Nine Quotes - Page 25

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At the age of nine, I simultaneously fell in love with two Dutch sisters because they seemed so beautifully strange, and their clothes were mysterious and alluring - added to which, they could not speak a word of English. More than anything, I wanted to connect with them and embark on a vast journey of exploration.

When I was nine years old, I wrote a short story called 'How to Build a Snowman,' from which no practical snowperson-crafting techniques could be gleaned. The story was an assignment for class and it featured a series of careful but meaningless instructions. Of course, the building of the snowman was a red herring.

I did an episode on the TV show 'Awake,' and I thought, 'Wow, that's really hard.' To do that so fast and to do that, if it's very successful, for nine months out of the year, for a bunch of good years, that's challenging. But, it was interesting. It's a good show. You'd have to have a very good character, I guess.

Many Americans don't know anyone in the military, so they aren't aware that, on average, a military child attends six to nine schools by the time he or she graduates from high school. Through each transition, the children have to leave their friends, try out for new sports teams and adjust to a new school community.

It has to do a lot more than just twerking. It's feel good music; it makes people have a good time. It doesn't matter what type of situation they're in, we bounce all around New Orleans. Weddings, birthday parties, funerals. The whole nine yards, and it's a happy music, it turns people from a frown to a happy smile.

I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.

When I was about nine years old, I announced to my mother that I was going to cook Thanksgiving dinner. And I went to the library and got this whole pile of books. I'd love to say it all turned out great. It didn't. But, sort of, from that point on, whenever there was serious cooking at home, I was the one who did it.

Some global hazards are insidious. They stem from pressure on energy supplies, food, water and other natural resources. And they will be aggravated as the population rises to a projected nine billion by mid-century, and by the effects of climate change. An 'ecological shock' could irreversibly degrade our environment.

As an actor, some of the most fun days I've had on set have involved shooting blanks all day - or better yet, on a micro-budget indie shoot in Texas, shooting live ammo. I feel guilty admitting this, but make-believe beating a man half to death for nine hours can also be strangely satisfying and, dare I say, good fun.

The magazines were born out of a need that my parents saw: that there were no magazines that really spoke to black people. 'Ebony' wrote about architects and artists, the share cropper who sent his nine kids to college, real African Americans at a time when everyone else only covered them as entertainers and athletes.

John Quincy Adams ranks with Jimmy Carter on the roster of ex-presidential redemption. Instead of completing a biography of his father, he let himself be elected to the House, where he spent nine terms in Whiggish opposition to the Democrats, supporting a national bank and a protective tariff and internal improvements.

My first encounter with science fiction was reading the work of H.G. Wells when I was nine or ten, and I don't believe 'The War of the Worlds' or 'The Time Machine' have ever been bettered. Plus, I have always had a liking for Victorian and Edwardian clothes and contraptions, which tends to color the worlds I dream up.

Growing up I did commercials and things like that, but nothing serious. As I got older, my family is really hardcore into academics. They weren't wanting to necessarily support an acting career; it's a really fickle business, and it can be difficult and unstable. They were rooting for education and the whole nine yards.

People quote lines to me all the time. I'm always surprised - everybody has a favorite movie, and they're always different. I'm always shocked. People stop me on the street and throw lines at me from 'Tales from the Crypt: Demon Knight' and 'Deep Space Nine.' 'Shawshank' happens a lot because they play it so much on TV.

I got stuck on the Peter Pan ride when I was nine years old with my dad at Disney World. We got stuck on that part of the ride when you're suspended in the pirate ship above the miniature London, and I was fascinated by the why of it all. 'Why is Peter Peter Pan, why is he in Neverland, how did he learn how to fly, etc.?'

It was a gradual process, realising I was different. I remember at primary school getting a worksheet with sums printed on it. I thought that they must have run out of the right colour inks and sizes for the numbers, because they were all the same, which isn't how I experienced numbers at all. To me, nine is big and blue.

'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.

