it's the one thing we're all afraid to face. We're afraid to face ourselves. Building machines that mirror our consciousness is a very frightening proposition because we have seen how evil people can be.
The biggest lesson I've learned from my children is to look in the mirror at myself, not at them. I've realized that everything I've done has had an impact on them. We have to understand that they are like little paparazzi. They take our picture when we don't want them to and then they show it to us in their behavior.
When you look in the mirror, what do you see? Do you see the real you, or what you have been conditioned to believe is you? The two are so, so different. One is an infinite consciousness capable of being and creating whatever it chooses, the other is an illusion imprisoned by its own perceived and programmed limitations.
Authenticity is everything! You have to wake up every day and look in the mirror, and you want to be proud of the person who's looking back at you. And you can only do that if you're being honest with yourself and being a person of high character. You have an opportunity every single day to write that story of your life.
Every time you do a true story - and I've done a few - you have to look in the mirror and say, 'That's close enough. I'm comfortable with this.' You're always going to compress time; you're going to change the order of things. But I don't think you want to tell a big lie. You want to think that you're embracing the truth.
What do I see when I look in the mirror? One handsome man. No, I see the same person I have seen for the last 27 years: the person I believed I could be when I was a child, the person I have inspired and dreamed to be all my life, and that's the person I have seen, from being that big to as big as the roof - the same guy.
Past middle age, some friends suggested that I should have my eyebags removed, the deepening creases on my face stretched. I often examined my face in the mirror, imagining how I'd look if I followed the suggestion. I decided to retain the old mug. I was too familiar and comfortable with it. And the final hindrance: the cost.
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'
We notice in others only those things that relate to ourselves. For example, you could find someone hilarious and brilliant, and I could find the same person idiotic and annoying. It's the same person doing the same thing, but because we are viewing them from our own unique perspectives, they mirror back to us something different.
The role of Charlie Eppes has changed me. I never imagined I would play a role like this. I lost some weight, grew my hair and now every woman in America over 40 wants to date me. It's their daughters I want to convince. The truth is all this talk makes me blush. Me, I look in the mirror and all I see is this Jewish kid from Queens.
I was talking on the phone in my trailer, and I looked in the mirror and I saw the badge clipped to my belt, a gun with a holster, and the suit and the tie with the jacket off, and it was just deja vu. I remember that image so clearly from growing up. My dad would come home for lunch, take off his jacket, have the gun and the badge.
When I look in the mirror, I am slightly reminded of self-portraits by Durer and by Rembrandt, because they both show a degree of introspection. I see some element of disappointment; I see a sense of humour, but also something that is faintly ridiculous; and I see somebody who is frightened of being found out and thought lightweight.
Charley Patton is the original inspiration. I didn't play anything when I was a kid. Then, when I was 20, I went into my mam's bedroom because she had a double mirror, and I wanted to see what the back of my hair was doing. She had an alarm-clock radio, and it came on with this old guy moaning and hollering, playing this strange guitar.
People ask me, 'Is being a parent the be-all, end-all?' And I say, 'Oh, it definitely is up to the person, and it is difficult, it can be very difficult, and it can be extremely healing.' That's what I have found, that the children are mirrors. Everyone is a mirror, but children especially because they're day and night and all day long.
In my later years, I have looked in the mirror each day and found a happy person staring back. Occasionally I wonder why I can be so happy. The answer is that every day of my life I've worked only for myself and for the joy that comes from writing and creating. The image in my mirror is not optimistic, but the result of optimal behavior.
Initially, I just used the guitar as a prop. I'd pose with it in front of a mirror in my Kiss makeup when I was skipping school. Then I figured out how to play the main riff to Deep Purple's 'Smoke on the Water' on just the E string. Next, my old man showed me how to play barre chords, and that's when things started getting really heavy.
Money is a good thing, but every morning you have to get up with something no one else in the world gets up with - that's that image. That face you see in the mirror, you got to love it, and you better do some things that you feel good about inside of you. Of course, money is going to come, but make certain that you do some good with it.
I remember Wrestlemania VI, being in my locker room painting my face, about halfway done, and the production guys came, and they knocked on the door, and they came in. I was looking in the mirror at them, and they said, 'Hey, Warrior, we've got a cart to take you to the ring.' I just looked at them, and I said, 'I'm running to the ring.'
Just like hair frames our face, brows frame our eyes. I see so much potential in harmonized beauty whenever I see a woman who's not filling in her brows, and I just want to go in with my brow pencil and just be like, 'Filling in eyebrows, OK, done - look in the mirror and be inspired.' That's one of my pet peeves, but beauty is subjective.
I literally used to stare at my face in the mirror with hate and anger. I'd focus on those gigantic zits and just wail about what a monster I was, how I would never have a career because of my gross skin. I couldn't pass a mirror with out thinking about how hideous my skin was and how I wished I was someone else, someone with perfect skin.
The story of 'Mirror Mirror' is in many ways a story about evolution. It's about the evolution of a child into an adult. It's about the evolution of those dwarves into something a little less rock-like, a little more humanoid. It's about the evolution of history, too, from the darkness of the Middle Ages into the light of the Age of Reason.
I'm very happy with the way I look. I wake up some morning, catch myself in the bathroom mirror, and go, 'hey girl, you're alright'. But on the other hand, I find the website stuff, and the polls, something completely removed from my own personal life. You can't take anything like that too seriously, otherwise you'd end up in the loony bin.
I still have a picture: three cars, big house, I'm standing there like I'm 50 Cent. I look at it sometimes and say, 'Look how stupid you were.' But that made me who I am, and I can look back and see it. I've learned. I grew up. I woke up one morning, looked in the mirror, and thought, 'No, that's not me. I don't want to be that. I'm a footballer.'
