I've always been super expressive, and I've always liked to express myself any way I can.

I have always thought of myself as a performer first and way down the line as a recording artist.

I have always written only for myself - to clarify things, to clarify things with myself, to understand in an inner way what is actually happening.

I write by myself initially. That's the way I've always written, just working on pure thought by myself. Then I bring it to the table with whoever I'm collaborating with.

I've always been an unselfish guy, and that's the only way I know how to play on the court and I try to play to the maximum of my ability - not only for myself but for my teammates.

I always say I never felt 'latched' to a gender. I just kind of always felt like myself, and I never felt like I had to do certain things or be a certain way to fit into a certain mold.

I've always been a fan of Korean cinema but never really pursued it, as I wanted to pave my way here in the States. I figured, once I established myself here, Korea might take notice. And it did.

I learned early on as a baby-face you had adapt to their style. Ravishing Rick Rude had his own style and his own way with a little bit of some Ric Flair-isms. But I always learned to adapt myself.

There's a way that you can throw negativity out there that seems rebellious. But I've always taken pleasure in a different kind of rebellion, which is putting a positive spin on everything, trying to enjoy myself at all times.

In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.

I was brought up to express myself only when asked to express myself, and then to do so in a way that's pleasing to hear. But I've always had a need to make my presence known. I was just sort of born that way, I guess. It's my natural tendency.

I always thought I'd end up at a small school and have to play my way up to what I thought I could be. But no, I've always had confidence in myself. That was never a thing. It was just whether or not colleges or coaches felt that way about myself.

Here's the way Static-X has always worked: I write all the songs by myself - totally and completely by myself - I give demos to the other guys, and then they add their parts to it, and then we argue about stuff and compromise and it turns out being Static-X.

The reason I took on directing a film myself was because, no matter how skilful a director was or how much I liked the film, there'd always be beats where I'd go, 'Oh... well, that's skilful, in a way, but it doesn't get the flavour I'd intended in the script.'

I've found that using historical material and being rooted in historical material is liberating because I always think to myself, 'Well, this actually happened, and this is fantastic!' That's why I don't like fantasy, in a way. Because it's sort of in emptiness.

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