The art of natural education consists in ignoring the faults of children nine times out of ten, in avoiding immediate interference, which is usually a mistake, and devoting one's whole vigilance to the control of the environment in which the child is growing up, to watching the education which is allowed to go on by itself.

The cosmic game changed forever in 1992. Before then, logic told us that there had to be other planets besides the nine (if you still count poor Pluto) in our solar system, but until that year, when two astronomers detected faint, telltale radio signals in the constellation Virgo, we had no hard evidence of their existence.

I'm kind of lucky in the fact that I can take something that's in my head and write it down, or I can listen to a piece of music that somebody else has written and try to tap into what the music's saying and just kind of follow that, you know. I mean, nine times out of 10, I'm just kind of following where the music takes me.

Having deadlines helps because people are constantly breathing down my neck, and tapping their toes waiting for pages. So I just have to work nine to five. If I didn't have deadlines then I might be more of a golden hour kind of guy, writing from eight to noon and calling it a day, but that's just not the way I work right now.

My mother did like to make clothes, and in I think the worst picture I've ever seen of myself - I must have been eight or nine - she'd dressed me in a matching t-shirt and Bermuda shorts ensemble which I think looked like somebody had thrown up all over it. I was so glad when that sewing machine stopped working, I have to say.

I did freelance cartooning off and on from college graduation in 1991 through ABC News hiring me in 2003. I did a weekly comic strip for 'Roll Call' for about nine years. I sold cartoons and caricatures to 'The Los Angeles Times' and 'The Washington Post.' I drew as much as I could. It's really tough to make a living doing it.

Although I could read before I went to school, and I won the school reading prize at five years old, my early children's stories came from the radio and watching films at a cinema on Saturday mornings in Australia. It wasn't until I was nine years old on a ship returning from Australia that I was introduced to children's books.

When the mayor of Sao Paulo wanted to increase bus fare by 21 centavos in 2013, the country erupted in the largest mass protests in its history. It wasn't a dramatic hike - just nine cents - but a perfect symbol of the increasing burdens on the working poor, forced to fend with an inadequate system, insensitive to their plight.

I've got about ten things to say to you right now. But at least nine of them would make me sound like a psycho.” In spite of the seriousness of the situation, I nearly smiled. “What’s the tenth thing?” I asked his shirtfront. He paused, considering it. “Never mind,” he grumbled. “That one would make me sound like a psycho, too.

I remember getting hit in the ribs when I was on about eight or nine in my first game, and everyone rushed over, quite concerned. The umpire said to me afterwards, 'If anyone had appealed I would have had to give you out LB!' I ended that innings about nine not out off about 15 overs. I was already digging in - Yorkshire style.

The first time I won a medal in the all-around competition is when I realized that's what I wanted to do pretty much for the rest of my life. Even though I was still doing baseball and soccer at the time, I think I just found that that was more my passion, where I saw a lot more success... I was probably eight or nine years old.

I love the game. But I love my wife and kids more. I can't tell you how many sacrifices I make throughout the season. I leave the house at 4:15 A.M. and get home at 7 P.M. and see my kids an hour every night. It's been sacrificing for nine years. It's not just about what's best for me. It's about what's best for me and my family.

Including my nine years as a student, the majority of my life has been at Hokkaido University. After my retirement from the university in 1994, I served at two private universities in Okayama Prefecture - Okayama University of Science and Kurashiki University of Science and the Arts - before retiring from university work in 2002.

I love comics work, and I hope I never stop doing it. But at the same time, I have my own law practice that I've built up over quite a while - it's been more than a decade that I've spent building that business - so it seems a little premature to just shut it down after nine months of working at a high level in comics. We'll see.

The NBA has made a real issue about really making these superstars the premium that everybody wants to go to. That's their calling card and their marketing tool. But the coaches at the other end of the sphere are trying to make everybody on the team, even nine, 10, 11, 12, just as important, and have a real role that's meaningful.

Let me tell you about the nap. It's absolutely fantastic. When I was a kid, my father was always trying to tell me how to be a man. And he said - I was maybe nine - he said, 'Philip, whenever you take a nap, take your clothes off and put a blanket over you, and you're going to sleep better.' Well, as with everything, he was right.

