I worked with three people who were doing video music shows before MTV.

People are doing what they can these days and looking for creative ways to sell music.

I teach class. I study music. I rehearse. I coach people. That's it. I'm doing exactly what I want.

The thing about doing gigs is you make music, and then it is gone and that is being watched by thousands of people.

I've never missed a gig yet. Music makes people happy, and that's why I go on doing it - I like to see everybody smile.

If people go into music with the idea of competing with other artists, then they're doing it for all the wrong reasons.

I played soccer. I was really known as an athlete. It was a shock to people that I was doing music. They thought it was really odd.

The music and everything we're doing on the stage and on television backs itself up. If that's what gets people's curiosity going or brings their attention to us, that's fine.

Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them.

It was easy for people to be derisive about our music because they saw what we were doing as retro. But we were like barbarians trying to crash the gates of the bloated progressive rock that we despised.

I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.

What I'm making music for now is more similar to what I was doing in the beginning. In those days it was all about doing music so when people heard it in a club it would take their minds of their worries. I got more artistic but now I've gone back to basics.

People are bringing a lot more of that funk element into their music, you know, with Bruno Mars and Mark Ronson - that's one that you never thought you would hear something like that on the radio again 'cause it just sounds so much like the Back Bay and what they were doing with music back then.

The Kingsway Music Library was sort of a byproduct of all the creation I was doing. As creators, we kind of just create blindly sometimes and I couldn't physically see every idea through, so I created this ecosystem where I made the ideas available to people to download, to sample and to put their own twist on it.

Al Gore wanted to tell people what they could listen to and what they couldn't, what they could record. It was basically coming down to the idea that he wouldn't let anybody record any music that he didn't think you should be doing. There was going to be an organization that would tell you what you could and couldn't record.

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