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My family, particularly my brother, made it possible for me to get into the Punjabi music industry.
What's scummy about the music industry is that everybody loves you when you're dead.
I know Becky G, Natti Natasha, and other Latina singers, we have been working many, many years and now we have the opportunity to show what we have, to show what we have been doing for many years. Great things are happening for women in the Latin music industry.
I've been through the music industry and with the Internet the music industry is not what it used to be.
One of the most harmful things in the music industry is 'record-by-committee,' where 10 people from the label gather around, and they make you write a 100 songs and decide which one's a hit. That takes the inspiration out of it.
You see so many musicians come and go. For me, it's really about the longevity in the music industry. It's not all about having a lot of hit records at one time.
The music industry is a very rough industry. Many years ago, I think it was even rougher in the sense that a lot of it was predicated on image.
That's where people go wrong in the music industry: they get all these fancy things and think that they deserve them, but they really haven't done anything to earn them yet.
I didn't have any knowledge of the music industry when I first got to L.A., and I really didn't know on a creative level what I wanted to sound like, so I had to do a lot of experimenting. It led to a spiral of depression and being broke.
I went from playing to like ten people in a pub to playing thousands of people and being in this music industry, you really have to get out of your comfort zone fast.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
A lot of beefs in the music industry are caused from miscommunication and just not really understanding what's going on, having people in your ear saying this is what somebody did, or this is what somebody did to you.
If you look at the market cap increase in Apple since it created the iPod versus what's happened to the music industry, you have to say Apple got the better part of that deal.
It takes a real soldier to stay in the music industry and live off the things that have been put before me and be able to survive all this time because it has not been easy.
Radio is so cutthroat, but I do feel like the music industry is structured so differently than it used to be. I'm amazed and in awe of artists who can build a parallel universe that's so big and clearly defined that the mainstream finally has to pay attention.
One thing that I had to remember in my personal journey in the music industry and coming up in the music industry was how many times I was told no. I was signed, I was dropped, I was signed, and I was put on a shelf.
I didn't expect to have music as my main thing. I always thought I was going to be a lawyer. When I graduated, I was doing really well with my music in Malaysia. I had stable income, and I had really good momentum in the music industry, so I had to make a decision whether to stop that and continue being a lawyer.
A lot of white men in the music industry are promoting and participating in black culture in a way that is pretty careless. They want the currency of blackness, but they don't want the brunt that comes along with that.
As a journalist, I have wanted very much to find a way to write about the music industry, and it's been frustrating to me that that's never worked out.
Music TV in the U.K. is disappearing. 'Top Of The Pops,' 'CD:UK' and shows like that have gone, and it's bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
The music industry is hard work, especially for women. A lot of people pit us against each other, comparing two body types or two women that are completely different. It's a lot of pressure.
My strength as a singer is my versatility. I find it really frustrating when I'm only expected to show off. The music industry is awash with female acrobats. What happens to the song, and treating it for its sake and not as an ego example?
I do not believe that people should steal music, but I think that fans need a better alternative, hence why I am such a fan of Apple, where you can simply buy a song for $0.99; it is very easy, it is a value-packed service... and this is a result of the shakeup... something has to happen in the music industry.
I think that when you're making your way up in the music industry, you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry, your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
I think this industry can be tough on everyone. You have to surround yourself with supportive people and know when to put your foot down and do what's best for you and your family. The first few years in the music industry can be a steep learning curve, and I've definitely developed a thicker skin!
'The X Factor' was the final push I needed to have the presence and confidence on stage, which I didn't have before. It's a crash course in the music industry. If you can survive the show, you're ready for the industry.
If I hadn't had that decade in the music industry and, perhaps more importantly, time to reach the point of being sick and disgusted with it, I wouldn't have written 'Kill Your Friends.' That book gave me my whole career.