My father was a little frightening - a huge man, six foot four - and he looked like God. He was always a visitor, as far as I was concerned, because my parents separated when I was nine. We only became friends when he was old and began to shrink. During the war, he was a BBC war correspondent and did some extraordinary broadcasts.

While visiting Costa Rica, I was inspired to hear that someone had donated a playground to a local school. So when I returned to L.A., one day I just called the principal of a nearby elementary school and asked what I could do. Five years later, I've helped make over nine schools, repainting, renovating, and fixing up playgrounds.

Embrace a diversity of ideas. Embrace the fact that you can disagree with people and not be disagreeable. Embrace the fact that you can find common ground - if you disagree on nine out of 10 things, but can find common ground on that 10th, maybe you can make progress. If you can find common ground, you can accomplish great things.

I grew up playing softball, and at the age of nine, I decided I was going to be an Olympian. I didn't really know what that meant at the time. I thought it might be in a warm summer sport like softball, but I played a variety of sports growing up - basketball, soccer and track. I really didn't care. I just wanted to be an Olympian.

Robert Frost had a house in Bennington, Vermont, and I had a friend, the poet Mary Ruefle, who was the caretaker of it when it was owned by Norman Lear, the TV producer. She got a grant to go to Scotland, and she had to be gone six or nine months, so I moved in, and my job was just to make sure the ravage didn't overtake the place.

"Do you not quarrel, brother Heber?" says one. No, I do not. But; when a woman begins to dispute me, about nine times out of ten I get up and say, "Go it," and then go off about my business; and if ever I am so foolish as to quarrel with a woman, I ought to be whipped; for you may always calculate that they will have the last word.

I love Michelle Williams. I think she's extraordinary. I was such a fan of 'Blue Valentine,' and I heard stories about how Ryan Gosling and Michelle Williams worked on that. They lived together for a period of time as rehearsal. From nine in the morning to five at night, living in a space together. The work is really awe-inspiring.

Hendrix was the first person I had come across who seemed completely free, and when you're nine or 10, your life is entirely dominated by adults. So he represented this thing that I wanted to be. Hendrix was the first person who made me think it might be good to be a singer and a guitarist - before that I wanted to be a footballer.

When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.

Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.

At the age of nine, I could cross the length of Glasgow on a succession of buses, wearing regulation garter-topped stockings and compulsory cap and - if I'd done well enough to earn the honour in last week's test - with a First World War medal on a striped ribbon pinned to my brown blazer. I must have looked like a chocolate soldier.

I had been getting relaxers since I was eight or nine. I had no clue. It was a personal mission to really find out who am when I'm not altering myself to look like anybody else. Who am I when I wake up and I don't do anything to my hair? Who is that woman? I want to meet her. And that was what catapulted my journey into going natural.

Ideas come mostly bottoms-up. They come when you have a free flow of ideas and you have people able to combine multiple ideas into one concept... And you've got to have competition, too. You've got to say, 'We're going to have 10 different ideas, nine of them are going to fail, and the one that does the best is going to move forward.'

If you go into a bank or a shop and you want them to believe that you're going to shoot them, that's an acting exercise. If you want to turn to someone else who's as tooled up as you are and persuade them to put their knife down because you'll use your knife, that's an acting exercise. Nine out of 10 delinquents are frustrated actors.

When we shot the pilot for 'Voyager,' Armin Shimmerman, who played Quark on 'Deep Space Nine,' was very gracious and outgoing about preparing us for these personal appearances. Still, nothing really can prepare you for the first time when you walk out on stage and 2,000 people in a room stand up and applaud simply because you're there.

The credit/debit card transaction system is antiquated, expensive, and inefficient. There are over nine steps to complete a transaction from the time a customer swipes their card to payment processing, settlement, and when the merchant finally gets paid. Every step along the way costs both the consumer and the vendor in additional fees.

The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.

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