It's always cathartic for me to write music.

Music has always kind of been an escape for me.

Gospel music always relaxes me and calms my nerves.

For me, the choreography always comes from the music.

Music has always taken me to another plane of existence.

Music as a social conduit has always been important to me.

People haven't always been there for me, but music always has.

The creative process of composing music has always fascinated me.

I always say that my music is my diary. It's very personal to me.

Music always hits me when I'm driving so I keep a recorder in my bag.

Fashion is so important to me. I've always spoken about it in my music.

It's not a popularity contest to me. It should always be about the music.

From the very beginning, I was clear that it would always be music for me.

The Wedding March always reminds me of the music played when soldiers go into battle.

It always helps me connect with characters, to think about what music they respond to.

That pesky acting career has always gotten in the way of me doing something with music.

Music in general, but really musical theater has always been a real coping mechanism for me.

I bring my ukulele everywhere I go, play a little music in the park, always have it with me.

Music had always been a kind of anchor for me. But I didn't write my first song till I was 35.

Music has to keep moving. But I was lucky. For me there was always something around the corner.

I've always sort of felt that, for me, everything's so much more about the music than the accolades.

Music played at weddings always reminds me of the music played for soldiers before they go into battle.

I always hated that 'You Think You Know Me' music because it never fit me and what I actually listen to.

I was always writing music anyway. I just sort of fell into it. Writing for me is a therapeutic process.

I'm always gonna have the darker edgy music; it is always in my pocket because it comes so naturally to me.

Dr. Dre I've always been a huge fan of. The Roots as well. The Roots gave me an appreciation for live music.

As a kid, before I could play music, I remember baseball being the one thing that could always make me happy.

Music's the one thing I try not to analyze. I don't want to destroy the magic that has always been there for me.

Both my parents have been big influences on me wanting to do music. My mum's always been, 'Just do it. Just sing.'

Ask me my influences, I always talk about Bjork and Beck because they're independent voices in the music industry.

There wasn't really a song or artist that made me want to be a singer, I think I was always a fan of country music.

My wife grew up loving country music, so I always run songs by her whether I wrote it or if somebody pitched it to me.

'Elle' is such an iconic magazine, and the intersection of fashion and music has always been something that fascinates me.

Around me, there's always music playing. It just calms me down; it soothes me. It helps me write. It helps me with my mood.

They're always so serious, the orchestras, you know? It's always a fun contrast of that song and the genre of music. And me.

Music is what I always dreamed of doing. But at a certain point in my career, they convinced me to act, and that started me acting.

Since I was a child, I always loved music that made me want to dance. As a teenager, I used to dance the night away to electronic music.

And music has always been incredibly cathartic for me, whether it's writing my own stuff or singing other people's music; it's very freeing.

I've always been interested in film, so to get involved in any way in the genesis of making a film or music for a film is fascinating to me.

When we first came out with our music, the gay question was always there and it was super important for everyone. But for me it was amusing.

I always had a frisson when I heard the Champions League music. To play in that competition, to score a goal in it, is something special for me.

Music is definitely cheaper and more immediate. But part of the draw of film to me is the multidisciplinary aspect. I always enjoyed film writing.

Edgy' music has always formed the cornerstone to any teenage rebellion. Most indulge in it precisely because adults like me don't like them doing so.

Music, architecture and pictures have always been my passions, and all that material wealth has meant for me, is being able to have some of the pictures I liked.

I've always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the '80s it was a surprise to me.

Over the years, Cajun music has always calmed me down, or if I'm feeling real sick or feeling real unsettled, I can put that music on and try to get focused again.

Music was always a huge part of me, but I always did it on the side. I didn't even take any music classes in high school... it was more of an extracurricular thing.

Music is always key to me, whether it's 'Miami Vice' or not 'Miami Vice.' It's dictated by the story, about what Crockett and Tubbs and Isabella and Trudy are doing.

Music has always been a visual thing to me, so writing and drawing the 'Skin&Earth' comics, which tie cohesively with the music, was an obvious move for me as an artist.

I'm trained in classical music, and my favourites have always been rock n' roll and blues, but I've grown up with different kinds of music around me because of my parents.

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