Having had polio never held me back as I got older. Although having one leg smaller than the other isn't much fun, I could always get about without any trouble. Luckily, in the music industry, everyone was only interested in my singing and playing and not the size of my legs.
I would love to be able to say that due to my experience in the music industry, when it comes to the songs, I'm killing it over anybody else, but that is not the case. Everybody in this thing is ridiculously talented to where I don't feel special.
Since the music industry cracked and fell apart, gasping for the cash flow it had come to expect, much re-thinking has been the order of the day. It is a fine time to be a musician. Like walking through Sodom and Gomorrah while it is still smoking, on your way to the next gig.
My biggest frustration is the lack of scale in the music industry. The fact that no one has sold 100 million copies of an album is frustrating.
The reality of the music industry is that I was a 22-year-old college graduate who was able to walk into boardrooms and be the one in charge. It's incredibly empowering. I wasn't ready - I definitely was not ready - but I was prepared as I possibly could have been because I had studied the music industry.
It disturbed me that the music industry had gone down the drain, even though people were listening to more music than ever and from a greater diversity of artists.
The Internet was a saving grace for promoting and exposing, and even creating. It's a parallel world to the music industry that already exists, and I'm glad to be a part of it.
The music industry is saying, This is the format, and if you'll fit into this format, you can be on radio, and if radio will play you, MTV will expose you, and MTV will expose you, we'll sell records.
We grew up in the middle of nowhere. We didn't have a rich uncle in the music industry or some contact through someone that our dad worked with. And we went into the world blindly, and just through believing, dreaming, and working hard, Good Charlotte came to fruition.
I thought that the music industry was going to be pretty easy - getting features and stuff - and everyone was going to be nice. But I realized that it's really, really hard to get features.
When the music industry started collapsing, the logical people understood that the only place to go for shelter was the underground. If the world on the surface is burning up, and you know people that have bunkers, go to the bunkers.
The history of the music industry is inevitably also the story of the development of technology. From the player piano to the vinyl disc, from reel-to-reel tape to the cassette, from the CD to the digital download, these formats and devices changed not only the way music was consumed, but the very way artists created it.
In the music industry, you can't create success without having to engage a white man. It's just not possible. Whether it's executives, A&Rs, and the people that hold the key to your paper, inevitably, you'll be met with whiteness.
I once worked at a record label called London Records. The company was owned by Roger Ames, one of the most successful figures in the British music industry. Roger always placed a value on loafing, on holidays, on not being in the office all the time.
The music industry really has to learn a lesson from the tech industry about what scale means at the end of the day and learning how to monetize.
There are millions of people who consume music illegally every month. Just getting them into a legal service will make the music industry way bigger than it's ever been before.
A lot of people of color in the music industry are still more interested in embracing things that are considered white canon, and looking radical. Like when people point to punk in the indie world: If you point to the history of punk as what you see as your legacy, that's more prized and praised.
I think overall, and this isn't specific to Spotify or any streaming service or any label... when you consider the overall value chain of the music industry and how important the songwriter is to the business - I think there needs to be another look at the value chain.
We are passionate about making it so that users enjoy the music that they want to enjoy but at the same time fairly compensates artists. That's not the same as saving the music industry.
The more people are listening to music and experiencing it, the more value for both the music companies and the artist, especially when their financial model is built around that . With the music industry, everybody is starting to understand that doesn't begin with a piece of music.
I'm not saying you can't be successful in the music industry without Spotify. But when I look at the future of music, I don't think scarcity is the model anymore. We have to embrace ubiquity - that music is everywhere.
I realised that you can never legislate away from piracy. Laws can definitely help, but it doesn't take away the problem. The only way to solve the problem was to create a service that was better than piracy and at the same time compensates the music industry - that gave us Spotify.
There are half a billion people that listen to music online and the vast majority are doing so illegally. But if we bring those people over to the legal side and Spotify, what is going to happen is we are going to double the music industry and that will lead to more artists creating great new music.